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Onde está a obra-prima, e a que horas se abre a porta.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. De hoer van Babylon
De hoer van Babylon, Albrecht Dürer, 1496 - 1497
Albrecht Dürer, retratoAlbrecht DürerAlemanha, 1471–1528

De hoer van Babylon

1496 - 1497 · Print

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

Sobre a obra

Nas palavras do museu — em holandês

Een mooi geklede en gekapte vrouw rijdt op een beest met zeven koppen en tien horens. Vanuit de hemel verschijnt een leger ruiters. Daarnaast twee engelen, van wie één een molensteen vast heeft. Rechts op de achtergrond is te zien hoe een stad in vlammen opgaat. Op versozijde Latijnse bijbeltekst in gotisch schrift in twee kolommen.

Museu Estatal de Amesterdão

Pormenores

1496 - 1497
14711528
Número de inventário
RP-P-OB-1391

O que mostra

The scarlet woman, the whore of BabylonShe is usually sitting on a scarlet beast with seven heads and ten hornsThe fall of Babylon

No catálogo

GravurasRenascimentoSéculo XV

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain

Entretanto, na vida de Albrecht Dürer

A vida inteira
  1. c. 1492 – 1494

    Basel: woodcuts for the printers

    In Basel, a centre of printing, Dürer stayed with Georg Schongauer. A woodblock for the title page of the Letters of St Jerome (1492), signed with his name on the back, led to the works of the “Master of the Bergmann Press” being attributed to him; he may also have worked on the woodcuts for Sebastian Brant's Ship of Fools.

  2. July 1494

    Marries Agnes Frey

    Soon after returning to Nuremberg the 23-year-old Dürer married Agnes Frey, daughter of a prominent brass worker and amateur harpist; the match had been arranged in his absence, and marriage was required to open a workshop of his own. They had no children, and his letters suggest the marriage was not a happy one.

  3. 7 de julho de 1494

    Married: Agnes Dürer

  4. 1494–1495

    First journey to Italy

    Within three months of the wedding Dürer left alone for Italy, perhaps fleeing an outbreak of plague in Nuremberg. Crossing the Alps he made watercolour landscapes; in Venice he studied its art and judged Giovanni Bellini the best of its painters; Mantegna and Pollaiuolo left their mark on him.

  5. 1495

    Opens his own workshop

    Dürer opened his own workshop in Nuremberg, where over the next ten years he created much of his printmaking. His godfather, the publisher Anton Koberger, helped issue the first series; the city's crafts were governed by the Council rather than guilds, leaving him free to try new techniques and sell his own impressions.

Mais obras de Albrecht Dürer

Todas as obras
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Museu Metropolitano de Arte

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Museu Metropolitano de Arte

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madona de Haller

c. 1496/1499 · Galeria Nacional de Arte

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · Galeria Nacional de Arte

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Museu Metropolitano de Arte

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Museu de Arte de Cleveland

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Museu de Arte de Cleveland

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Museu de Arte de Cleveland

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634