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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Chinees Hotel in Breukelen
Chinees Hotel in Breukelen, André-Pierre Lamoth, 1988-05-01 - 1990-06-01
AAndré-Pierre Lamoth1931

Chinees Hotel in Breukelen

1988-05-01 - 1990-06-01 · documentary photographs

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

Sobre a obra

Nas palavras do museu — em holandês

Het is een gek gezicht als je met de trein of auto langs Breukelen rijdt. Midden in het Hollandse landschap staat daar opeens een groot Chinees gebouw. Dit hotel is in 1987 door een Chinees gebouwd, maar om financiële redenen werd het al weer snel van de hand gedaan. Inmiddels heeft het Van der Valkconcern het overgenomen en er een goed lopend bedrijf van gemaakt. De buitenkant is in tact gebleven aan de binnenkant is veel veranderd. Kenmerkend voor de Chinese manier van bouwen is een 'stijl en regelconstructie'. Deze constructie houdt in dat het dak op vier stijlen of pijlers rust, met horizontale verbindingsplanken (regels). De ruimte tussen de stijlen en de regels werd opgevuld door muren van hout of van pleisterklei op bamboevlechtwerk of van bakstenen. De basiseenheid van zo'n Chinees gebouw is een vierkante ruimte. Deze ruimte is beperkt doordat de regels in principe niet langer zijn dan boomstammen. Uitbreiding van het bouwwerk gebeurde dan ook door het toevoegen van vierkante kamers, op of naast het reeds bestaande gebouw.

Museu Estatal de Amesterdão

Pormenores

1988-05-01 - 1990-06-01
1931hoje
Número de inventário
NG-1991-3-17

Mais obras de André-Pierre Lamoth

Todas as obras

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Restaurant

Todas as obras sobre o tema

O que mostra

RestaurantHotel, hostelry, innBreukelen

No catálogo

FotografiasArte contemporâneaSéculo XX

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — © the artist or rights holder
Reeuwijk, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Reeuwijk

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Almere Haven, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Almere Haven

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Molen in de Kalverpolder, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Molen in de Kalverpolder

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Schiphollijn A4 bij Amstelveen, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Schiphollijn A4 bij Amstelveen

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Hoofddorp, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Hoofddorp

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Luchthaven en omgeving, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Luchthaven en omgeving

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Het Noordzeekanaal, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Het Noordzeekanaal

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Het Noord-Hollands landschap, André-Pierre Lamoth, 1988-05-01 - 1990-06-01

Het Noord-Hollands landschap

1988-05-01 - 1990-06-01 · Museu Estatal de Amesterdão

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Dirusso, Hollywood, Andy Warhol, n.d.

Andy Warhol

Dirusso, Hollywood, n.d.

Não exposta · Galeria Nacional de Arte

Cars on the Street, Andy Warhol, n.d.

Andy Warhol

Cars on the Street, n.d.

Não exposta · Galeria Nacional de Arte

Fashionable People at Les Ambassadeurs (Aux Ambassadeurs: Gens Chic), Henri de Toulouse-Lautrec, 1893

Henri de Toulouse-Lautrec

Fashionable People at Les Ambassadeurs (Aux Ambassadeurs: Gens Chic), 1893

Não exposta · Galeria Nacional de Arte

Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., Allen Ginsberg, 1992

Allen Ginsberg

Gregory Corso embraced by intimate friend, The Bistro, Jane & W. 4th Street, December 21, 1992., 1992

Não exposta · Galeria Nacional de Arte

Lafcadio Orlovsky, with sister Marie. I went to Park Lake Rest Home Ronkonkoma L.I. where he’d been sheltered & sedated the last few years, silent - till Catholic Charities arranged for Day-Care thrice weekly, he woke a bit & began crayon drawing again, phoned me & asked me to visit with Marie after 2 years absence. “Can I go home and live with Marie?” We went to restaurant on highway nearby March 21, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Lafcadio Orlovsky, with sister Marie. I went to Park Lake Rest Home Ronkonkoma L.I. where he’d been sheltered & sedated the last few years, silent - till Catholic Charities arranged for Day-Care thrice weekly, he woke a bit & began crayon drawing again, phoned me & asked me to visit with Marie after 2 years absence. “Can I go home and live with Marie?” We went to restaurant on highway nearby March 21, 1995., 1995

Não exposta · Galeria Nacional de Arte

Geoffrey Manough, day after 18th birthday, Poet visiting New York from College Chapel Hill, North Carolina, pasta salad on 1st ave. "I feel like I could Walk / into a forest / and start a fire with every footprint / ...I have found a me long buried / beneath sludge, gripe, and scabs / beneath discrimination and self-hate. / All devices aside, / I can now say that the race is won. / I'm over the line." From _Mystic's Fists_ pamphlet. March 21, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Geoffrey Manough, day after 18th birthday, Poet visiting New York from College Chapel Hill, North Carolina, pasta salad on 1st ave. "I feel like I could Walk / into a forest / and start a fire with every footprint / ...I have found a me long buried / beneath sludge, gripe, and scabs / beneath discrimination and self-hate. / All devices aside, / I can now say that the race is won. / I'm over the line." From _Mystic's Fists_ pamphlet. March 21, 1995., 1995

Não exposta · Galeria Nacional de Arte

Jimmie Schuyler dining with artist Bill Katy and friend Raymond Foye from Chelsea Hotel, November 7, 1987 in Soho, Chanterelle Restaurant., Allen Ginsberg, 1987

Allen Ginsberg

Jimmie Schuyler dining with artist Bill Katy and friend Raymond Foye from Chelsea Hotel, November 7, 1987 in Soho, Chanterelle Restaurant., 1987

Não exposta · Galeria Nacional de Arte

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show.  Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., Allen Ginsberg, 1986, printed 1991

Allen Ginsberg

Raymond Foye, who age 8 was Kerouac's newspaper delivery boy in Lowell, Mass. later working for City Lights edited Bob Kaufman's books (also for New Directions) & John Wieners' _Selected Poems_ for Black Sparrow; then senior Editor Hanuman books, arranged my collaborations with Francesco Clemente & catalogued my photo negatives '47-'85, curated first photo show. Xmas 1986 in Japanese restaurant 1st Ave + 10 Street Manhattan., 1986, printed 1991

Não exposta · Galeria Nacional de Arte