A Marble Horse on the Quirinal Hill [recto]

c. 1513 · Drawing

Posso vê-la?

Não exposta de momento

Onde está «A Marble Horse on the Quirinal Hill [recto]» hoje? Coleção: Galeria Nacional de Arte, Washington, D.C. Não exposta de momento. Verificado 12 de outubro de 2026.

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

Pertence à coleção, mas de momento não está exposta.

Verificado: há 2 horas
Neste estado desde: 19 de ago. de 2026
Fonte: O museu

No mapa Página do museu

Incorporar

Pormenores

Número de inventário: 1993.51.3.a

O que mostra

Detail and ornament Cavalo Statue Quirinal Horse

No catálogo

Desenhos e aguarelas Giz Renascimento Século XVI Marchigian

Fontes

Galeria Nacional de Arte
Imagem: Galeria Nacional de Arte — Museum open access

Na vida de Raphael

A vida inteira

1508–1520 · Local de trabalho
Rome
1511
Under the spell of Michelangelo's ceiling
According to Vasari, Bramante let Raphael into the Sistine Chapel secretly, and while painting the Stanza he was clearly influenced by Michelangelo's ceiling, as in his portrait of Michelangelo himself as Heraclitus in “The School of Athens”. Michelangelo accused him of plagiarism and years later complained that “everything he knew about art he got from me”.
1513
Leo X becomes pope
The death of Julius II did not interrupt the work: his successor, the Medici Pope Leo X, became Raphael's last and even closer patron, and Raphael's friend Cardinal Bibbiena was a close friend and adviser of the new pope.
1514
Chief architect of St Peter's
After Bramante's death Raphael became chief architect of the new St Peter's and continued Bramante's construction of the Vatican Loggias, whose vaults his pupils painted.
1514
Engaged to Maria Bibbiena
Raphael became engaged to Cardinal Bibbiena's niece Maria, apparently talked into it by his friend the cardinal and without much enthusiasm: the marriage had still not taken place when she died in 1520. A permanent fixture in his Roman life was “La Fornarina”, Margherita Luti, a baker's daughter.
1515
Prefect of the antiquities of Rome
Raphael was given powers as Prefect over all antiquities unearthed in Rome or within a mile of it: finds had to be reported to him within three days, and inscriptions could not be destroyed without permission. He wrote to the pope proposing ways to halt the destruction of ancient monuments and a survey to record them all.