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130 252 dzieła z 146 muzeów133 teraz na wystawieWyczyść wszystko

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Funereal Folly, from "The Disparates" (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de GoyaFunereal Folly, from "The Disparates" (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra), Goya, ca. 1810Francisco de GoyaPlate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)ca. 1810Metropolitan Museum of Art
It is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos", Goya, 1799Francisco de GoyaIt is nicely stretched (Bien tirada está), plate 17 from "Los Caprichos"1799Metropolitan Museum of Art
Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous, Goya, 1816Francisco de GoyaPlate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous1816Metropolitan Museum of Art
Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!), Goya, 1799, posthumous impressionFrancisco de GoyaPlate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)1799, posthumous impressionMetropolitan Museum of Art
Plate 77 from "Los Caprichos": What one does to another (Unos á otros), Goya, 1799Francisco de GoyaPlate 77 from "Los Caprichos": What one does to another (Unos á otros)1799Metropolitan Museum of Art
'The horse abductor' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'The horse abductor' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella), Goya, 1799Francisco de GoyaPlate 31 from "Los Caprichos": She prays for her (Ruega por ella)1799Metropolitan Museum of Art
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco), Goya, 1799Francisco de GoyaPlate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)1799Metropolitan Museum of Art
Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten), Goya, 1799Francisco de GoyaPlate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)1799Metropolitan Museum of Art
A Maja standing against a dark background with figures, Goya, 1859Francisco de GoyaA Maja standing against a dark background with figures1859Metropolitan Museum of Art
Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)1814–15 (published 1863)Metropolitan Museum of Art
Plate 31 of  "La Tauromaquia": Banderillas with firecrackers, Goya, 1816Francisco de GoyaPlate 31 of "La Tauromaquia": Banderillas with firecrackers1816Metropolitan Museum of Art
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid1816Metropolitan Museum of Art
'Folly of Fear' from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published ca. 1848)Francisco de Goya'Folly of Fear' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published ca. 1848)Metropolitan Museum of Art
Plate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces), Goya, 1811–12 (published 1863)Francisco de GoyaPlate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces)1811–12 (published 1863)Metropolitan Museum of Art
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan), Goya, ca. 1810 (published in 1863)Francisco de GoyaPlate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)ca. 1810 (published in 1863)Metropolitan Museum of Art
Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)ca. 1810 (published 1863)Metropolitan Museum of Art
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos", Goya, 1799Francisco de GoyaA pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"1799Metropolitan Museum of Art
Plate 28 from "Los Caprichos": Hush (Chiton), Goya, 1799Francisco de GoyaPlate 28 from "Los Caprichos": Hush (Chiton)1799Metropolitan Museum of Art
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento), Goya, ca. 1815; published ca. 1859Francisco de GoyaThe Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)ca. 1815; published ca. 1859Metropolitan Museum of Art
Self-Portrait; Plate 1 from "Los Caprichos", Goya, 1799Francisco de GoyaSelf-Portrait; Plate 1 from "Los Caprichos"1799Metropolitan Museum of Art
A Maja standing with hands on her hips, Goya, 19th century ?Francisco de GoyaA Maja standing with hands on her hips19th century ?Metropolitan Museum of Art
Plate C: The dogs let loose on the bull, from "Tauromaquia", Goya, ca. 1816Francisco de GoyaPlate C: The dogs let loose on the bull, from "Tauromaquia"ca. 1816Metropolitan Museum of Art
Pllate 60 from "Los Caprichos": Trials (Ensayos), Goya, 1799Francisco de GoyaPllate 60 from "Los Caprichos": Trials (Ensayos)1799Metropolitan Museum of Art
Plate 13 of  "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants, Goya, 1816Francisco de GoyaPlate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants1816Metropolitan Museum of Art
Plate 16  from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya, 1797–98Francisco de GoyaPlate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)1797–98Metropolitan Museum of Art
Plate 16  from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre), Goya, 1799Francisco de GoyaPlate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)1799Metropolitan Museum of Art
Plate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! Con muertos!), Goya, 1810 (published 1863)Francisco de GoyaPlate 39 from "The Disasters of War" (Los Desastres de La Guerra): 'An heroic feat! With dead men!' (Grande hazaña! Con muertos!)1810 (published 1863)Metropolitan Museum of Art
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está), Goya, 1799Francisco de GoyaPlate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)1799Metropolitan Museum of Art
The Caprices (Los Caprichos), plates 1-80, Goya, 1799Francisco de GoyaThe Caprices (Los Caprichos), plates 1-801799Metropolitan Museum of Art
Plate 70 from "Los Caprichos": Devout Profession (Devota profesion), Goya, 1799Francisco de GoyaPlate 70 from "Los Caprichos": Devout Profession (Devota profesion)1799Metropolitan Museum of Art
Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike, Goya, 1816Francisco de GoyaPlate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike1816Metropolitan Museum of Art
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?), Goya, 1799Francisco de GoyaPlate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)1799Metropolitan Museum of Art
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body, Goya, 1816Francisco de GoyaPlate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body1816Metropolitan Museum of Art
Plate 44 from "Los Caprichos": They spin finely (Hilan delgado), Goya, 1799Francisco de GoyaPlate 44 from "Los Caprichos": They spin finely (Hilan delgado)1799Metropolitan Museum of Art
Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda), Goya, 1814–15 (published 1863)Francisco de GoyaPlate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)1814–15 (published 1863)Metropolitan Museum of Art
Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido), Goya, ca. 1810 (published 1863)Francisco de GoyaPlate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)ca. 1810 (published 1863)Metropolitan Museum of Art
Landscape, Goya, ca. 1807–10Francisco de GoyaLandscapeca. 1807–10Metropolitan Museum of Art
Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío), Goya, 1799Francisco de GoyaPlate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)1799Metropolitan Museum of Art
Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes), Goya, 1810 (published 1863)Francisco de GoyaPlate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)1810 (published 1863)Metropolitan Museum of Art
Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi), Goya, 1810 (published 1863)Francisco de GoyaPlate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)1810 (published 1863)Metropolitan Museum of Art
'Clear Folly'  from the 'Disparates' (Follies / Irrationalities), Goya, ca. 1815–19 (published 1864)Francisco de Goya'Clear Folly' from the 'Disparates' (Follies / Irrationalities)ca. 1815–19 (published 1864)Metropolitan Museum of Art
'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D), Goya, ca. 1815–19 (published before 1877)Francisco de Goya'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)ca. 1815–19 (published before 1877)Metropolitan Museum of Art
Plate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones), Goya, 1799Francisco de GoyaPlate 48 from "Los Caprichos": Tale-Bearers--Blasts of Wind (Soplones)1799Metropolitan Museum of Art
Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras), Goya, 1810 (published 1863)Francisco de GoyaPlate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)1810 (published 1863)Metropolitan Museum of Art
Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?), Goya, 1799Francisco de GoyaPlate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)1799Metropolitan Museum of Art
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid, Goya, 1816Francisco de GoyaPlate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid1816Metropolitan Museum of Art
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