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Onde está a obra-prima, e a que horas se abre a porta.

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  3. Christ Cleansing the Temple
Christ Cleansing the Temple, El Greco, probably before 1570

Christ Cleansing the Temple

probably before 1570 · Painting

Sobre a pintura

Christ Driving the Money Changers from the Temple is a painting by El Greco, from 1568, now in the National Gallery of Art in Washington, D.C., in the United States. It depicts the cleansing of the Temple, an event in the life of Christ.

There exist three other copies of the painting and also a faithful reproduction in the National Gallery in London, which has recently been considered as authentic by scholars in the field of visual arts. Two versions and another on loan from Madrid are titled Purification of the Temple. The one at the National Gallery in Washington is called Christ Cleansing the Temple. The painting which bears this actual title belongs to the Minneapolis Institute of Art and it is somewhat different from all the other versions of this legendary Christian scene.

Wikipédia · CC BY-SA

Pormenores

probably before 1570
15411614

Entretanto, na vida de El Greco

A vida inteira
  1. c. 1567 – 1570

    Venice: a “disciple” of Titian

    El Greco lived in Venice until 1570 and, according to a letter from his friend the miniaturist Giulio Clovio, was a “disciple” of Titian, who was by then over eighty but still vigorous. This may mean he worked in Titian's studio, or not; Clovio called him “a rare talent in painting”.

  2. 1570

    Moving to Rome and the Palazzo Farnese

    In 1570 El Greco moved to Rome; on Giulio Clovio's recommendation he was received as a guest at the Palazzo Farnese, which Cardinal Alessandro Farnese had made a centre of the city's artistic and intellectual life. There he met the Roman intellectual elite, including the scholar Fulvio Orsini, whose collection would later include seven paintings by him.

  3. 1570s

    The quarrel with Michelangelo in Rome

    El Greco singled out Correggio and Parmigianino for praise but did not hesitate to dismiss Michelangelo's Last Judgment, offering Pope Pius V to paint over the whole fresco in accord with the new and stricter Catholic thinking; later he said Michelangelo was a good man who did not know how to paint. In The Purification of the Temple he painted portraits of Michelangelo, Titian, Clovio and presumably Raphael, advancing a claim to rival them.

  4. late 1572

    His own workshop in Rome

    At the end of 1572 El Greco opened his own workshop in Rome and hired the painters Lattanzio Bonastri de Lucignano and Francisco Preboste as assistants.

  5. 1572

Mais obras de El Greco

Todas as obras

Na mesma sala · M-028, Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Life of Christ

Todas as obras sobre o tema
Número de inventário
1957.14.4

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access

Enemies in Rome: the quarrel with Farnese

Because of his unconventional beliefs and personality El Greco soon made enemies in Rome: the architect Pirro Ligorio called him a “foolish foreigner”, and Farnese, after a quarrel, obliged him to leave the palace. In 1572 the painter officially complained about it.

  • 18 September 1572

    Joining the Guild of Saint Luke in Rome

    On 18 September 1572 El Greco paid his dues to the Guild of Saint Luke in Rome as a miniature painter.

  • El Greco, retratoEl GrecoGrécia, 1541–1614

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    Galeria Nacional de Arte

    Washington, D.C., Estados Unidos

    Sala28 · Edifício Oeste, piso principal

    Exposta ao público. Quem o garante vem indicado abaixo.

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    Christ Driving the Money Changers from the Temple, El Greco, c. 1570–75

    Christ Driving the Money Changers from the Temple

    c. 1570–75 · Instituto de Artes de Minneapolis

    Christ Carrying the Cross, El Greco, ca. 1577–87

    Christ Carrying the Cross

    ca. 1577–87 · Museu Metropolitano de Arte

    Cardinal Fernando Niño de Guevara (1541–1609), El Greco, ca. 1600

    Cardinal Fernando Niño de Guevara (1541–1609)

    ca. 1600 · Museu Metropolitano de Arte

    Saint Jerome as Scholar, El Greco, ca. 1610

    Saint Jerome as Scholar

    ca. 1610 · Museu Metropolitano de Arte

    Portrait of the Poet Alonso Ercilla y Zuniga, El Greco, 1570s

    Portrait of the Poet Alonso Ercilla y Zuniga

    1570s · Hermitage

    Christ Healing the Blind, El Greco, ca. 1570

    Christ Healing the Blind

    ca. 1570 · Museu Metropolitano de Arte

    Saint Bernard, El Greco, c. 1577

    Saint Bernard

    c. 1577 · Hermitage

    Saint Louis, roi de France, et un page, Theotocopoulos, Domenikos, 4e quart du XVIe siècle (1585 - 1590)

    Saint Louis, roi de France, et un page

    4e quart du XVIe siècle (1585 - 1590) · Museu do Louvre

    Laocoön, El Greco, c. 1610/1614

    El Greco

    Laocoön, c. 1610/1614

    Saint Jerome, El Greco, c. 1610/1614

    El Greco

    Saint Jerome, c. 1610/1614

    Saint Ildefonso, El Greco, c. 1603/1614

    El Greco

    Saint Ildefonso, c. 1603/1614

    Saint Martin and the Beggar, Workshop of El Greco, 1600/1614

    El Greco

    Saint Martin and the Beggar, 1600/1614

    Madonna and Child with Saint Martina and Saint Agnes, El Greco, 1597/1599

    El Greco

    Madonna and Child with Saint Martina and Saint Agnes, 1597/1599

    Saint Martin and the Beggar, El Greco, 1597/1599

    El Greco

    Saint Martin and the Beggar, 1597/1599

    The Worship of the Golden Calf, Workshop of Jacopo Tintoretto, c. 1594

    Jacopo Tintoretto

    The Worship of the Golden Calf, c. 1594

    Lamentation, Jacopo Palma il Giovane, c. 1620

    Palma il Giovane

    Lamentation, c. 1620

    The Sacrament of the Last Supper, Salvador Dalí, 1955

    Salvador Dalí

    A Última Ceia, 1955

    Galeria Nacional de Arte

    The Circumcision, Rembrandt van Rijn, 1661

    Rembrandt van Rijn

    The Circumcision, 1661

    Galeria Nacional de Arte

    The Descent from the Cross, Rembrandt Workshop, 1650/1652

    Rembrandt van Rijn

    The Descent from the Cross, 1650/1652

    Galeria Nacional de Arte

    The Raising of Lazarus: Small Plate, Rembrandt van Rijn, 1642

    Rembrandt van Rijn

    The Raising of Lazarus: Small Plate, 1642

    Não exposta · Galeria Nacional de Arte

    The Flight into Egypt, Rembrandt van Rijn, 1651

    Rembrandt van Rijn

    The Flight into Egypt, 1651

    Não exposta · Galeria Nacional de Arte

    The Last Judgment Triptych, attributed to Cornelis Cort after a follower Hieronymus Bosch, c. 1560-1570

    Hieronymus Bosch

    The Last Judgment Triptych, c. 1560-1570

    Não exposta · Galeria Nacional de Arte

    The Last Supper, William Blake, 1799

    William Blake

    The Last Supper, 1799

    Não exposta · Galeria Nacional de Arte

    Christ Trampling Satan, Thomas Butts, Jr. after William Blake

    William Blake

    Christ Trampling Satan

    Não exposta · Galeria Nacional de Arte

    O que mostra

    Life of ChristChrist Cleansing the Temple

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    PinturasÓleoPintura venezianaRenascimentoSéculo XVIBarrocoSpanishArte sacra