De smidse, James Abbott McNeill Whistler, 1879 - 1883
James Abbott McNeill Whistler, retratoJames Abbott McNeill WhistlerEstados Unidos, 1834–1903

De smidse

1879 - 1883 · Print

Posso vê-la?

Desconhecido

Onde está «De smidse» hoje? Coleção: Museu Estatal de Amesterdão, Amesterdão. Desconhecido.

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
Incorporar

Sobre a obra

Nas palavras do museu — em holandês

Interieur van een smidse. Rechts een man aan het werk op een aambeeld.

Museu Estatal de Amesterdão

Pormenores

Número de inventário
RP-P-1940-234

O que mostra

No catálogo

Fontes

Na vida de James Abbott McNeill Whistler

A vida inteira
  1. 1877

    Libel Suit Against Ruskin

    In 1877 Whistler sued the critic John Ruskin, who had condemned his "Nocturne in Black and Gold: The Falling Rocket," demanding 1,000 pounds in damages. Because of the criticism, his works fell out of favour.

  2. 25 – 26 November 1878

    The Trial of Whistler v. Ruskin

    On 25–26 November 1878 the suit was heard in the High Court. The jury returned a verdict in Whistler's favour but awarded damages of one farthing, and costs were split between the parties.

  3. 8 May 1879

    Bankruptcy

    Legal costs and debts from the construction of the White House on Tite Street forced Whistler to declare bankruptcy on 8 May 1879; his collection, possessions, and house went to auction.

  4. 1879

    Trip to Venice

    After the trial, Whistler accepted a commission for twelve etchings and arrived in Venice in September 1879. The three-month trip stretched to fourteen months: over 50 etchings, nocturnes, and more than 100 pastels.

  5. January 1881

    Mother's Death; the Name McNeill

    In January 1881 the artist's mother, Anna Whistler, died. In her honour he adopted her maiden name, "McNeill," as his middle name.

  6. February 1885

    The "Ten O'Clock" Lecture

    In February 1885 Whistler delivered his "Ten O'Clock" lecture — the principal statement of his "art for art's sake" credo, opposed to the Victorian view of art's moral function.

Todas as obras

No mesmo museu: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Blacksmiths

Todas as obras sobre o tema