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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Boy, Hidalgo
Boy, Hidalgo, Paul Strand, 1933, printed 1940
Paul Strand, retratoPaul StrandEstados Unidos, 1890–1976

Boy, Hidalgo

1933, printed 1940 · Photograph

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1933, printed 1940
18901976
Número de inventário
2023.34.2.14

O que mostra

RuaChapéuPlaceMexicoBoy

No catálogo

FotografiasModernismoSéculo XXAmerican

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder

Entretanto, na vida de Paul Strand

A vida inteira
  1. 1932–1935

    Lives in Mexico and works on the film “Redes”

    Strand lives in Mexico and works on “Redes” (1936), a film commissioned by the Mexican government and released in the United States as “The Wave”.

  2. 1933

    Divorces Rebecca Salsbury

    His marriage to the painter Rebecca Salsbury, begun in 1922, ends in divorce. Strand had photographed her often, sometimes in unusually intimate, tightly cropped compositions.

  3. 1933–1952

    Nearly twenty years without a darkroom of his own

    From 1933 to 1952 Strand has no darkroom of his own and uses other people’s.

  4. 1936

    Helps found the Photo League

    Strand is one of the founders of the Photo League, a cooperative of photographers that between 1936 and 1951 campaigned for social reform and for using art to promote social and political causes. He and Elizabeth McCausland were particularly active in it, he himself something of an elder statesman; Ansel Adams and Nancy Newhall also contributed to the League’s publication, Photo News.

  5. 1936

    Marries Virginia Stevens

    Having met Virginia Stevens after his divorce from his first wife, Strand marries her; the marriage will last until 1950.

Mais obras de Paul Strand

Todas as obras
From the Viaduct, 125th Street, New York, Paul Strand, 1916

From the Viaduct, 125th Street, New York

1916 · Museu de Arte Moderna

Abstraction, Porch Shadows, Connecticut, Paul Strand, 1916

Abstraction, Porch Shadows, Connecticut

1916 · Museu de Arte Moderna

England, Paul Strand, 1911

England

1911 · Não exposta · Galeria Nacional de Arte

Panama-Pacific Exposition, San Francisco, Paul Strand, 1915

Panama-Pacific Exposition, San Francisco

1915 · Não exposta · Galeria Nacional de Arte

Wall Street, Paul Strand, 1915

Wall Street

1915 · Não exposta · Museu de Arte Moderna

Central Park, New York, Paul Strand, 1915

Central Park, New York

1915 · Não exposta · Museu de Arte Moderna

Fifth Avenue, New York, Paul Strand, 1915

Fifth Avenue, New York

1915 · Não exposta · Museu de Arte Moderna

Untitled, Paul Strand, 1915

Untitled

1915 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Rua

Todas as obras sobre o tema
Gezicht op huizen in Delft, bekend als ‘Het straatje’, Johannes Vermeer, c. 1658

Johannes Vermeer

A Ruela, c. 1658

Museu Estatal de Amesterdão

Buildings, Andy Warhol, n.d.

Andy Warhol

Buildings, n.d.

Não exposta · Galeria Nacional de Arte

The Blind Fiddler, Rembrandt van Rijn, 1631

Rembrandt van Rijn

The Blind Fiddler, 1631

Não exposta · Galeria Nacional de Arte

Return of the Prodigal Son, Rembrandt van Rijn, 1636

Rembrandt van Rijn

Return of the Prodigal Son, 1636

Não exposta · Galeria Nacional de Arte

Peter and John Healing the Cripple at the Gate of the Temple, Rembrandt van Rijn, 1659

Rembrandt van Rijn

Peter and John Healing the Cripple at the Gate of the Temple, 1659

Não exposta · Galeria Nacional de Arte

La petite ville (The Town), Marc Chagall, 1923 - 1927 (published 1948)

Marc Chagall

La petite ville (The Town), 1923 - 1927 (published 1948)

Não exposta · Galeria Nacional de Arte

Pokrowa Street, Vitebsk, Marc Chagall, 1922

Marc Chagall

Pokrowa Street, Vitebsk, 1922

Não exposta · Galeria Nacional de Arte

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Art Institute of Chicago