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Onde está a obra-prima, e a que horas se abre a porta.

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  2. Museu Vitória e Alberto/
  3. Charles I
Charles I, after Anthony van Dyck, ca. 1750

Charles I

ca. 1750 · Oil painting · 94 × 113 cm

Sobre a pintura

Object Type

This triple portrait had an unusual function as a kind of design for sculpture. In 1636 Charles I (ruled 1625-1649) dispatched the original of this painting by Sir Anthony van Dyck (1599-1641) to the sculptor Gian Lorenzo Bernini (1598-1680) in Rome. It was to assist in the making of a marble bust. The three viewpoints were chosen to enable the sculptor to create a truly three-dimensional likeness.

People

The sculpture was intended as a papal present to Queen Henrietta Maria (1609-1669). After the bust was finished, the painting remained in the possession of Bernini and passed to his descendants. It was brought back to England in 1802 and entered the Royal Collection in 1822. The bust itself was a great success with the King and Queen. It was eventually destroyed in a fire at Whitehall Palace, London, in 1698.

Ownership & Use

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This painting is one of many copies that were made of van Dyck's original. It is later in date than most of the others. It is possible that it was commissioned by a supporter of the Stuart Royal Family in the mid-18th century. It may have been used as a kind of icon by opponents of the Hanoverian dynasty.

Museu Vitória e Alberto

Pormenores

Número de inventário
598-1882

Mais obras de After Anthony van Dyck

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Na mesma sala · British Galleries, Room 56, The Djanogly Gallery, Museu Vitória e Alberto

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Museu Vitória e Alberto

Londres, Reino Unido

SalaBritish Galleries, Room 56, The Djanogly Gallery

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há 12 dias
Neste estado desde
25 de set. de 2026
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O que mostra

Charles I, King of England, Scotland and Ireland

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PinturasÓleoPintura flamengaRococóSéculo XVIIIInglaterra

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Thomas Wentworth, First Earl of Strafford, and His Secretary Sir Philip Mainwaring, after Anthony Van Dyck, early 19th century

Thomas Wentworth, First Earl of Strafford, and His Secretary Sir Philip Mainwaring

early 19th century · Não exposta · Museu Vitória e Alberto

George Villiers, Second Duke of Buckingham (1628-87), after Anthony Van Dyck

George Villiers, Second Duke of Buckingham (1628-87)

Não exposta · Museu Vitória e Alberto

Portrait of Francis Snyders, After Anthony van Dyck, 1825

Portrait of Francis Snyders

1825 · Não exposta · Instituto de Artes de Minneapolis

Mourning child with a skull, 1700-1720

Mourning child with a skull, 1700-1720

Mourning Child with hour glass, 1700-1720

Mourning Child with hour glass, 1700-1720

Charles II Giving Audience at Christ's Hospital, Antonio Verrio, ca. 1680

Antonio Verrio

Charles II Giving Audience at Christ's Hospital, ca. 1680

John Wilmot, Second Earl of Rochester, Peter Lely, ca. 1677

Peter Lely

John Wilmot, Second Earl of Rochester, ca. 1677

Bust, John Dwight's Fulham Pottery, ca. 1673-1675

John Dwight's Fulham Pottery

Bust, ca. 1673-1675

Portrait of Samuel Pasfield as a Child wearing the Pasfield Jewel, c.1661

Portrait of Samuel Pasfield as a Child wearing the Pasfield Jewel, c.1661

Sir William Palmer, Samuel Cooper, 1657

Samuel Cooper

Sir William Palmer, 1657

Unknown Woman, perhaps Elizabeth Capell, Countess of Carnarvon, Richard Gibson, 1653-1657

Richard Gibson

Unknown Woman, perhaps Elizabeth Capell, Countess of Carnarvon, 1653-1657