ART WIKI33 040 em exposição
MapaColeçãoArtistasMuseusExposiçõesRevista
Entrar

ART WIKI

Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

Secções

  • Mapa
  • Pesquisa
  • Coleção
  • Obras-primas
  • Em exposição agora
  • Artistas

Mais

  • Museus e galerias
  • Exposições
  • Revista
  • De onde vêm os dados
  • Privacidade e cookies
InícioMapaCatálogo
  1. Coleção/
  2. Museu Metropolitano de Arte/
  3. Bashi-Bazouk
Bashi-Bazouk, Jean-Léon Gérôme, 1868–69
Jean-Léon Gérôme, retratoJean-Léon GérômeFrança, 1824–1904

Bashi-Bazouk

1868–69 · Painting

Sobre a pintura

Bashi-Bazouk (possibly titled Bachi-Bouzouk nègre) is an oil on canvas painting by French artist Jean-Léon Gérôme, from 1869. It depicts a Bashi-bazouk, who was an irregular soldier of the Ottoman Empire. The painting is on display at the Metropolitan Museum of Art, in New York.

Wikipédia · CC BY-SA

Pormenores

1868–69
18241904
Número de inventário
2008.547.1

Entretanto, na vida de Jean-Léon Gérôme

A vida inteira
  1. 1864–1904

    The studio everyone wanted to join

    Places in Gérôme’s atelier were limited and keenly sought: only the best students were admitted. Students progressed from drawing after antique works and casts to drawing from the live model and only then were allowed to paint in oils; he attended every Wednesday and Saturday and was known as a severe critic, but helped his students outside the school too, inviting them to his own studio and recommending them to the Salon.

  2. 1867

    The World’s Fair: twelve canvases and “The Death of Caesar”

    At the 1867 World’s Fair Gérôme showed twelve canvases in the French pavilion; “The Death of Caesar” stood out, once again drawing immoderate praise from Gautier. That same year he was promoted to officer of the Legion of Honour.

  3. 1868

    “The Execution of Marshal Ney”: asked to withdraw the picture

    “The Execution of Marshal Ney” at the Salon of 1868 prompted Ney’s descendants to ask Gérôme to withdraw it, but he refused. Opinion was sharply split, and this Salon marked the beginning of a lasting divide between Gérôme and many French critics, who accused him of relying on literary devices, of commercialising art and of bringing politics into it.

  4. 1 January 1868

    Leaves for the Near East with eight friends

    On 1 January 1868 Gérôme left his students in the care of Gustave Boulanger and set off for the Near East with eight fellow artists and writers. In Cairo he was received by the Khedive Ismail Pasha, then visited Giza and the Faiyum oasis.

Mais obras de Jean-Léon Gérôme

Todas as obras

Na mesma sala · Gallery 804, Museu Metropolitano de Arte

Página do museu

Sobre o mesmo tema · Homem

Todas as obras sobre o tema

1870–1871

The war: refuge in England

For the duration of the Franco-Prussian War Gérôme took refuge in England with his family but could hardly work: his catalogues list only “Pifferari”, showing street musicians in London. He returned to Paris in June 1871: his house and studio had been damaged in the shelling, but his country villa was untouched, and he soon resumed teaching at the École des Beaux-Arts.

  • 1870s

    Rising popularity in the United States

    In the 1870s Gérôme’s works were particularly sought after by wealthy Americans: over his career he sold American patrons 144 paintings, nearly a quarter of his output; among his American students was Thomas Eakins.

  • Será possível contemplá-la?

    Sim, recebe visitas

    Museu Metropolitano de Arte

    Nova Iorque, Estados Unidos

    Sala804

    Exposta ao público. Quem o garante vem indicado abaixo.

