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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  3. Ashton Villa Plantation
Ashton Villa Plantation, Walker Evans, February/March, 1935, printed later
Walker Evans, retratoWalker EvansEstados Unidos, 1903–1975

Ashton Villa Plantation

February/March, 1935, printed later · Photograph

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Art Institute of Chicago

Chicago, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
há 3 dias
Neste estado desde
19 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Pormenores

February/March, 1935, printed later · aos 32 anos
19031975
Número de inventário
1991.1233

No catálogo

FotografiasProva de gelatina e prataModernismoSéculo XXEstados Unidos

Fontes

  • Art Institute of Chicago
  • Imagem: Art Institute of Chicago — © the artist or rights holder

Entretanto, na vida de Walker Evans

A vida inteira
  1. May – June 1933

    An assignment in Cuba

    In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.

  2. May – June 1933

    Drinking with Hemingway in Cuba

    In Cuba Evans drinks nightly with Ernest Hemingway, who lends him money to extend his two-week stay by an additional week. Fearing that his photographs might be deemed critical of the government and confiscated, he leaves 46 prints with Hemingway, and helps him acquire photos from newspaper archives documenting the political violence Hemingway describes in “To Have and Have Not” (1937).

  3. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  4. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

Mais obras de Walker Evans

Todas as obras
African Sculpture, Walker Evans, 1935

African Sculpture

1935 · Museu de Arte Moderna

Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · Não exposta · Galeria Nacional de Arte

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Não exposta · Galeria Nacional de Arte

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · Não exposta · Galeria Nacional de Arte

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · Não exposta · Galeria Nacional de Arte

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Não exposta · Galeria Nacional de Arte

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Não exposta · Museu de Arte Moderna

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Não exposta · Museu de Arte Moderna

Vizinhas de sala: Art Institute of Chicago

Página do museu
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

Tarde de Domingo na Ilha de Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

As Duas Irmãs, 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

A Cesta de Maçãs, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

Gótico Americano, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942