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Corpo di Cava, Eduard Agricola, 1844
Eduard Agricola, retratoEduard AgricolaAlemanha, 1800–1872

Corpo di Cava

1844 · Drawing

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Onde está «Corpo di Cava» hoje? Coleção: Galeria Nacional de Arte, Washington, D.C. Não exposta de momento. Verificado 29 de setembro de 2026.

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

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Número de inventário
2009.44.2

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Itália

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Desenhos e aguarelasGrafiteRomantismoRealismoSéculo XIX

Fontes

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Beatrice erscheint dem Dante, Eduard Agricola

Beatrice erscheint dem Dante

Kupferstichkabinett Dresden

Ansicht von Maxen (Müglitztal-Maxen) südöstlich von Dresden, mit dem Rittergut (Schloss), Eduard Agricola, 1855

Ansicht von Maxen (Müglitztal-Maxen) südöstlich von Dresden, mit dem Rittergut (Schloss)

1855 · Kupferstichkabinett Dresden

No mesmo museu: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

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Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

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Self-Portrait, Vincent van Gogh, 1889

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La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

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Sobre o mesmo tema · Itália

Todas as obras sobre o tema
Palazzo da Mula, Venice, Claude Monet, 1908

Claude Monet

Palazzo da Mula, Venice, 1908

Galeria Nacional de Arte

Landscape with Large Roman Ruins, Schelte Adams Bolswert after Sir Peter Paul Rubens, c. 1638

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Não exposta · Galeria Nacional de Arte

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Wise-eyed Alan Ansen, Polymath expatriate & eccentric, at San Sammuelle motorscaffe station, half-street from his apartment 3219 della Carrozza where Peter Orlovsky & I spent happy summer 1957- Ansen also hosted Wm. Burroughs & Gregory Corso. Harvard Classics summa cum laude 1942, Poet, critic, he was secretary & Prosodic Conscience to W.H. Auden during early 40’s _Age of Anxiety_, thereafter lifelong intimate of Auden & companion Chester Kallman-- as with William Burroughs whose _Naked Lunch_ & later ravings he helped type & edit in Tangier 1957 & 1961. A familiar at San Remo village bar & Kerouac's companions' revels in late 1940's, he's sketched as "Rollo Grab" in _On the Road_, "Ronald Swenson" in _Visons of Cody_ and _Book of Dreams_, "Austin Bromberg" in _The Subterraneans_ & Amadeus Baroque, _Doctor Sex_...., 1957, printed 1995

Não exposta · Galeria Nacional de Arte

Venice: The Dogana and San Giorgio Maggiore, Joseph Mallord William Turner, 1834

Joseph Mallord William Turner

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Galeria Nacional de Arte

The Dogana and Santa Maria della Salute, Venice, Joseph Mallord William Turner, 1843

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The Dogana and Santa Maria della Salute, Venice, 1843

Não exposta · Galeria Nacional de Arte

Approach to Venice, Joseph Mallord William Turner, 1844

Joseph Mallord William Turner

Approach to Venice, 1844

Galeria Nacional de Arte

The Villa Imperiale, Venetian 16th Century, Probably Titian, 1530s

Titian

The Villa Imperiale, 1530s

Não exposta · Galeria Nacional de Arte

Landscape with a Mill, Dominique Barrière after Titian, c. 1650

Titian

Landscape with a Mill, c. 1650

Não exposta · Galeria Nacional de Arte