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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Caterina Riva
Caterina Riva, Antonio Abondio, c. 1561/1565

Caterina Riva

c. 1561/1565 · Sculpture

Pormenores

c. 1561/1565
15381591
Número de inventário
1957.14.1061

Mais obras de Antonio Abondio

Todas as obras

Vizinhas de sala: Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Head facing right

Todas as obras sobre o tema
Antonio Abondio, retratoAntonio AbondioItália, 1538–1591

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

O que mostra

Head facing rightRiva, Caterina

No catálogo

EsculturaRenascimentoSéculo XVIItalian

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access
Philip II of Spain (1527-1598), Antonio Abondio, ca. 1570-1572

Philip II of Spain (1527-1598)

ca. 1570-1572 · Museu Vitória e Alberto

Don Carlos of Spain, Antonio Abondio, ca. 1570-1572

Don Carlos of Spain

ca. 1570-1572 · Museu Vitória e Alberto

Ecce Homo (Behold the Man), Antonio Abondio, c. 1600

Ecce Homo (Behold the Man)

c. 1600 · Museu de Arte de Cleveland

Arabian Camel (or Dromedary), Attributed to Antonio Abondio, c. 1570s/1580s

Arabian Camel (or Dromedary)

c. 1570s/1580s · Não exposta · Galeria Nacional de Arte

Venus en Amor ?, Antonio Abondio, c. 1538 - c. 1591

Venus en Amor ?

c. 1538 - c. 1591 · Museu Estatal de Amesterdão

Porträtmedaillon Kaiser Maximilians II., Antonio Abondio, 1570-1575

Porträtmedaillon Kaiser Maximilians II.

1570-1575 · Museu de História da Arte em Viena

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Flash—November 22, 1963, Andy Warhol, 1968

Andy Warhol

Flash—November 22, 1963, 1968

Não exposta · Galeria Nacional de Arte

Jack Kerouac looking out window Apartment 16, 206 East 7th Street Lower East Side Manhattan, view from fire-escape, books on the sill, broom handle and old tenement wallpaper in afternoon sun, WM. Burroughs was staying at my place then, Fall 1953., Allen Ginsberg, 1953, printed 1989

Allen Ginsberg

Jack Kerouac looking out window Apartment 16, 206 East 7th Street Lower East Side Manhattan, view from fire-escape, books on the sill, broom handle and old tenement wallpaper in afternoon sun, WM. Burroughs was staying at my place then, Fall 1953., 1953, printed 1989

Não exposta · Galeria Nacional de Arte

Gregory Corso Paris 1957, looking out his skylight 9 Rue Gît-le-Coeur. At this time he had completed Bomb and was "eliminating ""_Death_" & "_Clown_"., Allen Ginsberg, 1957, printed 1984

Allen Ginsberg

Gregory Corso Paris 1957, looking out his skylight 9 Rue Gît-le-Coeur. At this time he had completed Bomb and was "eliminating ""_Death_" & "_Clown_"., 1957, printed 1984

Não exposta · Galeria Nacional de Arte

Gregory Corso looking out his attic-room skylight 9 Rue Git-le-Coeur half block from Seine off Place St. Michel. He had finished first City Lights Gasoline, completed Marriage & Bomb, begun Power Poem, & was "eliminating" Death & Clown motifs (i.e. Probing Concepts), see Happy Birthday of Death volume 1960. Peter O & I lived downstairs 3rd floor, Paris 1957., Allen Ginsberg, 1957, printed 1995

Allen Ginsberg

Gregory Corso looking out his attic-room skylight 9 Rue Git-le-Coeur half block from Seine off Place St. Michel. He had finished first City Lights Gasoline, completed Marriage & Bomb, begun Power Poem, & was "eliminating" Death & Clown motifs (i.e. Probing Concepts), see Happy Birthday of Death volume 1960. Peter O & I lived downstairs 3rd floor, Paris 1957., 1957, printed 1995

Não exposta · Galeria Nacional de Arte

Shipboard Girl: Separation Drawing for Red, Roy Lichtenstein, 1965

Roy Lichtenstein

Shipboard Girl: Separation Drawing for Red, 1965

Não exposta · Galeria Nacional de Arte

Sagamore Cafeteria, New York City, Robert Frank, 1955

Robert Frank

Sagamore Cafeteria, New York City, 1955

Não exposta · Galeria Nacional de Arte

Aaron, Thomas Hart Benton, 1941

Thomas Hart Benton

Aaron, 1941

Não exposta · Galeria Nacional de Arte

Profile Head of a Man in a Turban, Vivant Denon, 1820

Dominique Vivant Denon

Profile Head of a Man in a Turban, 1820

Não exposta · Galeria Nacional de Arte