A Tight Corner, Félix Vallotton, 1893
Félix Edouard Vallotton, retratoFélix Edouard VallottonFrança, 1865–1925

A Tight Corner

1893 · Print

Posso vê-la?

Não exposta de momento

Onde está «A Tight Corner» hoje? Coleção: Museu de Arte Moderna, Nova Iorque. Não exposta de momento. Verificado 22 de setembro de 2026.

Museu de Arte Moderna

Nova Iorque, Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado
Fonte
O museu

Pormenores

Número de inventário
185.1951

No catálogo

Fontes

Na vida de Félix Edouard Vallotton

A vida inteira
  1. 1889–1903 · Filiação

    Les Nabis

  2. 1890–1897

    Art critic for the Gazette de Lausanne

    To earn a living Vallotton restored paintings for the dealer Henri Haro, and from 1890 he wrote for the Swiss Gazette de Lausanne — some thirty articles on the Paris art world up to 1897.

  3. 1891

    Leaves the Salon for the Indépendants

    Showing at the official Salon des Artistes for the last time, Vallotton exhibited six paintings at the avant-garde Salon des Indépendants for the first time. Commissions from Swiss patrons began to arrive at the same time.

  4. 1892

    “The Foreign Nabi” and friendship with Vuillard

    Among the Nabis — Bonnard, Roussel, Maurice Denis — Vallotton found a lifelong friend in Édouard Vuillard; he kept a little apart from the others, earning the jocular title of “the Foreign Nabi”.

  5. 1893–1897

    Woodcuts for La Revue Blanche; the Natansons' patronage

    His woodcuts brought Vallotton clients and financial security: he illustrated leading French periodicals, including La Revue Blanche, and foreign ones such as The Chap-Book of Chicago, and cut covers for theatre programmes and book illustrations. Thadée Natanson, publisher of La Revue Blanche, and his wife Misia became his patrons and introduced him to the Paris avant-garde elite — Mallarmé, Proust, Satie and Debussy.

Todas as obras

No mesmo museu: Museu de Arte Moderna

Página do museu