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  1. Coleção/
  2. Museu de Arte de Cleveland/
  3. Adeline Ravoux
Adeline Ravoux, Vincent van Gogh, 1890
Vincent van Gogh, retratoVincent van GoghPaíses Baixos, 1853–1890

Adeline Ravoux

1890 · oil on fabric

Será possível contemplá-la?

Sim, recebe visitas

Museu de Arte de Cleveland

Cleveland, Estados Unidos

Sala222 Impressionism & Post-Impressionism

Exposta ao público. Quem o garante vem indicado abaixo.

Verificado
há 3 dias
Neste estado desde
16 de ago. de 2026
Fonte
O museu
No mapaPágina do museu

Sobre a pintura

Portrait of Adeline Ravoux is an oil painting from June 1890 by Vincent van Gogh.

It is in the collection of the Cleveland Museum of Art.

Wikipédia · CC BY-SA

Nas palavras do museu

In May 1890, Vincent van Gogh arrived in Auvers, a small town north of Paris, where he rented a room at the inn of Arthur Ravoux. This portrait, completed during the last months of the artist’s life, depicts Ravoux’s 13-year-old daughter, Adeline. Van Gogh wrote that rather than photographic resemblance, he wanted his portraits to convey the “impassioned aspects” of contemporary life through the “modern taste for color.”

Museu de Arte de Cleveland

Pormenores

1890 · aos 37 anos
18531890
Número de inventário
1958.31

No catálogo

PinturasPintura neerlandesaImpressionismoSéculo XIXPaíses Baixos

Fontes

  • Museu de Arte de Cleveland
  • Imagem: Museu de Arte de Cleveland — CC0 (Cleveland Museum of Art Open Access)

Entretanto, na vida de Vincent van Gogh

A vida inteira
  1. February 1888

    To Arles, dreaming of a “Studio of the South”

    The public still neither accepted nor bought his paintings, and in February 1888 Van Gogh left for Arles in the south of France to found a “Studio of the South”, a brotherhood of like-minded artists in which he gave Gauguin the leading role. Theo backed the plan with money.

  2. 23 October 1888

    Gauguin arrives in Arles

    After much pleading Gauguin arrived in Arles, and in November the two painted together: Gauguin portrayed Van Gogh in “The Painter of Sunflowers”, and their first joint outing was to the Alyscamps. At Gauguin's suggestion Vincent painted from memory, producing “Memory of the Garden at Etten”.

  3. 23 December 1888

    The severed ear

    After an altercation on the evening of 23 December, Van Gogh, seemingly hearing voices, severed his left ear, wholly or in part, with a razor and delivered it, wrapped in paper, to a woman at a brothel. Next morning a policeman found him unconscious; in hospital he was diagnosed with “acute mania with generalised delirium”.

  4. May 1889

    Voluntarily into the Saint-Paul asylum

    Van Gogh left Arles and voluntarily entered the Saint-Paul-de-Mausole asylum, a former monastery in Saint-Rémy-de-Provence, accompanied by the Protestant clergyman Frédéric Salles. Of his two cells with barred windows one became a studio, and the clinic and its garden became the main subjects of his paintings.

  5. 27 July 1890

    A fatal wound: a revolver shot

    Out painting, Van Gogh shot himself in the chest with a revolver he had bought to scare off birds while working outdoors; the bullet passed below his heart, and he made his own way back to his room at the inn. Theo arrived the next day and stayed with him to the end; according to Theo, Vincent's last words were: “The sadness will last forever.”

  6. 29 de julho de 1890

    Died

Mais obras de Vincent van Gogh

Todas as obras
Self-Portrait with a Straw Hat (obverse: The Potato Peeler), Vincent van Gogh, 1887

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)

1887 · Museu Metropolitano de Arte

Self-portrait, Vincent van Gogh, 1887

Self-portrait

1887 · Museu Estatal de Amesterdão

Madame Roulin and Her Baby, Vincent van Gogh, 1888

Madame Roulin and Her Baby

1888 · Museu Metropolitano de Arte

Wheat Field with Cypresses, Vincent van Gogh, 1889

Wheat Field with Cypresses

1889 · Museu Metropolitano de Arte

Olive Trees, Vincent van Gogh, 1889

Olive Trees

1889 · Instituto de Artes de Minneapolis

Irises, Vincent van Gogh, 1890

Irises

1890 · Museu Metropolitano de Arte

Het Singel bij de Lutherse Kerk te Amsterdam, Vincent van Gogh, 1885

Het Singel bij de Lutherse Kerk te Amsterdam

1885 · Museu Estatal de Amesterdão

The Potato Peeler (reverse: Self-Portrait with a Straw Hat), Vincent van Gogh, 1885

The Potato Peeler (reverse: Self-Portrait with a Straw Hat)

1885 · Museu Metropolitano de Arte

Na mesma sala · 222 Impressionism & Post-Impressionism, Museu de Arte de Cleveland

Página do museu
The Red Kerchief, Claude Monet, c. 1868–73

Claude Monet

The Red Kerchief, c. 1868–73

Romaine Lacaux, Pierre-Auguste Renoir, 1864

Pierre-Auguste Renoir

Romaine Lacaux, 1864

The Call, Paul Gauguin, 1902

Paul Gauguin

The Call, 1902

Water Lilies (Agapanthus), Claude Monet, c. 1915–26

Claude Monet

Water Lilies (Agapanthus), c. 1915–26

Summer, Pierre Puvis de Chavannes, 1891

Pierre Puvis de Chavannes

Summer, 1891

Two Poplars in the Alpilles near Saint-Rémy, Vincent van Gogh, 1889

Vincent van Gogh

Two Poplars in the Alpilles near Saint-Rémy, 1889

Low Tide at Pourville, near Dieppe, 1882, Claude Monet, 1882

Claude Monet

Low Tide at Pourville, near Dieppe, 1882, 1882

Mme L . . . (Laure Borreau), Gustave Courbet, 1863

Gustave Courbet

Mme L . . . (Laure Borreau), 1863