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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu de História da Arte em Viena/
  3. Bildnis eines jungen Feldherren
Bildnis eines jungen Feldherren, Anthonis van Dyck, 1622-1624
Anthony van Dyck, retratoAnthony van DyckFlandres, 1599–1641

Bildnis eines jungen Feldherren

1622-1624 · Painting

Será possível contemplá-la?

Desconhecido

Museu de História da Arte em Viena

Viena, Áustria

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1622-1624
15991641

Entretanto, na vida de Anthony van Dyck

A vida inteira
  1. 1620

    First Trip to London to the Court of James I

    In October 1620, at the age of twenty-one, Van Dyck moved to London to the court of King James I at the urging of the Duke of Buckingham and the Earl of Arundel; he received an annual pension of one hundred pounds sterling from the king.

  2. 20 November 1621

    Departure for Italy, Arrival in Genoa

    In 1621 Van Dyck decided to go to Italy; Rubens supplied him with funds and letters of introduction. On 20 November 1621 he arrived in Genoa and remained in Italy for six years, where his fame as a portraitist was consolidated.

  3. winter 1622

    Winter in Venice, Studying Titian

    Van Dyck spent the winter of 1622 in Venice, where, accompanied by Titian's nephew Cesare Vecellio, he fulfilled a long-held dream of seeing the works of Titian and Paolo Veronese; on the way he stopped in Bologna and Parma, where he admired Correggio's frescoes.

  4. 1624

    Quarantine During the Plague in Palermo

    In Palermo Van Dyck found himself in quarantine during the plague of 1624, one of the most severe in Sicily's history; there he created an important series of paintings of Saint Rosalia, the city's patroness, establishing her iconography for the Italian Baroque.

  5. 1624

    Invitation to Palermo

    In April 1624 Emmanuel Philibert of Savoy, Viceroy of Sicily, invited Van Dyck to Palermo to paint his portrait.

Mais obras de Anthony van Dyck

Todas as obras

Da coleção: Museu de História da Arte em Viena

Página do museu
  • 1626–1632

    The Iconography Print Series

    After returning to Antwerp, Van Dyck conceived a large series of engraved portraits of his contemporaries, the Iconography; he etched eighteen plates himself, executing the preparatory drawings mainly between 1626 and 1633. The first edition (80 plates) appeared in Antwerp in 1632.

  • No catálogo

    PinturasPintura flamengaBarrocoSéculo XVII

    Fontes

    • Museu de História da Arte em Viena
    • Imagem: Museu de História da Arte em Viena — CC BY-NC-SA 4.0
    The Betrayal of Christ, Anthony van Dyck, c. 1618–20

    The Betrayal of Christ

    c. 1618–20 · Instituto de Artes de Minneapolis

    Lucas van Uffel (died 1637), Anthony van Dyck, ca. 1622

    Lucas van Uffel (died 1637)

    ca. 1622 · Museu Metropolitano de Arte

    Queen Henrietta Maria, Anthony van Dyck, 1636

    Queen Henrietta Maria

    1636 · Museu Metropolitano de Arte

    Maria Stuart en Willem II, Anthony van Dyck, 1641

    Maria Stuart en Willem II

    1641 · Museu Estatal de Amesterdão

    Two Tritons at the Feast of Acheloüs, Anthony van Dyck

    Two Tritons at the Feast of Acheloüs

    Museu Metropolitano de Arte

    Rest on the Flight into Egypt (Madonna with Partridges), Anthony van Dyck, 17th century

    Rest on the Flight into Egypt (Madonna with Partridges)

    17th century · Hermitage

    Le Christ mort pleuré par la Vierge et des anges, Dyck, Antoon van, XVIIe siècle (1600 - 1700)

    Le Christ mort pleuré par la Vierge et des anges

    XVIIe siècle (1600 - 1700) · Museu do Louvre

    Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684), Dyck, Antoon van, XVIIe siècle (1600 - 1700)

    Portrait d'Ann Carr, Lady Russel, comtesse de Bedford (1615-1684)

    XVIIe siècle (1600 - 1700) · Museu do Louvre

    Kaiserin/Königin Zita und Kronprinz Otto beim Verlassen des Imperialwagens vor der Königskrönung in Budapest (30.12.1916), Gyula Éder, 1929

    Gyula Éder

    Kaiserin/Königin Zita und Kronprinz Otto beim Verlassen des Imperialwagens vor der Königskrönung in Budapest (30.12.1916), 1929

    Der Gala-Staatswagen Kaiser Franz Josephs bei der Rückkehr in die Hofstallungen, Mariza Büngener, 1912

    Mariza Büngener

    Der Gala-Staatswagen Kaiser Franz Josephs bei der Rückkehr in die Hofstallungen, 1912

    Kaiser Franz Joseph I. (1830-1916) sitzend, Viktor Stauffer, 1911-1916

    Viktor Stauffer

    Kaiser Franz Joseph I. (1830-1916) sitzend, 1911-1916

    Kaiser Franz Joseph und Generaladjutant Graf Eduard Paar in einem Mylord mit Schimmelpaarweiszug vor der Stephanskirche, Ernst Graner, 1911

    Ernst Graner

    Kaiser Franz Joseph und Generaladjutant Graf Eduard Paar in einem Mylord mit Schimmelpaarweiszug vor der Stephanskirche, 1911

    Dame mit lila Schal, Gustav Klimt, 1895

    Gustav Klimt

    Dame mit lila Schal, 1895

    Die Eröffnung des Kunsthistorischen Museums durch Kaiser Franz Joseph I. am 17.10.1891, Robert Raschka, 1891

    Robert Raschka

    Die Eröffnung des Kunsthistorischen Museums durch Kaiser Franz Joseph I. am 17.10.1891, 1891

    Apotheose der Renaissance, Mihály von Munkácsy, 1888

    Mihály Munkácsy

    Apotheose der Renaissance, 1888

    Allegorie der Bildhauerei / Figurenschmuck der Fassade des Kunsthistorischen Museums in Wien., Johannes Benk, 1878-1879

    Johannes Benk

    Allegorie der Bildhauerei / Figurenschmuck der Fassade des Kunsthistorischen Museums in Wien., 1878-1879