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Kolekcje: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Ermitaż, Galeria Tretiakowska, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Luwr, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, Muzeum Sztuk Pięknych im. Puszkina w Moskwie, Muzeum Wiktorii i Alberta, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Państwowe Muzeum Rosyjskie, Państwowe Muzeum Sztuki w Kopenhadze, Rijksmuseum, Smithsonian American Art Museum and the Renwick Gallery, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Państwowy Katalog Zbiorów Muzealnych Rosji (274 muzea), Europeana (19 muzeów), Wikidata (44 muzea), Paris Musées (12 muzeów), Joconde, baza muzealna francuskiego Ministerstwa Kultury (495 muzeów) i Catalogo generale dei Beni Culturali włoskiego Ministerstwa Kultury (25 muzeów). Prawa do zdjęć należą do ich właścicieli.

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130 252 dzieła z 146 muzeów133 teraz na wystawieWyczyść wszystko

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Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
The Accusers of Theft, Adultery, Murder (War), William Blake, c. 1794/1796William BlakeThe Accusers of Theft, Adultery, Murder (War)c. 1794/1796National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
The Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14], William Blake, c. 1796William BlakeThe Soul Hovering Over the Body [from Marriage of Heaven and Hell," plate 14]c. 1796National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
'The vale of death! that hush'd cimmerian vale' (Page 54), William Blake, 1797William Blake'The vale of death! that hush'd cimmerian vale' (Page 54)1797Yale Center for British Art
"In happy copulation; if in evening mild, wearied with work..." (Plate 10), William Blake, 1793William Blake"In happy copulation; if in evening mild, wearied with work..." (Plate 10)1793Yale Center for British Art
"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61), William Blake, 1804 to 1820William Blake"Behold: in the Visions of Elohim Jehovah, behold Joseph & Mary..." (Plate 61)1804 to 1820Yale Center for British Art
"And none but Bromian can hear my lamentations..." (Plate 6), William Blake, 1793William Blake"And none but Bromian can hear my lamentations..." (Plate 6)1793Yale Center for British Art
Endless, Yayoi Kusama, 1953–84Yayoi KusamaEndless1953–84Museum of Modern Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Les Objets, Le Corbusier, 1947Le CorbusierLes Objets1947Yale University Art Gallery
Illustration for Canto V, James Neagle after Thomas Stothard, published 1788William BlakeIllustration for Canto Vpublished 1788National Gallery of Art
Canto I, William Sharp after Thomas Stothard, 1787-1788William BlakeCanto I1787-1788National Gallery of Art
Canto IV, Verse 294, William Blake after Mary Ann Flaxman, 1803William BlakeCanto IV, Verse 2941803National Gallery of Art
Beggar's Opera, Act III, William Blake after William Hogarth, 1788/1790William BlakeBeggar's Opera, Act III1788/1790National Gallery of Art
"What do I see! The Briton Saxon Roman Norman..." (Plate 92), William Blake, 1804 to 1820William Blake"What do I see! The Briton Saxon Roman Norman..." (Plate 92)1804 to 1820Yale Center for British Art
The Christian Triumph; Title Page, William Blake, ca. 1797William BlakeThe Christian Triumph; Title Pageca. 1797Yale Center for British Art
"Thus Albion sat, studious of others..." (Plate 42), William Blake, 1804 to 1820William Blake"Thus Albion sat, studious of others..." (Plate 42)1804 to 1820Yale Center for British Art
Chapter 3 Frontispiece (Plate 51), William Blake, 1804 to 1820William BlakeChapter 3 Frontispiece (Plate 51)1804 to 1820Yale Center for British Art
John Caspar Lavater, William Blake, 1787/1801William BlakeJohn Caspar Lavater1787/1801National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Canto III, Verse 201, William Blake after Mary Ann Flaxman, 1803William BlakeCanto III, Verse 2011803National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
Joseph of Arimathea Preaching to the Britons, William Blake, c. 1794/1796William BlakeJoseph of Arimathea Preaching to the Britonsc. 1794/1796National Gallery of Art
Dream of Thiralatha [from "America," cancelled plate d], William Blake, c. 1794/1796William BlakeDream of Thiralatha [from "America," cancelled plate d]c. 1794/1796National Gallery of Art
Illustration for Canto II, Charles Heath after Thomas Stothard, 1788William BlakeIllustration for Canto II1788National Gallery of Art
The Human Abstract (Plate 46), William Blake, 1794William BlakeThe Human Abstract (Plate 46)1794Yale Center for British Art
'Love, and love only, is the loan for love' (Page 37), William Blake, 1797William Blake'Love, and love only, is the loan for love' (Page 37)1797Yale Center for British Art
'This King of Terrors is the Prince of Peace' (Page 63), William Blake, ca. 1797William Blake'This King of Terrors is the Prince of Peace' (Page 63)ca. 1797Yale Center for British Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
Untitled from Unité, Le Corbusier, 1963–65Le CorbusierUntitled from Unité1963–65Museum of Modern Art
The Execution of Breaking on the Rack, William Blake after John Gabriel Stedman, 1793William BlakeThe Execution of Breaking on the Rack1793National Gallery of Art
On Homer's Poetry (and) On Virgil, William Blake, 1822William BlakeOn Homer's Poetry (and) On Virgil1822National Gallery of Art
Restrike from fragment of cancelled plate for "A Prophecy", William Blake, 1793William BlakeRestrike from fragment of cancelled plate for "A Prophecy"1793National Gallery of Art
Illustration for Canto IV, William Sharp after Thomas Stothard, published 1788William BlakeIllustration for Canto IVpublished 1788National Gallery of Art
The Chaining of Orc, William Blake, 1812William BlakeThe Chaining of Orc1812National Gallery of Art
Family of Negro Slaves from Loango, William Blake after John Gabriel Stedman, 1793William BlakeFamily of Negro Slaves from Loango1793National Gallery of Art
"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47), William Blake, 1804 to 1820William Blake"From Camberwell to Highgate where the mighty Thames shudders along..." (Plate 47)1804 to 1820Yale Center for British Art
Visions. "Enslav'd, the Daughters of Albion weep..." (Plate 4), William Blake, 1793William BlakeVisions. "Enslav'd, the Daughters of Albion weep..." (Plate 4)1793Yale Center for British Art
The Ecchoing Green (Plate 8), William Blake, 1789William BlakeThe Ecchoing Green (Plate 8)1789Yale Center for British Art
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