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Commissaris van de oorlog, Pierre Michel Alix, 1795 - 1799
Pierre Michel AlixFrança, 1762–1817

Commissaris van de oorlog

1795 - 1799 · Print

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Onde está «Commissaris van de oorlog» hoje? Coleção: Museu Estatal de Amesterdão, Amesterdão. Desconhecido.

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

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Fonte
O museu
No mapaPágina do museu

Pormenores

Número de inventário
KOG-ZG-1-21-186

O que mostra

SoldiersSoldiers' livesMilitary uniformsFeathered hats

No catálogo

GravurasNeoclassicismoSéculo XVIII

Fontes

Mais obras de Pierre Michel Alix

Todas as obras
Huilende man, Pierre Michel Alix, 1772 - 1817

Huilende man

1772 - 1817 · Museu Estatal de Amesterdão

Karel XIV Johan van Zweden op het slagveld, Pierre Michel Alix, 1779 - 1817

Karel XIV Johan van Zweden op het slagveld

1779 - 1817 · Museu Estatal de Amesterdão

Jean Jacques Rousseau, Pierre-Michel Alix after Jean-François Garnerey, 1791, published 1803

Jean Jacques Rousseau

1791, published 1803 · Não exposta · Galeria Nacional de Arte

Voltaire, Pierre-Michel Alix, 1791

Voltaire

1791 · Não exposta · Galeria Nacional de Arte

Portret van Jean-Jacques Rousseau, Pierre Michel Alix, 1791 - 1795

Portret van Jean-Jacques Rousseau

1791 - 1795 · Museu Estatal de Amesterdão

Portret van Honoré Gabriel Mirabeau, Pierre Michel Alix, 1792

Portret van Honoré Gabriel Mirabeau

1792 · Museu Estatal de Amesterdão

Helvétius, Pierre-Michel Alix after Jean-François Garnerey after Louis Michel Van Loo, 1793

Helvétius

1793 · Não exposta · Galeria Nacional de Arte

Charlotte Corday, Pierre-Michel Alix after Jean-François Garnerey, 1793

Charlotte Corday

1793 · Não exposta · Galeria Nacional de Arte

No mesmo museu: Museu Estatal de Amesterdão

Página do museu
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Sobre o mesmo tema · Soldiers

Todas as obras sobre o tema
Washington Crossing the Delaware, Emanuel Leutze, 1851

Emanuel Gottlieb Leutze

Washington Crossing the Delaware, 1851

Museu Metropolitano de Arte

The Denial of Saint Peter, Caravaggio, 1610

Caravaggio

A negação de São Pedro, 1610

Museu Metropolitano de Arte

Ecce Homo, Caravaggio, 1674–1684

Caravaggio

Ecce Homo, 1674–1684

Herzog Anton Ulrich-Museum

Christ before Pilate: Large Plate, Rembrandt van Rijn, 1636

Rembrandt van Rijn

Christ before Pilate: Large Plate, 1636

Não exposta · Galeria Nacional de Arte

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], Rembrandt, 1629

Rembrandt van Rijn

[Das Reitergefecht; The Cavalry Fight; Sujet de bataille], 1629

Herzog Anton Ulrich-Museum

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], Rembrandt, 1653

Rembrandt van Rijn

[Die drei Kreuze; Christus am Kreuz zwischen den Schächern; Christ Crucified Between the Two Thieves (The 'Three Crosses'); Les trois Croix], 1653

Herzog Anton Ulrich-Museum

Disparate de miedo (Folly of Fear), Francisco Goya, in or after 1816

Francisco de Goya

Disparate de miedo (Folly of Fear), in or after 1816

Não exposta · Galeria Nacional de Arte

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], William Blake, c. 1780/1785

William Blake

Sketch of a Swordsman Standing Over His Defeated Opponent [recto], c. 1780/1785

Não exposta · Galeria Nacional de Arte