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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Albertina/
  3. Christus beruhigt den Sturm
Christus beruhigt den Sturm, James Ensor, 1886
Ensor, James, retratoEnsor, JamesBélgica, 1860–1949

Christus beruhigt den Sturm

1886 · Print

Será possível contemplá-la?

Desconhecido

Albertina

Viena, Áustria

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1886 · aos 26 anos
18601949

No catálogo

GravurasImpressionismoSéculo XIX

Fontes

  • Albertina
  • Imagem: Albertina — Public Domain Mark 1.0

Entretanto, na vida de Ensor, James

A vida inteira
  1. 1860–1949 · Local de trabalho

    Ostend

  2. 1880s

    Brief trips to France and the Netherlands

    Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.

  3. 1883–1893 · Filiação

    Les XX

  4. 1887

    Death of his father

    His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).

  5. 1888–1892

    Turning-point years: the Passion of Christ

    Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.

Mais obras de Ensor, James

Todas as obras
Christ's Entry into Brussels in 1889, James Ensor, 1888

Christ's Entry into Brussels in 1889

1888 · Museu J. Paul Getty

The Intrigue, James Ensor, 1911

The Intrigue

1911 · Instituto de Artes de Minneapolis

Comical Repast (Feast of the Lean), James Ensor, ca. 1917–18

Comical Repast (Feast of the Lean)

ca. 1917–18 · Museu Metropolitano de Arte

Still Life with Fish and Shells, James Ensor, 1898

Still Life with Fish and Shells

1898 · Art Institute of Chicago

The Riding Crop, James Ensor

The Riding Crop

Não exposta · Galeria Nacional de Arte

Phantastisches Stillleben, James Ensor

Phantastisches Stillleben

Österreichische Galerie Belvedere

Stillleben mit blauer Flasche und gerupftem Huhn, James Ensor

Stillleben mit blauer Flasche und gerupftem Huhn

Österreichische Galerie Belvedere

Blumenkorb, James Ensor

Blumenkorb

Albertina

Da coleção: Albertina

Página do museu
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi