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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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Galeria Nacional de Arte
Boston

Boston, Betsy Karel, 1999

BBetsy KarelEstados Unidos, 1946

Boston

1999 · Photograph

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De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado: há 3 dias
Neste estado desde: 19 de ago. de 2026
Fonte: O museu

No mapa Página do museu

Pormenores

1999 · aos 53 anos

1946hoje

Número de inventário: 2015.19.5102

O que mostra

Night scene Massachusetts Homem Eye Homelessness

No catálogo

Fotografias Prova de gelatina e prata Arte contemporânea Século XX American

Fontes

Galeria Nacional de Arte
Imagem: Galeria Nacional de Arte — © the artist or rights holder

Mais obras de Betsy Karel

Boston (Night at an ATM kiosk.), Betsy Karel, 1999

Boston (Night at an ATM kiosk.)

1999 · Não exposta · Galeria Nacional de Arte

Boston (When the lights go out in this small Boston shelter, men sleep on cots on one side of the room, women on the other. Tammy and Rodney try to share a tender moment, but privacy does not exist in this crowded environment.), Betsy Karel, 1999

Boston (When the lights go out in this small Boston shelter, men sleep on cots on one side of the room, women on the other. Tammy and Rodney try to share a tender moment, but privacy does not exist in this crowded environment.)

1999 · Não exposta · Galeria Nacional de Arte

Boston (One way in which the staff at the Pine Street Inn tries to establish relationships of trust with their homeless clientele is by encouraging them to have foot soaks at the end of the day. Afterwards, they are given clean socks and, if necessary, new shoes. The nurses have often found that over a period of time, their guests relax enough during these sessions to tell them what is on their minds.), Betsy Karel, 1999

Boston (One way in which the staff at the Pine Street Inn tries to establish relationships of trust with their homeless clientele is by encouraging them to have foot soaks at the end of the day. Afterwards, they are given clean socks and, if necessary, new shoes. The nurses have often found that over a period of time, their guests relax enough during these sessions to tell them what is on their minds.)

1999 · Não exposta · Galeria Nacional de Arte

Boston (Darrel and Barbara met a year ago when Darrel saw Barbara sitting on a wall. "We talked and decided to pool our money to buy a half-pint," he says. "We've been together ever since." On frigid weekends, especially after the sun sets and before the shelter opens, they ride the subway to keep warm. "Riding the train gives us some peace, some space away from the rest of them."), Betsy Karel, 1999

Boston (Darrel and Barbara met a year ago when Darrel saw Barbara sitting on a wall. "We talked and decided to pool our money to buy a half-pint," he says. "We've been together ever since." On frigid weekends, especially after the sun sets and before the shelter opens, they ride the subway to keep warm. "Riding the train gives us some peace, some space away from the rest of them.")

1999 · Não exposta · Galeria Nacional de Arte

Boston (Alcoholism is only one of the many health problems on the street. Every night in Boston, two mobile units, each with at least one medical person and two outreach workers, patrol the streets and back alleys of the city. They bring hot food, blankets, clothing, and most important, a sympathetic ear.), Betsy Karel, 1999

Boston (Alcoholism is only one of the many health problems on the street. Every night in Boston, two mobile units, each with at least one medical person and two outreach workers, patrol the streets and back alleys of the city. They bring hot food, blankets, clothing, and most important, a sympathetic ear.)

1999 · Não exposta · Galeria Nacional de Arte

Boston, Betsy Karel, 1999

Boston

1999 · Não exposta · Galeria Nacional de Arte

Boston (At the Boston Night Center, Toni Abraham, a nurse practitioner from the Boston Health Care for the Homeless program, supervises while nurse Jack Castro and Mark Lepore, a student from Boston University Medical School, bandage the badly infected foot of a homeless man. Often, homeless people will first present themselves to health personnel when they have serious problems with their feet. Swelling of the feet and legs, cellulitis, and skin ulcerations are common among people living on the street. Inadequate opportunities to bathe, ill-fitting and wet shoes, and exposure to the elements all contribute to medical problems. "When your feet don't work, you can’t do the things that you need to do," says one.), Betsy Karel, 1999

Boston (At the Boston Night Center, Toni Abraham, a nurse practitioner from the Boston Health Care for the Homeless program, supervises while nurse Jack Castro and Mark Lepore, a student from Boston University Medical School, bandage the badly infected foot of a homeless man. Often, homeless people will first present themselves to health personnel when they have serious problems with their feet. Swelling of the feet and legs, cellulitis, and skin ulcerations are common among people living on the street. Inadequate opportunities to bathe, ill-fitting and wet shoes, and exposure to the elements all contribute to medical problems. "When your feet don't work, you can’t do the things that you need to do," says one.)

1999 · Não exposta · Galeria Nacional de Arte

Boston (Sharon Morrison, a nurse with the Family Team at Boston Health Care for the Homeless Program, has a special fondness and respect for this young mother and her daughter. She marvels at the calm and loving manner of the mother and the corresponding spirit of joy and playfulness in her child. The little girl is about to undergo emergency brain surgery to replace a shunt.), Betsy Karel, 1999

Boston (Sharon Morrison, a nurse with the Family Team at Boston Health Care for the Homeless Program, has a special fondness and respect for this young mother and her daughter. She marvels at the calm and loving manner of the mother and the corresponding spirit of joy and playfulness in her child. The little girl is about to undergo emergency brain surgery to replace a shunt.)

1999 · Não exposta · Galeria Nacional de Arte

Vizinhas de sala: Galeria Nacional de Arte

Página do museu

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Night scene

Todas as obras sobre o tema

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, Ansel Adams, c. 1935, printed 1979

Ansel Adams

High Country Crags and Moon, Sunrise, Kings Canyon National Park, California, c. 1935, printed 1979

Não exposta · Galeria Nacional de Arte

Te Po (The Long Night), Paul Gauguin, 1894/1895

Paul Gauguin

Te Po (The Long Night), 1894/1895

Não exposta · Galeria Nacional de Arte

Mahna no Varua Ino (The Demon Speaks) [verso], Paul Gauguin, 1893-1894

Paul Gauguin

Mahna no Varua Ino (The Demon Speaks) [verso], 1893-1894

Não exposta · Galeria Nacional de Arte

Moonlight Effect-Bay of Panama, Eadweard Muybridge, 1877

Eadweard Muybridge

Moonlight Effect-Bay of Panama, 1877

Não exposta · Galeria Nacional de Arte

Night—Fifth Avenue, Alfred Stieglitz, probably 1898, printed 1929/1932

Alfred Stieglitz

Night—Fifth Avenue, probably 1898, printed 1929/1932

Não exposta · Galeria Nacional de Arte

Savoy Hotel, New York, Alfred Stieglitz, 1897

Alfred Stieglitz

Savoy Hotel, New York, 1897

Não exposta · Galeria Nacional de Arte

Night, New York, Alfred Stieglitz, 1897, printed 1929/1934

Alfred Stieglitz

Night, New York, 1897, printed 1929/1934

Não exposta · Galeria Nacional de Arte

An Icy Night, Alfred Stieglitz, 1898

Alfred Stieglitz

An Icy Night, 1898

Não exposta · Galeria Nacional de Arte