De heilige Antonius van Padua, Guercino, 1601 - 1666
Giovanni Francesco Barbieri, called Guercino, retratoGiovanni Francesco Barbieri, called GuercinoItália, 1591–1666

De heilige Antonius van Padua

1601 - 1666 · Print

Posso vê-la?

Desconhecido

Onde está «De heilige Antonius van Padua» hoje? Coleção: Museu Estatal de Amesterdão, Amesterdão. Desconhecido.

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu

Sobre a obra

Nas palavras do museu — em holandês

De heilige Antonius van Padua met een boek en een lelietak in zijn handen.

Museu Estatal de Amesterdão

Pormenores

Número de inventário
RP-P-OB-36.355

O que mostra

No catálogo

Fontes

Na vida de Giovanni Francesco Barbieri, called Guercino

A vida inteira
  1. 1621

    Moves to Rome, to the court of Gregory XV

    Marchese Enzo Bentivoglio recommended Guercino to the newly elected Pope Gregory XV, the Bolognese Alessandro Ludovisi. His Roman years (1621–1623) were the most productive of his life; the portrait of the pope (now in the Getty Museum) dates from them.

  2. 1623

    Returns to his native Cento

    After the death of Pope Gregory XV, Guercino left Rome and returned to his hometown.

  3. 1623

    Ottavio Leoni draws his portrait

    The portrait emphasises the permanent squint that gave the artist his nickname. Guercino's right eye was apparently 'lazy' and he presumably had monocular vision — which did not stop him conveying depth remarkably well.

  4. 1629

    The Barbieri household account book begins

    From this year Guercino's affairs are recorded in the Libro dei Conti di Casa Barbieri, kept up with his brother Paolo Antonio, a notable still-life painter; the book survives. He worked with extreme rapidity — no fewer than 106 large altarpieces and some 144 other paintings, besides a great many drawings.

  5. 1642

    Moves to Bologna after Guido Reni's death

    After the death of his commercial rival Guido Reni, Guercino moved his busy workshop to Bologna and took over Reni's role as the city's leading painter of sacred subjects. He painted and taught to the end of his life, amassed a notable fortune and, never having married, left it to his nephews and pupils Benedetto Gennari II and Cesare Gennari.

  6. 22 de dezembro de 1666

    Died

Todas as obras

No mesmo museu: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Saint Anthony of Padua

Todas as obras sobre o tema