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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Albertina/
  3. Bildnis Gerti Schiele
Bildnis Gerti Schiele, Egon Schiele, 1911
Egon Schiele, retratoEgon SchieleÁustria, 1890–1918

Bildnis Gerti Schiele

1911 · Drawing

Será possível contemplá-la?

Desconhecido

Albertina

Viena, Áustria

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1911 · aos 21 anos
18901918

No catálogo

Desenhos e aguarelasModernismoSéculo XX

Fontes

  • Albertina
  • Imagem: Albertina — Public Domain Mark 1.0

Entretanto, na vida de Egon Schiele

A vida inteira
  1. 1909

    Leaves the Academy and founds the Neukunstgruppe

    In 1909, after completing his third year, Schiele left the Academy and, with other dissatisfied students, founded the Neukunstgruppe (“New Art Group”). Imitations of Klimt and Oskar Kokoschka are visible in his first works, but he soon evolved his own distinctive style.

  2. 1909

    The 1909 Kunstschau: beside Klimt and Van Gogh

    In 1909 Klimt invited Schiele to exhibit some of his work at the Vienna Kunstschau, where he encountered the work of Edvard Munch, Jan Toorop, Vincent van Gogh and others.

  3. 1910

    Experiments with the nude and the birth of a style

    In 1910 Schiele began experimenting with nudes, and within a year a definitive style emerged: emaciated, sickly-coloured figures, often with strong sexual overtones. He also began painting and drawing children.

  4. 1911

    Meets Wally Neuzil

    In 1911, at the age of twenty-one, Schiele met the seventeen-year-old Wally Neuzil, who lived with him in Vienna and served as a model for some of his most striking paintings; she had previously modelled for Klimt.

  5. 1911

    Escape from Viennese bohemia to Krumau

    Wanting to escape what they perceived as the claustrophobic Viennese milieu, Schiele and Wally went to Krumau in southern Bohemia, the birthplace of his mother; but the residents, strongly disapproving of their bohemian lifestyle, including his alleged employment of the town’s teenage girls as models, drove the couple out of the town.

  6. April 1912

    Arrest, jail and trial in Neulengbach

    In April 1912 Schiele was arrested on suspicion of kidnapping and seducing a girl of thirteen: the police seized more than a hundred drawings from his studio that they considered pornographic, and while awaiting trial in custody he made a series of paintings of his jail cell. The charges were dropped, but he was found guilty of exhibiting erotic drawings in a place accessible to children: the judge burned one of the drawings over a candle flame, the 21 days already spent in custody were counted and a further three days’ imprisonment were added.

Mais obras de Egon Schiele

Todas as obras
Portrait of Albert Paris von Gütersloh, Egon Schiele, 1918

Portrait of Albert Paris von Gütersloh

1918 · Instituto de Artes de Minneapolis

Head of a Woman, Egon Schiele, 1908

Head of a Woman

1908 · Não exposta · Galeria Nacional de Arte

Portrait of Gerti Schiele, Egon Schiele, 1909

Portrait of Gerti Schiele

1909 · Não exposta · Museu de Arte Moderna

Standing Male Nude with Arm Raised, Back View, Egon Schiele, 1910

Standing Male Nude with Arm Raised, Back View

1910 · Não exposta · Museu de Arte Moderna

Standing Girl Wrapped in Blanket, Egon Schiele, 1911

Standing Girl Wrapped in Blanket

1911 · Não exposta · Museu de Arte Moderna

Girl with Black Hair (Mädchen mit schwarzem Haar), Egon Schiele, 1911

Girl with Black Hair (Mädchen mit schwarzem Haar)

1911 · Não exposta · Museu de Arte Moderna

Self-Portrait, Egon Schiele, 1912

Self-Portrait

1912 · Não exposta · Galeria Nacional de Arte

Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar), Egon Schiele, 1912

Nude with Violet Stockings and Black Hair (Akt mit violetten Strümpfen und schwarzem Haar)

1912 · Não exposta · Museu de Arte Moderna

Da coleção: Albertina

Página do museu
Zwei groteske Köpfe im Profil, Leonardo da Vinci

Leonardo da Vinci

Zwei groteske Köpfe im Profil

Landschaft mit Haus und Bäumen, Vincent van Gogh

Vincent van Gogh

Landschaft mit Haus und Bäumen

Friedhof im Regen, Vincent van Gogh

Vincent van Gogh

Friedhof im Regen

Studien eines erhobenen Armes mit Schultergelenk, Michelangelo

Michelangelo

Studien eines erhobenen Armes mit Schultergelenk

Studien eines weiblichen sitzenden Rückenakts, Michelangelo

Michelangelo

Studien eines weiblichen sitzenden Rückenakts

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien, Michelangelo

Michelangelo

Männlicher Oberkörper mit gefalteten Händen sowie Handstudien

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina"), Michelangelo

Michelangelo

Männlicher Rückenakt (Studie zu dem eine Lanze tragenden Soldaten des geplanten Wandgemäldes "Schlacht von Cascina")

Beweinung Christi, Michelangelo

Michelangelo

Beweinung Christi