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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Galeria Nacional de Arte/
  3. Bajur, Pakistan
Bajur, Pakistan, Edward Grazda, 1980
EEdward GrazdaEstados Unidos, 1947

Bajur, Pakistan

1980 · Photograph

Pormenores

1980 · aos 33 anos
1947hoje
Número de inventário
2015.19.5145

Mais obras de Edward Grazda

Todas as obras

Vizinhas de sala: Galeria Nacional de Arte

Página do museu

Sobre o mesmo tema · Car

Todas as obras sobre o tema

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
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CarLandscapePakistan

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FotografiasProva de gelatina e prataArte contemporâneaSéculo XXAmerican

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — © the artist or rights holder
Mitla, Mexico, Edward Grazda, 1972

Mitla, Mexico

1972 · Não exposta · Galeria Nacional de Arte

Tepoztlán, Mexico, Edward Grazda, 1972

Tepoztlán, Mexico

1972 · Não exposta · Galeria Nacional de Arte

Antigua, Guatemala, Edward Grazda, 1972

Antigua, Guatemala

1972 · Não exposta · Galeria Nacional de Arte

Zipolite, Mexico, Edward Grazda, 1972

Zipolite, Mexico

1972 · Não exposta · Galeria Nacional de Arte

Juarez, Mexico, Edward Grazda, 1972

Juarez, Mexico

1972 · Não exposta · Galeria Nacional de Arte

Tepoztlán, Mexico, Edward Grazda, 1972

Tepoztlán, Mexico

1972 · Não exposta · Galeria Nacional de Arte

Huancayo, Peru, Edward Grazda, 1973

Huancayo, Peru

1973 · Não exposta · Galeria Nacional de Arte

Cuzco, Peru, Edward Grazda, 1973

Cuzco, Peru

1973 · Não exposta · Galeria Nacional de Arte

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Jed Johnson and Roland Waden, Andy Warhol, July 22, 1980

Andy Warhol

Jed Johnson and Roland Waden, July 22, 1980

Não exposta · Galeria Nacional de Arte

Automobilist, Marc Chagall, 1922

Marc Chagall

Automobilist, 1922

Não exposta · Galeria Nacional de Arte

The Motorist (L'automobiliste), Henri de Toulouse-Lautrec, 1896

Henri de Toulouse-Lautrec

The Motorist (L'automobiliste), 1896

Não exposta · Galeria Nacional de Arte

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., Allen Ginsberg, 1956, printed later

Allen Ginsberg

All dressed up with tie & tweed jacket, recently matriculated for M.A. at U.C. Berkeley, I'd just written Part II _Howl_, _Supermarket in California_, & _Sunflower Sutra_, clean-shaven poet, on Berkeley Street lighting a coffin-nail, camera in Peter Orlovsky's hands, 1956., 1956, printed later

Não exposta · Galeria Nacional de Arte

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, Allen Ginsberg, 1985

Allen Ginsberg

Karen Minzer & Babe, Dallas. This is the good one. The eyes strong, 1985

Não exposta · Galeria Nacional de Arte

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, Allen Ginsberg, 1956, printed later

Allen Ginsberg

Peter Orlovsky age 23 on Ginny Lehrman's lawn Berkeley, 1956, printed later

Não exposta · Galeria Nacional de Arte

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., Allen Ginsberg, 1984

Allen Ginsberg

Robert Frank & his car rented for him by Atlantic Center For Arts where we taught together three weeks with jazz drum genius Elvin Jones. We’d come to town New Smyrna Beach on errands, he showed me how to use his polaroid 195 that gives negative, but when we washed it in his plastic container of water, car-heat-cooked in Florida mid-day sun, the emulsion cracked, dissolved—this copy print from original is o.k. to catch his smile at my amateur focus, June 1984., 1984

Não exposta · Galeria Nacional de Arte

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., Allen Ginsberg, 1987

Allen Ginsberg

Harry Smith talking to Scotch folk-singer English Professor at University of Mississippi who drove me to visit Ike's Barber Shop in Clarksdale-- Ike had played in Black rhythm & Blues bands around the 40's Country & his shop was legendary social center after he'd returned to his home town-- Harry came to record the rhythm of his barber scissors & razor strapping as we spent the afternoon hanging out & listening to the jukebox by the bar, back of the Barbershop. Later we drove across the Mississippi River & returned to "ole' Miss" at Oxford by midnight, April 19, 1987., 1987

Não exposta · Galeria Nacional de Arte