ART WIKI
Darkness and Light, Reynold Weidenaar, 1952
Reynold WeidenaarEstados Unidos, 1915–1985

Darkness and Light

1952 · Print

Posso vê-la?

Não exposta de momento

Onde está «Darkness and Light» hoje? Coleção: Galeria Nacional de Arte, Washington, D.C. Não exposta de momento. Verificado 29 de setembro de 2026.

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
Neste estado desde
Fonte
O museu
No mapaPágina do museu

Pormenores

Número de inventário
2015.19.1455

O que mostra

MexicoCathedral

No catálogo

GravurasMezzotintaArte do pós-guerraSéculo XXAmerican

Fontes

Mais obras de Reynold Weidenaar

Todas as obras
Pittsburgh People, Reynold Weidenaar, 1942

Pittsburgh People

1942 · Não exposta · Galeria Nacional de Arte

Connecticut Avenue Bridge, Washington, D.C., Reynold Weidenaar, 1943

Connecticut Avenue Bridge, Washington, D.C.

1943 · Não exposta · Galeria Nacional de Arte

Street of the Goats, Taxco, Reynold Weidenaar, 1945

Street of the Goats, Taxco

1945 · Não exposta · Galeria Nacional de Arte

El Monstro de Paracuti, Reynold Weidenaar, 1945

El Monstro de Paracuti

1945 · Não exposta · Galeria Nacional de Arte

December Thaw, Reynold Weidenaar, 1946

December Thaw

1946 · Não exposta · Galeria Nacional de Arte

Ten O'Clock in Taxco, Reynold Weidenaar, 1946

Ten O'Clock in Taxco

1946 · Não exposta · Galeria Nacional de Arte

Locomotive Shops, Reynold Weidenaar, 1947

Locomotive Shops

1947 · Não exposta · Galeria Nacional de Arte

Six Ways to Draw on Copper II, Reynold Weidenaar, 1948

Six Ways to Draw on Copper II

1948 · Não exposta · Galeria Nacional de Arte

No mesmo museu: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Mexico

Todas as obras sobre o tema
Viva Zapata, Diego Rivera, 1932

Diego Rivera

Viva Zapata, 1932

Não exposta · Galeria Nacional de Arte

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., Allen Ginsberg, 1954, printed later

Allen Ginsberg

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., 1954, printed later

Não exposta · Galeria Nacional de Arte

Neal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip., Allen Ginsberg, 1948/1954/1956, printed 1990

Allen Ginsberg

Neal Cassady driving his oldsmobile down Bayshore Highway, San Francisco to Los Gatos, circa 1954, I sat in the backseat, the car rocked with Rhythm & Blues Radio.; Self-Portrait in Darkroom of Associated Press Office, Rockefeller Center Manhattan, I was a copyboy on the night shift, 1948. A.G.; Street cornerman’s tintype, Alameda Park, Mexico City: Jack Kerouac, myself in sombrero, Peter Orlovsky coat over shoulder, Gregory Corso kneeling with Lafcadio Orlovsky age 16, A.D. 1956. See Kerouac’s _Desolation Angels_ for account of this trip., 1948/1954/1956, printed 1990

Não exposta · Galeria Nacional de Arte

Scene at the Secretariat of Education with Rivera Murals, Tina Modotti, c. 1928

Tina Modotti

Scene at the Secretariat of Education with Rivera Murals, c. 1928

Não exposta · Galeria Nacional de Arte

Sian Ka'an, Sally Mann, 1999

Sally Mann

Sian Ka'an, 1999

Não exposta · Galeria Nacional de Arte

Sian Ka'an, Sally Mann, 1999

Sally Mann

Sian Ka'an, 1999

Não exposta · Galeria Nacional de Arte

Sian Ka'an, Sally Mann, 1999

Sally Mann

Sian Ka'an, 1999

Não exposta · Galeria Nacional de Arte

Calakmul, Sally Mann, 1999

Sally Mann

Calakmul, 1999

Não exposta · Galeria Nacional de Arte