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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Art Institute of Chicago/
  3. Crucifixion
Crucifixion, Albrecht Dürer, 1508
Albrecht Dürer, retratoAlbrecht DürerAlemanha, 1471–1528

Crucifixion

1508 · Print

Será possível contemplá-la?

De momento, não recebe

Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1508 · aos 37 anos
14711528
Número de inventário
1939.2061

No catálogo

GravurasGravura a burilRenascimentoSéculo XVIAlemanha

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — CC0

Entretanto, na vida de Albrecht Dürer

A vida inteira
  1. 1505–1507

    To Bologna for the secrets of perspective

    Dürer travelled to the university city of Bologna, hoping to learn the secrets of geometric perspective from its scholars. He then meant to visit Mantegna in Padua but received news of his death, which he greatly regretted afterwards.

  2. 1505–1507

    Friendship with Giovanni Bellini

    Dürer considered Giovanni Bellini “the best in painting”, the only Venetian master with whom he became friends. The Madonna of the Siskin may have been painted at Bellini's request.

  3. 1505–1507 · Local de trabalho

    Venice

  4. 1507

    Leaving Venice: “Here I am a gentleman”

    Dürer left Italy, apparently reluctantly: in one of his last letters to Pirckheimer he remarked, “Here I am a gentleman, while at home I am only a parasite.”

  5. 1507–1528 · Local de trabalho

    Nuremberg

  6. 1509

    Elected to Nuremberg's Greater Council

    Dürer was elected a nominated member of Nuremberg's Greater Council; in that role he may have taken part in the city's artistic projects.

Mais obras de Albrecht Dürer

Todas as obras
Virgin and Child with Saint Anne, Albrecht Dürer, probably 1519

Virgin and Child with Saint Anne

probably 1519 · Museu Metropolitano de Arte

Female Nude Seen from Behind, Albrecht Dürer, early 17th century

Female Nude Seen from Behind

early 17th century · Museu Metropolitano de Arte

Madonna and Child [obverse], Albrecht Dürer, c. 1496/1499

Madona de Haller

c. 1496/1499 · Galeria Nacional de Arte

Lot and His Daughters [reverse], Albrecht Dürer, c. 1496/1499

Lot and His Daughters [reverse]

c. 1496/1499 · Galeria Nacional de Arte

The Martyrdom of Saint Catherine, Albrecht Dürer, ca. 1498

The Martyrdom of Saint Catherine

ca. 1498 · Museu Metropolitano de Arte

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Nemesis (The Great Fortune)

c. 1501/1502 · Museu de Arte de Cleveland

Large Horse, Albrecht Dürer, 1505

Large Horse

1505 · Museu de Arte de Cleveland

The Lamentation, Albrecht Dürer, 1507

The Lamentation

1507 · Museu de Arte de Cleveland

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942