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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Boerderij in Vlaanderen
Boerderij in Vlaanderen, James Ensor, 1888

Boerderij in Vlaanderen

1888 · Print

Pormenores

1888 · aos 28 anos
18601949
Número de inventário
RP-P-1947-117

Entretanto, na vida de Ensor, James

A vida inteira
  1. 1860–1949 · Local de trabalho

    Ostend

  2. 1880s

    Brief trips to France and the Netherlands

    Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.

  3. 1883–1893 · Filiação

    Les XX

  4. 1887

    Death of his father

    His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).

  5. 1888–1892

    Turning-point years: the Passion of Christ

    Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.

Mais obras de Ensor, James

Todas as obras

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu

Sobre o mesmo tema · Farm (building)

Todas as obras sobre o tema
Ensor, James, retratoEnsor, JamesBélgica, 1860–1949

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

O que mostra

Prospect of village, silhouette of villageMeadow, pastureFarm (building)

No catálogo

GravurasImpressionismoSéculo XIX

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain
Christ's Entry into Brussels in 1889, James Ensor, 1888

Christ's Entry into Brussels in 1889

1888 · Museu J. Paul Getty

The Intrigue, James Ensor, 1911

The Intrigue

1911 · Instituto de Artes de Minneapolis

Comical Repast (Feast of the Lean), James Ensor, ca. 1917–18

Comical Repast (Feast of the Lean)

ca. 1917–18 · Museu Metropolitano de Arte

Still Life with Fish and Shells, James Ensor, 1898

Still Life with Fish and Shells

1898 · Art Institute of Chicago

The Riding Crop, James Ensor

The Riding Crop

Não exposta · Galeria Nacional de Arte

Phantastisches Stillleben, James Ensor

Phantastisches Stillleben

Österreichische Galerie Belvedere

Stillleben mit blauer Flasche und gerupftem Huhn, James Ensor

Stillleben mit blauer Flasche und gerupftem Huhn

Österreichische Galerie Belvedere

Blumenkorb, James Ensor

Blumenkorb

Albertina

Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634

Jonge vrouw in gefantaseerde kleding, Rembrandt van Rijn, 1633

Rembrandt van Rijn

Jonge vrouw in gefantaseerde kleding, 1633

Langhuisboerderij met hooiberg in een polderlandschap, Rembrandt van Rijn, c. 1652

Rembrandt van Rijn

Langhuisboerderij met hooiberg in een polderlandschap, c. 1652

Museu Estatal de Amesterdão

Boerenerf met twee bomen, waartussen ladders staan, Jean Honoré Fragonard, 1742 - 1806

Jean-Honoré Fragonard

Boerenerf met twee bomen, waartussen ladders staan, 1742 - 1806

Museu Estatal de Amesterdão

Hoeve tussen bomen, Jan Brueghel, 1578 - 1623

Jan Brueghel

Hoeve tussen bomen, 1578 - 1623

Museu Estatal de Amesterdão

Boerenschuur, Jacob Isaacksz van Ruisdael, 1638 - 1682

Jacob Isaacksz. van Ruisdael

Boerenschuur, 1638 - 1682

Museu Estatal de Amesterdão

Boerderijen en een boomgroep bij een smalle rivier, Jacob Isaacksz van Ruisdael, 1646

Jacob Isaacksz. van Ruisdael

Boerderijen en een boomgroep bij een smalle rivier, 1646

Museu Estatal de Amesterdão

Italiaanse boerderij, Jacques Callot, 1621

Jacques Callot

Italiaanse boerderij, 1621

Museu Estatal de Amesterdão

Huizen met houtopslag, Carl Bloch, 1887

Carl Bloch

Huizen met houtopslag, 1887

Museu Estatal de Amesterdão

Boerenerf met hooimijt en kippen, Carl Bloch, 1888

Carl Bloch

Boerenerf met hooimijt en kippen, 1888

Museu Estatal de Amesterdão