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Avenue Bridge, Baltimore, Gabrielle de Veaux Clements, 1927
Gabrielle de Veaux Clements, retratoGabrielle de Veaux ClementsEstados Unidos, 1858–1948

Avenue Bridge, Baltimore

1927 · Graphic Arts-Print · 27.7 × 43.5 cm

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Onde está «Avenue Bridge, Baltimore» hoje? Coleção: Museu Smithsoniano de Arte Americana, Washington, D.C. Desconhecido.

Museu Smithsoniano de Arte Americana

Washington, D.C., Estados Unidos

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Número de inventário
1935.13.60

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TrainAnimaliaArquiteturaFigure groupCavaloCityscapeAutomobilesVehicles

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GravurasÁgua-forteModernismoSéculo XX

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The Vesper Hour, James S. King, 1884

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1884 · Não exposta · Galeria Nacional de Arte

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The Shot Tower

1926 · Não exposta · Galeria Nacional de Arte

Loading Lemons, Palermo, Gabrielle de Veaux Clements, n.d.

Loading Lemons, Palermo

n.d. · Museu Smithsoniano de Arte Americana

The Way of St. Francis, Chartres, Gabrielle de Veaux Clements, 1885

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1885 · Museu Smithsoniano de Arte Americana

No mesmo museu: Museu Smithsoniano de Arte Americana

Página do museu
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George Ault

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Sobre o mesmo tema · Train

Todas as obras sobre o tema
The Third-Class Carriage, Honoré Daumier, 1864

Honoré Daumier

The Third-Class Carriage, 1864

Museu Metropolitano de Arte

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., Allen Ginsberg, 1954, printed later

Allen Ginsberg

“…Hundreds gathered for trip in white dresses carrying cloth bags, pails, candles—going to inaccessible & most venerable religious festival of Tres Reyes…Train started 7 A.M. with a hundred in a box car, people hanging on steps of platform even—engine went off tracks like some great sad silent dead horse of iron at noon, usual occurrence.” (See _Journals Early ‘Fifties Early ‘Sixties_ , N.Y., Grove, 1977, 1992, P.37.) Narrow-gauge railroad, Merida to Valladolid, Quintana Roo, Mexico, January 1954., 1954, printed later

Não exposta · Galeria Nacional de Arte

The Locomotive, Edward Hopper, 1923

Edward Hopper

The Locomotive, 1923

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La durée poignardée (Time Transfixed), René Magritte, 1938

René Magritte

La durée poignardée (Time Transfixed), 1938

Art Institute of Chicago

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Não exposta · Galeria Nacional de Arte

In the New York Central Yards, Alfred Stieglitz (editor/publisher) after Various Artists, 1903, printed 1911

Alfred Stieglitz

In the New York Central Yards, 1903, printed 1911

Não exposta · Galeria Nacional de Arte

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Alfred Stieglitz

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Não exposta · Galeria Nacional de Arte

The Hand of Man, Alfred Stieglitz (editor/publisher) after Various Artists, 1902, printed 1903

Alfred Stieglitz

The Hand of Man, 1902, printed 1903

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