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Onde está a obra-prima, e a que horas se abre a porta.

Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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InícioMapaCatálogo
  1. Coleção/
  2. Museu Estatal de Amesterdão/
  3. Aanlegsteiger
Aanlegsteiger, Gerard ter Borch, c. 1634
Gerard ter Borch, retratoGerard ter BorchPaíses Baixos, 1617–1681

Aanlegsteiger

c. 1634 · Sketchbook leaf

Será possível contemplá-la?

Desconhecido

Museu Estatal de Amesterdão

Amesterdão, Países Baixos

O proprietário é conhecido; não se sabe se hoje está exposta.

Fonte
O museu
No mapaPágina do museu

Sobre a obra

Nas palavras do museu — em holandês

Blad 45 recto uit een schetsboek met 55 bladen.

Museu Estatal de Amesterdão

Pormenores

c. 1634
16171681
Número de inventário
RP-T-1888-A-1797-45(R)

O que mostra

Sluice, weir

No catálogo

Desenhos e aguarelasTintaBarrocoSéculo XVII

Fontes

  • Museu Estatal de Amesterdão
  • Imagem: Museu Estatal de Amesterdão — public domain

Entretanto, na vida de Gerard ter Borch

A vida inteira
  1. 1632

    In Amsterdam

    The inscription on a study of a head proves that in 1632 he was in Amsterdam, where he possibly studied under Willem Cornelisz Duyster or Pieter Codde.

  2. 1633

    Studies with Pieter de Molijn in Haarlem

    In 1633 (other accounts say 1634) he goes to Haarlem to study under the landscape painter Pieter de Molijn and studies the art of Frans Hals; the training takes two years.

  3. 1635

    Master of the Haarlem Guild of St Luke

    Having completed his training, in 1635 he is made a master of the Haarlem Guild of St Luke, which gives him the right to sign his own works; his first surviving painting dates from the same year.

  4. summer 1635

    In London with his engraver uncle

    In the summer of 1635 he goes to London to his uncle Robert van Voerst, a successful copper engraver, and meets the outstanding portraitist Anthony van Dyck.

  5. 1636–1643

    Journeys through Italy, Spain and France

    According to the biographer Arnold Houbraken, in 1636–1643 he travels through Italy, Spain, France and the Southern Netherlands; in Madrid he paints a portrait of Philip IV (not preserved) and comes under the influence of Velázquez. Other accounts say he was invited to Madrid later, where Philip IV gave him employment and a knighthood, but an intrigue forced him to return to the Netherlands.

Mais obras de Gerard ter Borch

Todas as obras
Vrouw in boerenkostuum, Gerard ter Borch, c. 1648 - c. 1650

Vrouw in boerenkostuum

c. 1648 - c. 1650 · Museu Estatal de Amesterdão

Helena van der Schalcke, Gerard ter Borch, c. 1648

Helena van der Schalcke

c. 1648 · Museu Estatal de Amesterdão

Galante conversatie, bekend als ‘De vaderlijke vermaning’, Gerard ter Borch, c. 1654 - c. 1655

Galante conversatie, bekend als ‘De vaderlijke vermaning’

c. 1654 - c. 1655 · Museu Estatal de Amesterdão

Burgomaster Jan van Duren (1613–1687), Gerard ter Borch the Younger, ca. 1666–67

Burgomaster Jan van Duren (1613–1687)

ca. 1666–67 · Museu Metropolitano de Arte

Margaretha van Haexbergen (1614–1676), Gerard ter Borch the Younger, ca. 1666–67

Margaretha van Haexbergen (1614–1676)

ca. 1666–67 · Museu Metropolitano de Arte

Het sluiten van de Vrede van Munster, Gerard ter Borch, 1648

Het sluiten van de Vrede van Munster

1648 · Museu Estatal de Amesterdão

A Young Woman at Her Toilet with a Maid, Gerard ter Borch the Younger, ca. 1650–51

A Young Woman at Her Toilet with a Maid

ca. 1650–51 · Museu Metropolitano de Arte

La Leçon de lecture, Borch, Gerard ter, 2e quart du XVIIe siècle (vers 1652)

La Leçon de lecture

2e quart du XVIIe siècle (vers 1652) · Museu do Louvre

Vizinhas de sala: Museu Estatal de Amesterdão

Página do museu
Self-portrait, Vincent van Gogh, 1887

Vincent van Gogh

Self-portrait, 1887

La Corniche near Monaco, Claude Monet, 1884

Claude Monet

La Corniche bij Monaco, 1884

De Nachtwacht, Rembrandt van Rijn, 1642

Rembrandt van Rijn

A Ronda Nocturna, 1642

Portrait of a Woman, Probably Maria Trip (1619-1683), Rembrandt van Rijn, 1639

Rembrandt van Rijn

Portrait of a Woman, Probably Maria Trip (1619-1683), 1639

Still Life with Peacocks, Rembrandt van Rijn, c. 1639

Rembrandt van Rijn

Still Life with Peacocks, c. 1639

Landscape with a Stone Bridge, Rembrandt van Rijn, c. 1638

Rembrandt van Rijn

Ponte de Pedra, c. 1638

Man in Oriental Dress, Rembrandt van Rijn, 1635

Rembrandt van Rijn

Man in Oriental Dress, 1635

Portrait of Haesje Jacobsdr van Cleyburg, Rembrandt van Rijn, 1634

Rembrandt van Rijn

Portrait of Haesje Jacobsdr van Cleyburg, 1634