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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Herzog Anton Ulrich-Museum/
  3. Bärtiger Greis
Bärtiger Greis, Angelica Kauffmann, 1762
Angelica Kauffmann, retratoAngelica KauffmannSuíça, 1741–1807

Bärtiger Greis

1762 · Print

Será possível contemplá-la?

Desconhecido

Herzog Anton Ulrich-Museum

Brunsvique, Alemanha

O proprietário é conhecido; não se sabe se hoje está exposta.

Neste estado desde
27 de set. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1762 · aos 21 anos
17411807

O que mostra

Alter MannRetratoHomemGreisBart

No catálogo

GravurasRococóNeoclassicismoSéculo XVIII

Fontes

  • Herzog Anton Ulrich-Museum
  • Imagem: Herzog Anton Ulrich-Museum — CC BY-NC-SA 4.0

Entretanto, na vida de Angelica Kauffmann

A vida inteira
  1. c. 1762

    Meets Benjamin West and Johann Friedrich Reiffenstein

    In Florence Kauffman met the painters Benjamin West and Johann Friedrich Reiffenstein.

  2. c. 1762

    Florence: portraits of the English and a studio of her own

    Kauffman lingered in Florence and worked a great deal on portraits, in particular of English aristocrats visiting the city on the Grand Tour; she was given a separate studio, since working in the same room as a man was thought improper.

  3. June 1762

    Moves to Florence and meets Neoclassicism

    In June 1762 Kauffman and her family moved to Florence, where she first encountered the style that would be called Neoclassicism.

  4. October 1762

    The academies of Florence and Bologna elect her

    In October 1762 Angelica was elected a member of the Accademia delle Arti del Disegno in Florence and became an honorary member of the Accademia Clementina in Bologna.

  5. January 1763

    Meets the English community in Rome

    Moving to Rome in January 1763, Kauffman was introduced to the British community there; as she learned more English and continued with portraiture, she became a popular portraitist for British visitors to Rome.

  6. 1764

    Her portrait of Winckelmann

    In Rome Kauffman painted a half-length portrait of the art historian Johann Joachim Winckelmann and also made an etching of it; in August 1764 Winckelmann wrote to a friend about her popularity: she spoke Italian and German, handled French and English with ease, could be called beautiful, and in singing could vie with the best virtuosi.

Mais obras de Angelica Kauffmann

Todas as obras
Parting of Abelard and Heloise, Angelica Kauffmann, 18th century

Parting of Abelard and Heloise

18th century · Hermitage

The Temptation of Eros, Angelica Kauffmann, 1750–75

The Temptation of Eros

1750–75 · Museu Metropolitano de Arte

The Victory of Eros, Angelica Kauffmann, 1750–75

The Victory of Eros

1750–75 · Museu Metropolitano de Arte

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851), Angelica Kauffmann, ca. 1776

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

ca. 1776 · Museu Metropolitano de Arte

Telemachus and the Nymphs of Calypso, Angelica Kauffmann, 1782

Telemachus and the Nymphs of Calypso

1782 · Museu Metropolitano de Arte

The Sorrow of Telemachus, Angelica Kauffmann, 1783

The Sorrow of Telemachus

1783 · Museu Metropolitano de Arte

Monsignor Giuseppe Spina (1756–1828), Angelica Kauffmann, 1798

Monsignor Giuseppe Spina (1756–1828)

1798 · Museu Metropolitano de Arte

The Three Graces distressing Cupid, Angelica Kauffman, late 18th century

The Three Graces distressing Cupid

late 18th century · Museu Vitória e Alberto