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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Musée de la Musique/
  3. "Beggar's Opera"
"Beggar's Opera", William Blake, 1790 (création)
William Blake, retratoWilliam BlakeReino Unido, 1757–1827

"Beggar's Opera"

1790 (création) · Print

Será possível contemplá-la?

Desconhecido

MM
Musée de la Musique

Paris, França

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
5 de out. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a obra

Nas palavras do museu — em francês

Description des éléments : Eau-forte. Cadre en bois doré 17e siècle. 2 ailerons bas gauche et haut gauche manquants.

MMMusée de la Musique

Pormenores

1790 (création) · aos 33 anos
17571827
Número de inventário
E.986.1.37

No catálogo

GravurasNeoclassicismoSéculo XVIII

Fontes

  • Musée de la Musique
  • Imagem: Musée de la Musique — Jean-Marc Anglès; Ministère de la Culture (France), base Joconde

Entretanto, na vida de William Blake

A vida inteira
  1. 1780–1808

    Exhibits six times at the Royal Academy

    Despite his antagonism towards Reynolds, Blake submitted works to the Royal Academy on six occasions between 1780 and 1808.

  2. 1785–1791 · Residência

    Poland Street

  3. 1788

    Invents relief etching

    In 1788, aged 31, Blake invented relief etching, or “illuminated printing”: text and designs are drawn on a copper plate in acid-resistant ink and etched so that the protected areas stand in relief, and the printed pages are coloured by hand in watercolours. He used it for most of his well-known works, including “Songs of Innocence and of Experience”, “The Book of Thel”, “The Marriage of Heaven and Hell” and “Jerusalem”.

  4. 1791 · Residência

    Hercules Buildings

  5. 1791

    Illustrates Mary Wollstonecraft's “Original Stories from Real Life”

    Blake illustrated Mary Wollstonecraft's “Original Stories from Real Life” (2nd edition, 1791). They seem to have shared some views on sexual equality and the institution of marriage, but no evidence is known that they ever met.

Mais obras de William Blake

Todas as obras
St. Matthew, William Blake, 1799

St. Matthew

1799 · Museu de Arte de Cleveland

The Christ Child Asleep on the Cross, William Blake, 1799-1800

The Christ Child Asleep on the Cross

1799-1800 · Museu Vitória e Alberto

Eve Tempted by the Serpent, William Blake, 1799-1800

Eve Tempted by the Serpent

1799-1800 · Museu Vitória e Alberto

Our Lady with the Infant Jesus Riding on a Lamb with St John, William Blake, 1800

Our Lady with the Infant Jesus Riding on a Lamb with St John

1800 · Museu Vitória e Alberto

War, William Blake, 1805

War

1805 · Harvard Art Museums

The Virgin and Child in Egypt, William Blake, 1810

The Virgin and Child in Egypt

1810 · Museu Vitória e Alberto

Christ Blessing, William Blake, c. 1810

Christ Blessing

c. 1810 · Harvard Art Museums

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo, William Blake, 1827, printed 1968

The Circle of the Corrupt Officials; the Devils Tormenting Ciampolo

1827, printed 1968 · Não exposta · Galeria Nacional de Arte

Da coleção: Musée de la Musique

Página do museu
Portrait de Gabriel Fauré (1845-1924), John Singer Sargent, vers 1889 (création)

John Singer Sargent

Portrait de Gabriel Fauré (1845-1924), vers 1889 (création)

Portrait de Antoine-François Marmontel, Léon Bonnat, 1889 (création)

Léon Bonnat

Portrait de Antoine-François Marmontel, 1889 (création)

"Orphée suppliant" ou "Orphée aux Enfers", Gioacchino Serangeli, 1804 (création)

Serangeli, Gioacchin Giuseppe

"Orphée suppliant" ou "Orphée aux Enfers", 1804 (création)

"Sophocle plaidant sa cause devant l'aréopage", Gioacchino Serangeli

Serangeli, Gioacchin Giuseppe

"Sophocle plaidant sa cause devant l'aréopage"

Portrait de Nicolas-Prosper Levasseur (1791-1871), Marie-Ernestine Serret, 1839 (création)

Marie-Ernestine Serret

Portrait de Nicolas-Prosper Levasseur (1791-1871), 1839 (création)

Portrait de Ludwig van Beethoven (1770-1827), Carel Lodewijk Dake, 09 /12 /2020 (modification)

Carel Lodewijk Dake

Portrait de Ludwig van Beethoven (1770-1827), 09 /12 /2020 (modification)

Hommage à Marcelle Soulages, Luc-Olivier Lesieur, 1986 (création)

Luc-Olivier Lesieur

Hommage à Marcelle Soulages, 1986 (création)

Caricature d'André Jolivet (1905-1974), Pierre Pasquier, 1982 (février) (création)

Pierre Pasquier

Caricature d'André Jolivet (1905-1974), 1982 (février) (création)