    Verificado
    há 9 dias
    Neste estado desde
    26 de set. de 2026
    Fonte
    O museu
    No mapaPágina do museu

    O que mostra

    HomemRetratoProfilesOrientalist

    No catálogo

    PinturasÓleoPintura francesaRealismoImpressionismoSéculo XIX

    Fontes

    • Museu Metropolitano de Arte
    • Imagem: Museu Metropolitano de Arte — Open Access (CC0)
    Study of Palm Trees, Jean-Léon Gérôme, 1855/56

    Study of Palm Trees

    1855/56 · Museu Metropolitano de Arte

    Young Greeks in the Mosque, Jean-Léon Gérôme, 1865

    Young Greeks in the Mosque

    1865 · Instituto de Artes de Minneapolis

    View of Medinet El-Fayoum, Jean-Léon Gérôme, c. 1868/1870

    View of Medinet El-Fayoum

    c. 1868/1870 · Galeria Nacional de Arte

    Bashi-Bazouk, Jean-Léon Gérôme, ca. 1868–69

    Bashi-Bazouk

    ca. 1868–69 · Museu Metropolitano de Arte

    Prayer in the Mosque, Jean-Léon Gérôme, by 1874

    Prayer in the Mosque

    by 1874 · Museu Metropolitano de Arte

    The Carpet Merchant, Jean-Léon Gérôme, c. 1887

    The Carpet Merchant

    c. 1887 · Instituto de Artes de Minneapolis

    Chariot Race, Jean Léon Gérôme, 1876

    Chariot Race

    1876 · Art Institute of Chicago

    Portrait of a Woman, Jean Léon Gérôme, 1851

    Portrait of a Woman

    1851 · Art Institute of Chicago

    Study for "The Sultan of Morocco and His Entourage", Eugène Delacroix, 1845

    Eugène Delacroix

    Study for "The Sultan of Morocco and His Entourage", 1845

    Odalisque in Grisaille, Jean Auguste Dominique Ingres, ca. 1824–34

    Jean-Auguste-Dominique Ingres

    Odalisque in Grisaille, ca. 1824–34

    Bashi-Bazouk, Jean-Léon Gérôme, ca. 1868–69

    Jean-Léon Gérôme

    Bashi-Bazouk, ca. 1868–69

    Portrait of a "Mamelouk", Horace Vernet, 1810

    Vernet, Horace

    Portrait of a "Mamelouk", 1810

    A Bashi-Bazouk, Charles Bargue, 1875

    Charles Bargue

    A Bashi-Bazouk, 1875

    The Good Samaritan, Rodolphe Bresdin, 1861

    Rodolphe Bresdin

    The Good Samaritan, 1861

    An Ottoman Man in the Artist's Studio, Auguste-Xavier Leprince, ca. 1823–26

    Auguste Xavier Leprince

    An Ottoman Man in the Artist's Studio, ca. 1823–26

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

    Vincent van Gogh

    Self-Portrait with a Straw Hat (obverse: The Potato Peeler), 1887

    Museu Metropolitano de Arte

    Garden at Sainte-Adresse, Claude Monet, 1867

    Claude Monet

    Jardim em Sainte-Adresse, 1867

    Museu Metropolitano de Arte

    The Musicians, Caravaggio, 1597

    Caravaggio

    Os Músicos, 1597

    Museu Metropolitano de Arte

    Self-Portrait, Rembrandt van Rijn, 1660

    Rembrandt van Rijn

    Self-Portrait, 1660

    Museu Metropolitano de Arte

    Portrait of Gerard de Lairesse, Rembrandt van Rijn, 1665–67

    Rembrandt van Rijn

    Portrait of Gerard de Lairesse, 1665–67

    Museu Metropolitano de Arte

    Aristotle with a Bust of Homer, Rembrandt, 1653

    Rembrandt van Rijn

    Aristóteles com um busto de Homero, 1653

    Museu Metropolitano de Arte

    Young Sailor II, Henri Matisse, 1906

    Henri Matisse

    Young Sailor II, 1906

    Museu Metropolitano de Arte

    Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

    Peter Paul Rubens

    Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

    Museu Metropolitano de Arte