Jacques CallotFrança, 1592–1635Bossu
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Desconhecido
Musée de la faïence et des beaux-arts
Nevers, França
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- Neste estado desde
- Fonte
- O museu
Sobre a obra
Nas palavras do museu — em francês
Gravure à l'eau-forte et rehauts de burin
Musée de la faïence et des beaux-arts
Pormenores
- Número de inventário
- NG 117 ; n° 170 (Catalogue Gallois)
O que mostra
No catálogo
Fontes
- Musée de la faïence et des beaux-arts
- Imagem: Musée de la faïence et des beaux-arts — © Evelyne Fougeret; Ministère de la Culture (France), base Joconde
Entretanto, na vida de Jacques Callot
A vida inteira1611–1621 · Local de trabalho
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1621
Returns to Nancy after the death of Cosimo II
After the death of Grand Duke Cosimo II de’ Medici, Callot responds to Duke Charles IV of Lorraine’s wish to see him at his court and returns to Lorraine, where he is received with flattering honours; staying in Nancy, he sends his prints all over Europe, and Rembrandt becomes a keen collector of them.
1621–1635 · Local de trabalho
Nancy
