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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Couple in Egypt
Couple in Egypt, Alexander Calder, 1931
Alexander Calder, retratoAlexander CalderEstados Unidos, 1898–1976

Couple in Egypt

1931 · Drawing

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1931 · aos 33 anos
18981976
Número de inventário
1996.120.10

O que mostra

FemaleMaleNu artísticoEgypt

No catálogo

Desenhos e aguarelasPenaModernismoSéculo XXAmerican

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder

Entretanto, na vida de Alexander Calder

A vida inteira
  1. 1929

    A show of wire sculptures at Galerie Billiet

    Calder invented wire sculpture, or “drawing in space”, and in 1929 he holds in Paris, at Galerie Billiet, his first solo show of such works; the preface to the catalogue is written by the painter Jules Pascin, a friend from the Montparnasse cafés. “Hi!”, an early example of his wire sculpture, is in the collection of the Honolulu Museum of Art.

  2. June 1929

    Meets Louisa James on a steamship

    In June 1929, travelling by boat from Paris to New York, Calder meets his future wife, Louisa James (1905–1996), a daughter of Edward Holton James and grandniece of the author Henry James and the philosopher William James. They will marry in 1931 and stay together for the rest of his life; they will have two daughters.

  3. 1930

    In Mondrian’s studio: the shock of abstraction

    A visit to Piet Mondrian’s studio in 1930, with its environment-as-installation, “shocks” Calder into fully embracing abstract art, toward which he had already been tending. He abandons the static quality of Mondrian’s Neo-Plasticism and sets himself the task of creating dynamic systems that reflect the continuous changeability of nature; another stimulus toward kinetic art was a planetarium that showed the movements of celestial bodies.

  4. 1931

    A show of abstract constructions at Galerie Percier

    Calder’s first exhibition of abstract constructions is held in 1931 at Galerie Percier; Fernand Léger writes the preface to the catalogue.

  5. 1931

    Joins Abstraction-Création

    In 1931 Calder joins the non-figurative group Abstraction-Création; in 1933 he exhibits with it in Paris.

  6. 1933

    Back in America: a farmhouse in Roxbury

    In 1933 Calder and Louisa return to America, to a farmhouse they have bought in Roxbury, Connecticut, where they will raise a family.

Mais obras de Alexander Calder

Todas as obras
Rearing Stallion, Alexander Calder, c. 1928

Rearing Stallion

c. 1928 · Galeria Nacional de Arte

Sow, Alexander Calder, 1928

Sow

1928 · Museu de Arte Moderna

Cow, Alexander Calder, 1929

Cow

1929 · Galeria Nacional de Arte

The Acrobats, Alexander Calder, 1929

The Acrobats

1929 · Galeria Nacional de Arte

Cow, Alexander Calder, 1929

Cow

1929 · Museu de Arte Moderna

Ruby-Eyed, Alexander Calder, 1936

Ruby-Eyed

1936 · Galeria Nacional de Arte

Gibraltar, Alexander Calder, 1936

Gibraltar

1936 · Museu de Arte Moderna

Untitled (The McCausland Mobile), Alexander Calder, 1937

Untitled (The McCausland Mobile)

1937 · Galeria Nacional de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Female

Todas as obras sobre o tema
Mrs. Gunn on Porch, Independence, California, Ansel Adams, 1944, printed 1981

Ansel Adams

Mrs. Gunn on Porch, Independence, California, 1944, printed 1981

Não exposta · Galeria Nacional de Arte

Spanish American Woman, near Chimayo, New Mexico, Ansel Adams, 1937, printed 1981

Ansel Adams

Spanish American Woman, near Chimayo, New Mexico, 1937, printed 1981

Não exposta · Galeria Nacional de Arte

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Galeria Nacional de Arte

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Galeria Nacional de Arte

Nude in the Studio, Pablo Picasso, 1936/1937

Pablo Picasso

Nude in the Studio, 1936/1937

Não exposta · Galeria Nacional de Arte

Woman at the Seashore (Femme au bord de la mer), Pablo Picasso, 1923 or 1924

Pablo Picasso

Woman at the Seashore (Femme au bord de la mer), 1923 or 1924

Não exposta · Galeria Nacional de Arte

Variation on Delacroix's "Women of Algiers": IX, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IX, 1955

Não exposta · Galeria Nacional de Arte

Variation on Delacroix's "Women of Algiers": IV, Pablo Picasso, 1955

Pablo Picasso

Variation on Delacroix's "Women of Algiers": IV, 1955

Não exposta · Galeria Nacional de Arte