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Coleções: Art Institute of Chicago, Galeria Nacional de Arte, Galeria Tretiakov, Getty Villa, Harvard Art Museums, Hermitage, Hirshhorn Museum and Sculpture Garden, Instituto de Artes de Minneapolis, Museu de Arte de Cleveland, Museu de Arte Moderna, Museu do Louvre, Museu Estatal de Amesterdão, Museu J. Paul Getty, Museu Metropolitano de Arte, Museu Nacional de Arte da Dinamarca, Museu Pushkin, Museu Russo, Museu Smithsoniano de Arte Americana, Museu Vitória e Alberto, Museu Whitney de Arte Americana, National Museum of Asian Art, National Portrait Gallery, Catálogo Estatal do Fundo Museológico da Rússia (274 museus), Europeana (19 museus), Wikidata (6 museus), Paris Musées (12 museus) e Joconde, a base de museus do Ministério da Cultura de França (495 museus). As imagens pertencem aos titulares dos direitos.

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  1. Coleção/
  2. Museu Vitória e Alberto/
  3. A Midsummer Night's Dream
A Midsummer Night's Dream, Arthur Rackham, 1908

A Midsummer Night's Dream

1908 · Painting · 38.2 × 26.6 cm

Sobre a pintura

Arthur Rackham produced this illustration for an edition of William Shakespeare’s play ‘A Midsummer Night’s Dream’, published in 1908 by Heinemann. From Act II, Scene 1, the drawing depicts a mermaid sitting on the back of a dolphin. It illustrates a memory that Oberon, the king of the Faeries, recounts to the character of Puck;

My gentle Puck, come hither. Thou rememberest

Since once I sat upon a promontory,

And heard a mermaid on a dolphin's back

Uttering such dulcet and harmonious breath

That the rude sea grew civil at her song

And certain stars shot madly from their spheres,

To hear the sea-maid's music.

Museu Vitória e Alberto

Pormenores

1908 · aos 41 anos
18671939
Número de inventário
P.34-1917

Entretanto, na vida de Arthur Rackham

A vida inteira
  1. 1906

    Gold medal at the Milan International Exhibition

    He wins a gold medal at the Milan International Exhibition; he will win another at the Barcelona International Exposition in 1912.

  2. 1906

    Moves to Chalcot Gardens

    From 1906 the family lives at Chalcot Gardens, near Haverstock Hill, until leaving London in 1920.

  3. 1908

    Birth of his daughter Barbara

    Four years after the miscarriage, Barbara is born to Rackham and Edyth, the couple's only daughter.

Mais obras de Arthur Rackham

Todas as obras

Vizinhas de sala: Museu Vitória e Alberto

Página do museu

Sobre o mesmo tema · Mermaid

Todas as obras sobre o tema
Arthur Rackham, retratoArthur RackhamReino Unido, 1867–1939

Será possível contemplá-la?

De momento, não recebe

Museu Vitória e Alberto

Londres, Reino Unido

Pertence à coleção, mas de momento não está exposta.

Verificado
há 12 dias
Neste estado desde
25 de set. de 2026
Fonte
O museu
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O que mostra

MermaidFishWaveDolphinMythFantasyTheatreElizabeth I

No catálogo

PinturasAguarelaPintura britânicaModernismoSéculo XXGrã-Bretanha

Fontes

  • Museu Vitória e Alberto
  • Imagem: Museu Vitória e Alberto — © Victoria and Albert Museum, London
Sketch of trees by a river, Arthur Rackham, c. 1880 - 1939

Sketch of trees by a river

c. 1880 - 1939 · Não exposta · Museu Vitória e Alberto

Drawing, Arthur Rackham, c. 1880 - 1939

Drawing

c. 1880 - 1939 · Não exposta · Museu Vitória e Alberto

Drawing, Arthur Rackham, c. 1899

Drawing

c. 1899 · Não exposta · Museu Vitória e Alberto

Watercolour, Arthur Rackham, ca. 1900

Watercolour

ca. 1900 · Não exposta · Museu Vitória e Alberto

Watercolour, Arthur Rackham, ca. 1900

Watercolour

ca. 1900 · Não exposta · Museu Vitória e Alberto

The Wren and the Bear, Arthur Rackham, 1902

The Wren and the Bear

1902 · Não exposta · Museu de Arte de Cleveland

Drawing, Arthur Rackham, 1904

Drawing

1904 · Não exposta · Museu Vitória e Alberto

The Parrot and the Cat (Sketch for "Good-Night" by Eleanor Gates), Arthur Rackham, c. 1905

The Parrot and the Cat (Sketch for "Good-Night" by Eleanor Gates)

c. 1905 · Não exposta · Museu de Arte de Cleveland

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Capricorn, Max Ernst, model 1947, cast 1975

Max Ernst

Capricorn, model 1947, cast 1975

Não exposta · Galeria Nacional de Arte

The Mermaid, Frederick Stuart Church, 1881

Frederic Stuart Church

The Mermaid, 1881

Não exposta · Galeria Nacional de Arte

Mermaid, Roy Lichtenstein, 1978

James Rosenquist

Mermaid, 1978

Não exposta · Galeria Nacional de Arte

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1770

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1770

Não exposta · Museu Vitória e Alberto

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, c. 1762

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., c. 1762

Não exposta · Museu Vitória e Alberto

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolio's at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

Não exposta · Museu Vitória e Alberto

Drawing, W. R. Lethaby, late 19th-early 20th century

W. R. Lethaby

Drawing, late 19th-early 20th century

Não exposta · Museu Vitória e Alberto

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., John Linnell, late 18th century

John Linnell

Design for a neoclassical pier-glass from; A Miscellaneous Collection of Original Designs, made, and for the most part executed, during an extensive Practice of many years in the first line of his Profession, by John Linnell, Upholsterer Carver & Cabinet Maker. Selected from his Portfolios at his Decease, by C. H. Tatham Architect. AD 1800., late 18th century

Não exposta · Museu Vitória e Alberto