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  1. Coleção/
  2. Museu de Arte de Cleveland/
  3. Bottle, Glass, Fork
Bottle, Glass, Fork, Pablo Picasso, 1911–12
Pablo Picasso, retratoPablo PicassoEspanha, 1881–1973

Bottle, Glass, Fork

1911–12 · Painting

Será possível contemplá-la?

De momento, não recebe

Museu de Arte de Cleveland

Cleveland, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
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Sobre a pintura

Bottle, Glass, Fork (French: Bouteille, Verre, et Fourchette) is an oil on canvas painting by Pablo Picasso (1881–1973). It was painted in the spring of 1912, at the height of the development of Analytic Cubism. Bottle, Glass, Fork is one of the best representations of the point in Picasso's career when his Cubist painting reached almost full abstraction. The analytic phase of Cubism was an original art movement developed by Picasso and his contemporary Georges Braque (1882–1963) and lasted from 1908-1912. Like Bottle, Glass, Fork, the paintings of this movement are characterized by the limited use of color, and a complex, elegant composition of small, fragmented, tightly interwoven planes within an all-over composition of broader planes. While the figures in Bottle, Glass, Fork can be difficult to discern, the objects do emerge after careful study of the painting. The painting is displayed in the Cleveland Museum of Art.

Wikipédia · CC BY-SA

Nas palavras do museu

This still life depicts a variety of objects found on a café table: a bottle, glass, folded newspaper, and utensils. Intricate in its composition and subtle in palette, this painting exemplifies Analytic Cubism, an artistic style devised by Picasso and Georges Braque between 1908–12 characterized by the fragmentary appearance of multiple, simultaneous viewpoints and overlapping planes. Maintaining a connection to the real world, Picasso inserted letters and numbers with personal and political meanings. The “fe 20” could refer to the word “café” and a street address. “EAN” above [P] ARIS may allude to the newspaper L’Intransigeant founded in 1880 in Paris; but ultimately, the meaning of these fragments remains mysterious and known only to the artist.

Museu de Arte de Cleveland

Pormenores

1911–12 · aos 30 anos
18811973
Número de inventário
1972.8

No catálogo

PinturasÓleoPintura espanholaModernismoSéculo XXSpain, 20th century

Fontes

  • Museu de Arte de Cleveland
  • Imagem: Museu de Arte de Cleveland — © Estate of Pablo Picasso / Artists Rights Society (ARS), New York

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Female Head, Pablo Picasso, 1900s

Female Head

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Le gourmet, Pablo Picasso, 1901

Le gourmet

1901 · Galeria Nacional de Arte

Peonies, Pablo Picasso, 1901

Peonies

1901 · Galeria Nacional de Arte

Pedro Mañach, Pablo Picasso, 1901

Pedro Mañach

1901 · Galeria Nacional de Arte

The Absinthe drinker, Pablo Picasso, 1901

The Absinthe drinker

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Two Sisters (The Meeting), Pablo Picasso, 1902

Two Sisters (The Meeting)

1902 · Hermitage

The Tragedy, Pablo Picasso, 1903

The Tragedy

1903 · Galeria Nacional de Arte

Portrait of Benet Soler, Pablo Picasso, 1903

Portrait of Benet Soler

1903 · Hermitage

Vizinhas de sala: Museu de Arte de Cleveland

Página do museu
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Melencolia I, Albrecht Dürer, 1514

Albrecht Dürer

Melancolia I, 1514

The Virgin and Child with the Pear, Albrecht Dürer, 1511

Albrecht Dürer

The Virgin and Child with the Pear, 1511

The Nativity, Albrecht Dürer, probably c. 1509/1510

Albrecht Dürer

The Nativity, probably c. 1509/1510

The Virgin and Child on a Crescent with a Starry Crown, Albrecht Dürer, 1508

Albrecht Dürer

The Virgin and Child on a Crescent with a Starry Crown, 1508

The Lamentation, Albrecht Dürer, 1507

Albrecht Dürer

The Lamentation, 1507

Large Horse, Albrecht Dürer, 1505

Albrecht Dürer

Large Horse, 1505

Nemesis (The Great Fortune), Albrecht Dürer, c. 1501/1502

Albrecht Dürer

Nemesis (The Great Fortune), c. 1501/1502