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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Crucifixion
Crucifixion, Dunstan Pruden, ca. 1935 - ca. 1940
DDunstan Pruden

Crucifixion

ca. 1935 - ca. 1940 · Group

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Museu Vitória e Alberto

Londres, Reino Unido

SalaSculpture, Room 21, The Dorothy and Michael Hintze Galleries

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25 de set. de 2026
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Sobre a escultura

The Crucifixion group dates to about 1935-40, after Pruden had joined the Guild of St Joseph and St Dominic set up by Eric Gill. Through the Guild, Gill not only promoted the Arts and Crafts tradition which focused on handmade designs in different materials, he also emphasised how the Roman Catholic faith could be conveyed through works of art. The Crucifixion is therefore particular noteworthy, since aside from its distinctive workshop style and religious subject matter, it demonstrates Pruden's ability to carve in ivory, a material with which he was less experienced in working, as he was first and foremost a silversmith.

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The piece is almost identical in style and composition to the brass figures on the altar of Keymer Catholic Church, West Sussex. Many of the Guild members' work were commissioned by local Roman Catholic churches, and it seems probable that Pruden carved this piece as a model in preparation for the larger cast metal version in the church.

Museu Vitória e Alberto

Pormenores

Número de inventário
A.1:1 to 3-2009

O que mostra

Jesus ChristVirgin MarySt John the EvangelistThe Crucifixion

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EsculturaMarfimModernismoSéculo XXDitchling

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London

Na mesma sala · Sculpture, Room 21, The Dorothy and Michael Hintze Galleries, Museu Vitória e Alberto

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Não exposta · Galeria Nacional de Arte

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