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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Callithamnion floccosum
Callithamnion floccosum, Anna Atkins, c. 1843 - c. 1853
Anna Atkins, retratoAnna AtkinsReino Unido, 1799–1871

Callithamnion floccosum

c. 1843 - c. 1853 · page

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

Pormenores

c. 1843 - c. 1853
17991871
Número de inventário
RP-F-2016-133-26

O que mostra

Algae, seaweed

No catálogo

FotografiasRomantismoRealismoSéculo XIX

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain

Entretanto, na vida de Anna Atkins

A vida inteira
  1. by 1841

    A camera and lessons from Fox Talbot

    Anna's father and husband were friends of William Henry Fox Talbot, and she learned about “photogenic drawing” and the calotype from Talbot himself; she is known to have had a camera by 1841. She is sometimes called the first woman photographer, but no camera photographs by her survive, so the rival claim of Constance Fox Talbot may never be settled.

  2. 1842–1843

    Takes up Herschel's cyanotype

    The family friend Sir John Herschel invented the cyanotype in 1842 (1839 by other accounts), and within a year Atkins applied it to algae, contact-printing dried specimens laid directly on the cyanotype paper.

  3. October 1843

    Publishes “Photographs of British Algae: Cyanotype Impressions”

    The first instalment, self-published in a small run with handwritten text, was meant to illustrate William Harvey's “A Manual of British Algae” (1841) and is considered the first book illustrated with photographs. Talbot's “The Pencil of Nature”, the first commercially published photographically illustrated book, began to appear eight months later, in June 1844.

  4. 1843–1853

    Three volumes of “British Algae”

    Over ten years Atkins produced three volumes, presenting them to the British Museum through J. E. Gray. Seventeen copies are known (other accounts say twelve were made in all); the Royal Society's copy, with 389 plates, is thought to be the only one as she intended it.

  5. 1853

    Publishes a memoir of her father

    “Memoir of J. G. Children”, a memoir of her father John George Children including unpublished poetry by him and by his father, came out in London from John Bowyer Nichols and Sons.

Mais obras de Anna Atkins

Todas as obras
Ferns. Specimen of Cyanotype, Anna Atkins, 1840s

Ferns. Specimen of Cyanotype

1840s · Não exposta · Galeria Nacional de Arte

Callithamnion versicolor, Anna Atkins, c. 1843 - c. 1853

Callithamnion versicolor

c. 1843 - c. 1853 · Museu Estatal de Amesterdão

Conferva rivularis, Anna Atkins, c. 1843 - c. 1853

Conferva rivularis

c. 1843 - c. 1853 · Museu Estatal de Amesterdão

Griffithsia Devoniensis, Anna Atkins, c. 1843 - c. 1853

Griffithsia Devoniensis

c. 1843 - c. 1853 · Museu Estatal de Amesterdão

Hydrodictyon utriculatum, Anna Atkins, c. 1843 - c. 1853

Hydrodictyon utriculatum

c. 1843 - c. 1853 · Museu Estatal de Amesterdão

Polysiphonia fucoides, Anna Atkins, c. 1843 - c. 1853

Polysiphonia fucoides

c. 1843 - c. 1853 · Museu Estatal de Amesterdão

Trentepohlia pulchella / Trentepohlia pulchella. var. β, Anna Atkins, c. 1843 - c. 1853

Trentepohlia pulchella / Trentepohlia pulchella. var. β

c. 1843 - c. 1853 · Museu Estatal de Amesterdão

Conferva diffusa, Anna Atkins, c. 1843 - c. 1853

Conferva diffusa

c. 1843 - c. 1853 · Museu Estatal de Amesterdão

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634