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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Cupids as Caryatids
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Relief

Sobre a escultura

This terracotta relief together with its pendant (Mus.no. 7717-1863) were made as sketch models for a larger composition in marble; this may have been a doorway, a grand chimneypiece, or perhaps a monument. Part of the finished work is in the Museum's collection (A.4-1990).

Continuar a ler

Rysbrack was born in Antwerp, and trained in the Netherlands, but spent his working life in Britain. He was one of the most important sculptors active in this country in the first half of the 18th century, and specialised in portrait busts and funerary monuments. Although he never visited Italy, many of his works are clearly indebted to classical archetypes. His terracotta models are particularly fine, and are often virtually finished pieces in their own right. Here it is interesting to note the slight changes which took place between the design of the terracotta relief and the final marble, especially in the areas of the moulding.

Museu Vitória e Alberto

Pormenores

Número de inventário
7718-1863

Mais obras de possibly John Michael Rysbrack

Todas as obras

Na mesma sala · Sculpture, Room 22, The Dorothy and Michael Hintze Galleries, Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Putti

Todas as obras sobre o tema
Ppossibly John Michael Rysbrack

Será possível contemplá-la?

Sim, recebe visitas

Museu Vitória e Alberto

Londres, Reino Unido

SalaSculpture, Room 22, The Dorothy and Michael Hintze Galleries

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
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EsculturaTerracota e cerâmicaRococóSéculo XVIIIInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Cupids as Caryatids, possibly John Michael Rysbrack, ca. 1730

Cupids as Caryatids

ca. 1730 · Museu Vitória e Alberto

Two Putti supporting and Architrave, possibly John Michael Rysbrack, ca. 1730

Two Putti supporting and Architrave

ca. 1730 · Museu Vitória e Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Alfred Stevens

Model for Wellington Monument: Truth and Falsehood, 1867-8

Valour and Cowardice, Alfred George Stevens, 1866

Alfred Stevens

Valour and Cowardice, 1866

Pandora, John Gibson, 1856

John Gibson

Pandora, 1856

Eve listening to the voice, Edward Hodges Baily, 1842

Edward Hodges Baily

Eve listening to the voice, 1842

Maternal Affection, Edward Hodges Baily, 1837

Edward Hodges Baily

Maternal Affection, 1837

Catherine, Lady Stepney (d. 1845) as Cleopatra, Richard Cockle Lucas, ca. 1836

Richard Cockle Lucas

Catherine, Lady Stepney (d. 1845) as Cleopatra, ca. 1836

Nicolò Paganini, Henry Westmacott, 1832

Henry Westmacott

Nicolò Paganini, 1832

Cupid kindling the torch of Hymen, George Rennie, ca. 1831

George Rennie

Cupid kindling the torch of Hymen, ca. 1831

Bacchanal: A Faun Teased by Children, Gian Lorenzo Bernini, ca. 1616–17

Gian Lorenzo Bernini

Um fauno provocado por crianças, ca. 1616–17

Museu Metropolitano de Arte

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Florentine 16th century, The "Chief Framer", Raffaellino del Garbo, and Sandro Botticelli, and Filippino Lippi, Sheets probably 1480-1504; mounting & framework c. 1575/1590

Sandro Botticelli

Page from the Collection of Niccolò Gaddi (So-Called "Vasari Page"), Sheets probably 1480-1504; mounting & framework c. 1575/1590

Não exposta · Galeria Nacional de Arte

The Temptation of the Idler (The Dream of the Doctor), Albrecht Dürer, c. 1498

Albrecht Dürer

The Temptation of the Idler (The Dream of the Doctor), c. 1498

Não exposta · Art Institute of Chicago

The Dream of the Doctor (Temptation of the Idler), Albrecht Dürer, 1498/1499

Albrecht Dürer

The Dream of the Doctor (Temptation of the Idler), 1498/1499

Não exposta · Galeria Nacional de Arte

Die Hexe - Witch Riding on a Goat, Albrecht Dürer, c. 1500

Albrecht Dürer

Die Hexe - Witch Riding on a Goat, c. 1500

Não exposta · Instituto de Artes de Minneapolis

Putti Testing a Man's Perception of Depth, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Putti Testing a Man's Perception of Depth, c. 1613

Não exposta · Galeria Nacional de Arte

Hercules Fighting the Fury and the Discord, Christoffel Jegher after Sir Peter Paul Rubens, 1630

Peter Paul Rubens

Hercules Fighting the Fury and the Discord, 1630

Não exposta · Galeria Nacional de Arte

Elderly Man Watching Putti Dissect an Eye, Sir Peter Paul Rubens, c. 1613

Peter Paul Rubens

Elderly Man Watching Putti Dissect an Eye, c. 1613

Não exposta · Galeria Nacional de Arte