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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
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  3. At the Gate (Am Thor)
At the Gate (Am Thor), Max Klinger, 1887
Max Klinger, retratoMax KlingerAlemanha, 1857–1920

At the Gate (Am Thor)

1887 · Print

Será possível contemplá-la?

De momento, não recebe

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

1887 · aos 30 anos
18571920
Número de inventário
2001.132.18

O que mostra

MulherÁrvoreFenceDressHomem

No catálogo

GravurasÁgua-forteImpressionismoSéculo XIXGerman

Fontes

  • Galeria Nacional de Arte
  • Imagem: Galeria Nacional de Arte — Museum open access

Entretanto, na vida de Max Klinger

A vida inteira
  1. late July 1886

    A trip to Italy and the Carrara quarries

    At the end of July he leaves Paris for Italy, where he also visits the quarries of Carrara.

  2. March 1887

    Meets Arnold Böcklin

    He returns to Berlin, where he meets the Swiss artist Arnold Böcklin and grows spiritually close to him; from September he lives in Leipzig.

  3. 1889

    Invited to exhibit with Les XX

    The members of Les XX (The Twenty) invite Klinger to exhibit his work in their annual winter exhibition in Brussels.

  4. 1889

    A journey through Belgium and Italy

    He travels through Belgium and Italy, visiting Naples, Paestum and Pompeii.

  5. 1889–1893

    Years in Rome

    He settles in Rome and studies the Italian masters: 15th-century artists and works from antiquity are a revelation to him, and he intensifies his studies of anatomy, the nude and the representation of mass and volume — a very productive time. Other accounts say he arrived in Rome already in 1888.

Mais obras de Max Klinger

Todas as obras
Evocation (Evocation), Max Klinger

Evocation (Evocation)

Não exposta · Galeria Nacional de Arte

Ex libris van Max Klinger, Max Klinger, 1867 - 1920

Ex libris van Max Klinger

1867 - 1920 · Museu Estatal de Amesterdão

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto), Max Klinger

"Amor und Psyche" IV: "Zweites Intermezzo I Die Geburt von Troja's Unheil": Die drei Göttinnen. Text: "Hilfe des Windes hinauf ..." (recto)

Kupferstichkabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 2, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 2

Kupferstichkabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 23, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 23

Kupferstichkabinett Dresden

Umrahmungen zu "Amor und Psyche", Blatt 4, Max Klinger

Umrahmungen zu "Amor und Psyche", Blatt 4

Kupferstichkabinett Dresden

Umrahmung zu "Amor und Psyche", Blatt 21, Max Klinger

Umrahmung zu "Amor und Psyche", Blatt 21

Kupferstichkabinett Dresden

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5, Max Klinger

Studie zur oberen Querfüllung in "Amor und Psyche" p. XIX: Amor vor einem Löwen sitzend, umgeben von vier Vögeln, Blatt 5

Kupferstichkabinett Dresden

Vizinhas de sala: Galeria Nacional de Arte

Página do museu
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Retrato de Ginevra de' Benci, c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Sobre o mesmo tema · Mulher

Todas as obras sobre o tema
Madame Roulin and Her Baby, Vincent van Gogh, 1888

Vincent van Gogh

Madame Roulin and Her Baby, 1888

Museu Metropolitano de Arte

Garden at Sainte-Adresse, Claude Monet, 1867

Claude Monet

Jardim em Sainte-Adresse, 1867

Museu Metropolitano de Arte

Condesa de Altamira and Her Daughter, María Agustina, Goya, 1787–88

Francisco de Goya

Condesa de Altamira and Her Daughter, María Agustina, 1787–88

Museu Metropolitano de Arte

Two Women on the Shore, Edvard Munch, 1898

Edvard Munch

Two Women on the Shore, 1898

Museu Estatal de Amesterdão

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Jovem com uma jarra de água, ca. 1662

Museu Metropolitano de Arte

Study of a Young Woman, Johannes Vermeer, ca. 1665–67

Johannes Vermeer

Retrato de uma jovem, ca. 1665–67

Museu Metropolitano de Arte

Ia Orana Maria (Hail Mary), Paul Gauguin, 1891

Paul Gauguin

Ia Orana Maria (Ave Maria), 1891

Museu Metropolitano de Arte

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), Peter Paul Rubens, ca. 1635

Peter Paul Rubens

Rubens, Helena Fourment (1614–1673), and Their Son Frans (1633–1678), ca. 1635

Museu Metropolitano de Arte