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  1. Coleção/
  2. Museu de Arte Moderna/
  3. Cutting Device: Base Plate Measure
Cutting Device: Base Plate Measure, Richard Serra, 1969
Richard Serra, retratoRichard SerraEstados Unidos, 1938–2024

Cutting Device: Base Plate Measure

1969 · Sculpture

Será possível contemplá-la?

De momento, não recebe

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 8 dias
Fonte
O museu
No mapaPágina do museu

Pormenores

1969 · aos 31 anos
19382024
Número de inventário
974.1979.a-ee

No catálogo

EsculturaMadeiraArte do pós-guerraSéculo XX

Fontes

  • Museu de Arte Moderna
  • Imagem: Museu de Arte Moderna — © the artist or rights holder

Entretanto, na vida de Richard Serra

A vida inteira
  1. 1968

    Group show “Nine at Castelli”

    At the Castelli Warehouse in New York he shows “Prop” and “Scatter Piece” and makes “Splashing” by throwing molten lead into the angle between floor and wall.

  2. 1969

    Jasper Johns's commission and a plate in the corner

    Jasper Johns commissions a “Splash Piece” for his studio; while heating the lead plates, Serra sets one of the larger ones in the corner, where it stands on its own. It becomes a pivotal moment, soon followed by his break into space.

  3. 1969

    First solo exhibition in the United States

    At the Leo Castelli Warehouse in New York he exhibits ten lead “Prop Pieces”, a “Scatter Piece” and a “Splash Piece” dedicated to Eva Hesse.

  4. 1969

    “Anti-Illusion” at the Whitney

    His “Casting” is included in the exhibition “Anti-Illusion: Procedures/Materials” at the Whitney Museum of American Art: he again throws molten lead into the angle of floor and wall, pulls away the hardened casting and repeats the action, producing a series of free-standing forms.

  5. 1970

    First solo museum exhibition

    His first solo museum exhibition is held at the Pasadena Art Museum in Pasadena, California.

  6. 1970

    The Zen gardens of Myoshin-ji in Kyoto

    In Japan he spends most of his time studying the Zen gardens and temples of Myoshin-ji in Kyoto. The layout of the gardens reveals the landscape as a total field that can be experienced only by walking, and changes his way of seeing space in relation to time.

Mais obras de Richard Serra

Todas as obras
Five Plates, Two Poles, Richard Serra, 1971

Five Plates, Two Poles

1971 · Galeria Nacional de Arte

Television Delivers People, Richard Serra, Carlota Schoolman, 1973

Television Delivers People

1973 · Museu de Arte Moderna

Equal, Richard Serra, 2015

Equal

2015 · Museu de Arte Moderna

Candle Piece, Richard Serra, 1967

Candle Piece

1967 · Não exposta · Museu de Arte Moderna

Chunk, Richard Serra, 1967

Chunk

1967 · Não exposta · Museu de Arte Moderna

To Lift, Richard Serra, 1967

To Lift

1967 · Não exposta · Museu de Arte Moderna

Verb List, Richard Serra, 1967

Verb List

1967 · Não exposta · Museu de Arte Moderna

Untitled, Richard Serra, 1967

Untitled

1967 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Museu de Arte Moderna

Página do museu
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

A Noite Estrelada, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950