A Bridge and Campanile, Venice, John Singer Sargent, 1902/1904
John Singer Sargent, retratoJohn Singer SargentEstados Unidos, 1856–1925

A Bridge and Campanile, Venice

1902/1904 · Drawing

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Onde está «A Bridge and Campanile, Venice» hoje? Coleção: Galeria Nacional de Arte, Washington, D.C. Não exposta de momento. Verificado 12 de outubro de 2026.

Galeria Nacional de Arte

Washington, D.C., Estados Unidos

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Número de inventário
1970.17.169

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Na vida de John Singer Sargent

A vida inteira
  1. 1895–1919

    The “Triumph of Religion” murals for the Boston Public Library

    From 1895 through 1919, for almost thirty years, Sargent works on his largest-scale work, the mural decorations “Triumph of Religion” for the Boston Public Library, showing religion's progress from pagan superstition to the ascension of Christianity; he never completes the final mural of the cycle.

  2. 1900

    At the height of his fame: “An Interior in Venice”

    By 1900 Sargent is at the height of his fame; although only in his forties, he begins to travel more and devote relatively less time to portrait painting. His “An Interior in Venice” (1900), a portrait of four members of the Curtis family in their palatial home, Palazzo Barbaro, is a resounding success, although Whistler disapproves of the looseness of his brushwork, summing it up as “smudge everywhere”.

  3. 1905

    His first major solo show of watercolours

    In 1905 the Carfax Gallery in London holds Sargent's first major solo exhibition of watercolour works; in watercolours he is able to indulge his earliest artistic inclinations for nature, architecture, exotic peoples and noble mountain landscapes.

  4. 1905–1914

    Summer journeys with the de Glehns

    Between 1905 and 1914 Sargent's frequent travelling companions are the married artist couple Wilfrid de Glehn and Jane Emmet de Glehn; the trio often spend summers in France, Spain or Italy, and all three depict one another in their paintings.

  5. 1906–1913

    Summers in the Swiss Alps with his sisters and nieces

    Sargent makes several summer visits to the Swiss Alps with his sisters Emily and Violet and Violet's daughters Rose-Marie and Reine, who are the subject of a number of paintings between 1906 and 1913, such as “The Black Brook” (1908).

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