ART WIKI32 963 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu Vitória e Alberto/
  3. Corner piece
Corner piece, Alfred George Stevens, ca. 1860 - ca. 1870
Alfred Stevens, retratoAlfred StevensReino Unido, 1817–1875

Corner piece

ca. 1860 - ca. 1870 · Sketch-model

Sobre a escultura

This is a sketch model for the moulding on the base below the sarcophagus on the Wellington Monument in St. Paul's Cathedral, made by Stevens.

A sculptor, designer and painter, Alfred Stevens (1817/18- 1875) rejected contemporary distinctions between fine art and design. From 1850 to 1857 he was chief designer to Hoole & Co., Sheffield, where he produced award-winning designs for metalwork, majolica, terracotta ornaments and chimney-pieces. Perhaps his two greatest works were the decorations for the dining-room at Dorchester House, London (about 1856), for which he made countless drawings inspired by the Italian High Renaissance style, in particular the work of Michelangelo and the monument to the Duke of Wellington for St Paul's Cathedral, London, which was completed after his death. The two allegorical groups from this monument made a lasting impact on the New Sculpture movement.

Continuar a ler

The influence of the Italian Renaissance is evident in much of Steven's work, and is perhaps best reflected in the Wellington monument.

Although Stevens came equal fifth in the competition for the Wellington monument, the winner being the Scots sculptor William Calder Marshall (1813-1894), he was eventually given the commission as his design was felt to be more in keeping with the interior of St Paul's.

Museu Vitória e Alberto

Pormenores

ca. 1860 - ca. 1870
18171875
Número de inventário
A.64-1911

Mais obras de Alfred Stevens

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Acanthus

Todas as obras sobre o tema

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

Acanthus

No catálogo

EsculturaGessoRealismoImpressionismoSéculo XIXInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Model for the Wellington Monument in St Paul's Cathedral, Alfred George Stevens, 1857

Model for the Wellington Monument in St Paul's Cathedral

1857 · Museu Vitória e Alberto

Valour and Cowardice, Alfred George Stevens, 1866

Valour and Cowardice

1866 · Museu Vitória e Alberto

Model for Wellington Monument: Truth and Falsehood, Alfred George Stevens, 1867-8

Model for Wellington Monument: Truth and Falsehood

1867-8 · Museu Vitória e Alberto

William Blundell Spence, Alfred Stevens, 1851

William Blundell Spence

1851 · National Gallery

Woman with Book (recto); Sketches of Male Figure (verso), Alfred George Stevens, n.d.

Woman with Book (recto); Sketches of Male Figure (verso)

n.d. · Não exposta · Art Institute of Chicago

Decorative Design with Putti and Griffins, Alfred George Stevens, n.d.

Decorative Design with Putti and Griffins

n.d. · Não exposta · Art Institute of Chicago

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Drawing, Alfred George Stevens

Drawing

Não exposta · Museu Vitória e Alberto

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Hand Bell with Armorial Shields and Griffins, Italian 16th Century, first half 16th century

Italian 16th Century

Hand Bell with Armorial Shields and Griffins, first half 16th century

Não exposta · Galeria Nacional de Arte

Mortar with Vine scrolls, Loop, and Ring, Italian 16th Century, 16th century

Italian 16th Century

Mortar with Vine scrolls, Loop, and Ring, 16th century

Galeria Nacional de Arte

Billethead from Ship "Favorite", Hazel Hyde, c. 1938

Hazel Hyde

Billethead from Ship "Favorite", c. 1938

Não exposta · Galeria Nacional de Arte

Hand Bell with Armorial Shield between Thistles (?), Palm Crossing Laurel, and initials B B, Probably Venetian 16th Century, 16th century

Probably Venetian 16th Century

Hand Bell with Armorial Shield between Thistles (?), Palm Crossing Laurel, and initials B B, 16th century

Não exposta · Galeria Nacional de Arte

Mortar with Putti and Griffins, Italian 16th Century, early 16th century

Italian 16th Century

Mortar with Putti and Griffins, early 16th century

Não exposta · Galeria Nacional de Arte

Arm Chair, M. Rosenshield-von-Paulin, 1937

M. Rosenshield-von-Paulin

Arm Chair, 1937

Não exposta · Galeria Nacional de Arte

Mortar with Foliage and Acanthus Leaves, Italian 16th Century, early 16th century

Italian 16th Century

Mortar with Foliage and Acanthus Leaves, early 16th century

Não exposta · Galeria Nacional de Arte

Design for a pier-glass for Sir Monoux Cope, 7th Baronet, John Linnell, ca.1755-1760

John Linnell

Design for a pier-glass for Sir Monoux Cope, 7th Baronet, ca.1755-1760

Não exposta · Museu Vitória e Alberto