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  3. Berlin Radio Tower
Berlin Radio Tower, László Moholy-Nagy, 1928
László Moholy-Nagy, retratoLászló Moholy-NagyEstados Unidos, 1895–1946

Berlin Radio Tower

1928 · Photograph

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Art Institute of Chicago

Chicago, Estados Unidos

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19 de ago. de 2026
Fonte
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Sobre a obra

Over the winter and spring of 1927–28, Bauhaus professor László Moholy-Nagy took a series of perhaps nine views looking down from the Berlin Radio Tower, one of the most exciting new constructions in the German capital. Moholy had already photographed the Eiffel Tower in Paris from below, looking up through the tower’s soaring girders. In Berlin, however, Moholy turned his camera around and pointed it straight down at the ground. This plunging perspective showed off the spectacular narrowness of the Radio Tower, finished in 1926, which rose vertiginously to a height of 450 feet from a base seven times smaller than that of its Parisian predecessor (which opened in 1889).

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Moholy attached exceptional importance to this, his boldest image: he hung it just above his name in a room devoted to his work at the Berlin showing of Film und Foto, a mammoth traveling exhibition that he had helped to prepare. Moholy also chose this view and one other to offer Julien Levy, the pioneering art dealer, when Levy visited him in Berlin in 1930. The following year the pictures went on view at the Levy Gallery in New York, in Moholy’s first solo exhibition of photographs.

Art Institute of Chicago · CC BY 4.0

Pormenores

1928 · aos 33 anos
18951946
Número de inventário
1979.84

O que mostra

ParisCityscape

No catálogo

FotografiasProva de gelatina e prataModernismoSéculo XXBauhausVanguardaEstados Unidos

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de László Moholy-Nagy

A vida inteira
  1. 1920–1933 · Residência

    Berlin

  2. 1927–1929

    Photography editor of “i 10”

    From 1927 to 1929 Moholy-Nagy was photography editor of the Dutch avant-garde magazine International Revue i 10.

  3. 1928

    Leaves the Bauhaus for his own Berlin studio

    In 1928 Moholy-Nagy left the Bauhaus (Marianne Brandt took over the metal workshop) and set up his own design studio in Berlin, employing István Seboek, György Kepes and Andor Weininger. He designed sets for operatic and theatrical productions (including Erwin Piscator's political theatre) as well as exhibitions and books, ad campaigns and films.

  4. 1929

    Helps organise “Film und Foto” in Stuttgart

    Moholy-Nagy was brought in to help organise the famous “Film und Foto” exhibition in Stuttgart.

  5. 1929

    Separates from Lucia

    In 1929 Moholy-Nagy separated from his first wife Lucia, photographer and collaborator in his photogram experiments.

Mais obras de László Moholy-Nagy

Todas as obras
Nickel Construction, László Moholy-Nagy, 1921

Nickel Construction

1921 · Museu de Arte Moderna

Untitled, László Moholy-Nagy, c. 1924

Untitled

c. 1924 · Museu de Arte Moderna

Untitled, László Moholy-Nagy, 1925-28

Untitled

1925-28 · Museu de Arte Moderna

Z VII, László Moholy-Nagy, 1926

Z VII

1926 · Galeria Nacional de Arte

Construction, László Moholy-Nagy, 1922

Construction

1922 · Harvard Art Museums

Nuclear I, CH, László Moholy-Nagy, 1945

Nuclear I, CH

1945 · Art Institute of Chicago

Untitled, László Moholy-Nagy, n.d.

Untitled

n.d. · Não exposta · Museu de Arte Moderna

Kubisches Stadtbild, László Moholy-Nagy

Kubisches Stadtbild

Museum Kunstpalast

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942