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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. De houten brug
De houten brug, Claude Lorrain, 1638 - 1641
Claude Lorrain, retratoClaude LorrainFrança, 1600–1682

De houten brug

1638 - 1641 · Print

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

Sobre a obra

Nas palavras do museu — em holandês

Landschap met een houten brug over een rivier. Over de brug loopt een kudde dieren, gevolgd door Rebekka en Eliëzer die vertrekken. In de verte links de kudde kamelen.

Museu Estatal de Amesterdão

Pormenores

1638 - 1641
16001682
Número de inventário
RP-P-OB-5687

O que mostra

The leave-taking of RebekahLaban gives her provisions

No catálogo

GravurasBarrocoSéculo XVII

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain

Entretanto, na vida de Claude Lorrain

A vida inteira
  1. 1635–1638

    Pope Urban VIII commissions four paintings

    According to Baldinucci, Cardinal Guido Bentivoglio, impressed by the two landscapes Claude painted for him, recommended the artist to Pope Urban VIII; four paintings were made for the Pope in 1635–38, two large and two small on copper.

  2. 1637

    The French ambassador buys two paintings

    In 1637 the French ambassador to the Vatican bought two paintings from Claude, “View of the Roman Forum” and “View of a Port with the Capitol”, which are now in the Louvre.

  3. late 1630s

    Italy’s leading landscapist, with large fees

    By the end of the 1630s Claude was established as the leading landscapist in Italy and enjoyed large fees; his landscapes gradually became larger but with fewer figures, more carefully painted and produced at a lower rate.

  4. 1639

    Philip IV commissions seven paintings

    In 1639 Philip IV of Spain commissioned seven paintings from Claude, now in the Prado, among them two landscapes with hermits.

  5. 1642

    Gives up etching for painting

    Claude was a skilful etcher but gave up etching for good in 1642, choosing painting.

Mais obras de Claude Lorrain

Todas as obras
Pastoral Landscape, Claude Gellée, 1638

Pastoral Landscape

1638 · Instituto de Artes de Minneapolis

The Trojan Women Setting Fire to Their Fleet, Claude Lorrain, ca. 1643

The Trojan Women Setting Fire to Their Fleet

ca. 1643 · Museu Metropolitano de Arte

Le Port de Gênes, vu de la mer, Gellée, Claude, 2e quart du XVIIe siècle (vers 1627 - 1629)

Le Port de Gênes, vu de la mer

2e quart du XVIIe siècle (vers 1627 - 1629) · Museu do Louvre

Landscape with Merchants, Claude Lorrain, c. 1629

Landscape with Merchants

c. 1629 · Galeria Nacional de Arte

Siège de la Rochelle par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Siège de la Rochelle par Louis XIII

2e quart du XVIIe siècle (vers 1630 - 1635) · Museu do Louvre

Paysage avec pâtre et troupeau, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Paysage avec pâtre et troupeau

2e quart du XVIIe siècle (vers 1630 - 1635) · Museu do Louvre

Marine. Soleil couchant, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Marine. Soleil couchant

2e quart du XVIIe siècle (vers 1630 - 1635) · Museu do Louvre

Le Pas de Suse forcé par Louis XIII, Gellée, Claude, 2e quart du XVIIe siècle (vers 1630 - 1635)

Le Pas de Suse forcé par Louis XIII

2e quart du XVIIe siècle (vers 1630 - 1635) · Museu do Louvre

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634