ART WIKI
Cristo, attributed to Espada Family, late 18th-early 19th century
attributed to Espada Family

Cristo

late 18th-early 19th century · Sculpture · 101.6 × 51.5 cm

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Sim, exposta agora

Onde está «Cristo» hoje? Museu Smithsoniano de Arte Americana, Luce Foundation Center, 3rd Floor, 21B, Washington, D.C. Sim, exposta agora. Verificado 25 de setembro de 2026.

Museu Smithsoniano de Arte Americana

Washington, D.C., Estados Unidos

SalaLuce Foundation Center, 3rd Floor, 21B

Exposta ao público.

Verificado
Neste estado desde
Fonte
O museu
No mapaPágina do museu

Sobre a escultura

In a museum installation, behind glass, these religious figures and santos are not as physically accessible as they were for worshipers in their churches or home altars. The sights, sounds, and smells surrounding this devotional image of Christ in its original context are now left to the imagination. A closer look at this figure provides a glimpse into its ritual function: rings of melted wax are visible on the base from the candles that were lit in prayer.

Museu Smithsoniano de Arte Americana

Pormenores

Número de inventário
1996.91.42

O que mostra

ReligionNew Testament BibleCristo

No catálogo

EsculturaMadeiraRealismoImpressionismoSéculo XIX

Fontes

Na mesma sala · Luce Foundation Center, 3rd Floor, 21B, Museu Smithsoniano de Arte Americana

Página do museu
San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Sagrado Corazon, Caban group, ca. mid-19th-early 20th century

Caban group

Sagrado Corazon, ca. mid-19th-early 20th century

San Miguel en Lucha con el Demonio, Francisco "Pancho el Santero" Rivera, second half of 19th century-1910

Francisco "Pancho el Santero" Rivera

San Miguel en Lucha con el Demonio, second half of 19th century-1910

Los Reyes Magos, attributed to Hipolito Marte Martinez, early 20th century

attributed to Hipolito Marte Martinez

Los Reyes Magos, early 20th century

Las Once Mil Virgenes, Francisco "Pacheco" Claudio, first half of the 20th century

Francisco "Pacheco" Claudio

Las Once Mil Virgenes, first half of the 20th century

Los Reyes Magos, Caban group, ca. 1875-1900

Caban group

Los Reyes Magos, ca. 1875-1900

Sobre o mesmo tema · Religion

Todas as obras sobre o tema
Madonna della seggiola, Charles B. J. Févret de Saint-Mémin, after Raphael, c. 1795

Raphael

Madonna della seggiola, c. 1795

Não exposta · Galeria Nacional de Arte

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Gelek Rimpoche, Tibetan Vajrayana teacher, visited to say Goodbye at his student Yael Crawford's house, Cleveland, Ohio, I'd stayed over with Philip Glass for Jewel Heart Meditation Center benefit. A Friend gave me this cloth-sewn Uncle Sam hat, too small for Rimpoche's dome. He'd just gotten U.S.A. citizenship & passport. Dalai Lama enshrined over mantel. March 20, 1995., 1995

Não exposta · Galeria Nacional de Arte

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., Allen Ginsberg, 1993, printed 1995

Allen Ginsberg

Gelek Rimpoche from Lhasa and Ann Arbor unwrapping Tibetan text & beginning to chant it, Tokden Rinpoche, handling brass Vajia (Diamond Lightning Bolt) and Ghanta (Bell) Sonam, former chanting. master of Gyuto Tantric College idling behind them at picnic table outside lodge shrine-room after lunch, "just fooling around rather than having a ceremony." Sonam came in from Chicago, Tokden from Eastern Tibet to give oral Transmissions of one-volume short-form _Prajnaparamita_ [Highest perfect wisdom] _Sutra_ to Gelek's hundred students. "Gate Gate Para Gate Parasamgate Bodhi Svaha!" Over annual summer retreat, Yankee Springs State Park, Michigan, August 27, 1993., 1993, printed 1995

Não exposta · Galeria Nacional de Arte

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., Allen Ginsberg, 1987

Allen Ginsberg

Khyentse Dilgo Rinpoche, one of Chögyam Trungpa's root teacher, at Marpa House reception for Naropa Instructors, Spring 1987. Sue Secoff + translator at right hand., 1987

Não exposta · Galeria Nacional de Arte

Buried with Him by Baptism, Paul Revere, c. 1765

Paul Revere

Buried with Him by Baptism, c. 1765

Não exposta · Galeria Nacional de Arte

White Crucifixion, Marc Chagall, 1938

Marc Chagall

Crucificação Branca, 1938

Não exposta · Art Institute of Chicago

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of the Crucifixion for "Fifteen Mysteries of the Rosary", 1903-1916

Não exposta · Galeria Nacional de Arte

Study of Adam for the "Fifteen Mysteries of the Rosary", John Singer Sargent, 1903-1916

John Singer Sargent

Study of Adam for the "Fifteen Mysteries of the Rosary", 1903-1916

Não exposta · Galeria Nacional de Arte