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130 252 dzieła z 146 muzeów133 teraz na wystawieWyczyść wszystko

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Sanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), plate 16 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaSanan cuchilladas mas no malas palabras (Wounds Heal Quicker than Hasty Words), plate 16 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
Murió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaMurió la verdad (Truth Has Died), Plate 79 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Extraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaExtraña devocion! (Strange Devotion!), Plate 66 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Y no hai remedio. (And There's No Help for It.), pl. 15 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaY no hai remedio. (And There's No Help for It.), pl. 15 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Se aprovechan (They Make Use of Them), pl. 16 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaSe aprovechan (They Make Use of Them), pl. 16 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Muertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaMuertos recogidos. (Harvest of the Dead.), pl. 63 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Lo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaLo mismo (The Same), pl. 3 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Será lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaSerá lo mismo. (It Will Be the Same.), pl. 21 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Carretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaCarretadas al cementerio. (Cartloads to the Cemetery.), pl. 64 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Madre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaMadre infeliz! (Unhappy Mother!), pl. 50 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Esta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEsta no lo es menos (This Is Not Less So), Plate 67 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Por que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaPor que [sic]? (Why?), Plate 32 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Lo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaLo mismo en otras partes (The Same Elsewhere), Plate 23 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Tristes presentimientos de lo que ha de acontecer. (Sad Forebodings of What Is Going To Happen.), pl. 1 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaTristes presentimientos de lo que ha de acontecer. (Sad Forebodings of What Is Going To Happen.), pl. 1 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Un caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaUn caballero español en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears Without the Help of Assistants), Plate 13 from La tauromaquia1876Yale University Art Gallery
Gatesca pantomima. (Feline Pantomime.), pl. 73 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaGatesca pantomima. (Feline Pantomime.), pl. 73 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Los ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaLos ensacados (The Men in Sacks), also known as So el sayal, hay al (There is Something Beneath the Sackcloth), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Ya no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaYa no hay tiempo (There Isn't Time Now), Plate 19 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Otra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of his in the Same Ring), Plate 19 from La tauromaquia1876Yale University Art Gallery
Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaPepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Plate 29 from La tauromaquia1876Yale University Art Gallery
Si resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaSi resucitará? (Will She Rise Again?), Plate 80 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo llegan á tiempo (They Do Not Arrive in Time), Plate 52 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNo quieren. (They Don't Like It.), pl. 9 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Y no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaY no hai remedio (And There's No Help For It), pl. 15 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Que se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaQue se rompe la cuerda. (May the Cord Break.), pl. 77 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Escapan entre las llamas (They Escape through the Flames), Plate 41 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaEscapan entre las llamas (They Escape through the Flames), Plate 41 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Gaspar de Guzman, Count Duke of Olivares, Francisco Goya, 1778Francisco de GoyaGaspar de Guzman, Count Duke of Olivares1778Yale University Art Gallery
Caridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaCaridad (Charity), Plate 27 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
No se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaNo se puede mirar (One Can’t Look), Plate 26 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
El famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaEl famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of his Body), Plate 15 from La tauromaquia1816Yale University Art Gallery
No saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaNo saben el camino. (They Do Not Know the Way.), pl. 70 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Disparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaDisparate de carnabal (Carnival Folly), plate 14 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
Si Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities), Francisco Goya, ca. 1816–19, published 1864 (first edition)Francisco de GoyaSi Marina bayló, tome lo que halló (If Marion Will Dance, Then She has to Take the Consequences), from the series Los disparates (The Follies/Irrationalities)ca. 1816–19, published 1864 (first edition)Yale University Art Gallery
Pedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaPedro Romero matandó a toro parado (Pedro Romero Killing the Halted Bull), Plate 30 from La tauromaquia1876Yale University Art Gallery
Disparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs]), Francisco Goya, ca. 1816–19, published 1864Francisco de GoyaDisparate claro (Clear Folly), plate 15 from the series Los disparates (Los proverbios) - (Follies [Proverbs])ca. 1816–19, published 1864Yale University Art Gallery
Hasta la muerte (Until Death), Plate 55 from Los Caprichos, Francisco Goya, 1797–98, later printingFrancisco de GoyaHasta la muerte (Until Death), Plate 55 from Los Caprichos1797–98, later printingYale University Art Gallery
Tambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaTambien estos. (These Too.), pl. 25 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Un caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaUn caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia1876Yale University Art Gallery
Tristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going to Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–1820, published 1863Francisco de GoyaTristes presentimientos de lo que ha de acontecer (Sad Forebodings of What Is Going to Happen), pl. 1 from the series Los desastres de la guerra (The Disasters of War)1810–1820, published 1863Yale University Art Gallery
Estragos de la guerra. (Ravages of War.), pl. 30 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaEstragos de la guerra. (Ravages of War.), pl. 30 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Origen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia, Francisco Goya, 1816Francisco de GoyaOrigen de los arpones ó banderillas (Origin of the Harpoons or Banderillas), Plate 7 from La tauromaquia1816Yale University Art Gallery
Un enano (A Dwarf), Francisco Goya, 1778–79Francisco de GoyaUn enano (A Dwarf)1778–79Yale University Art Gallery
Por una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War), Francisco Goya, 1863Francisco de GoyaPor una nabaja [sic] (On Account of a Knife), Plate 34 from Los desastres de la guerra (The Disasters of War)1863Yale University Art Gallery
Caridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaCaridad de una muger. (A Woman’s Charity.), pl. 49 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Mariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia, Francisco Goya, 1876Francisco de GoyaMariano Ceballos, alias el Indio, mata el toro desde su caballo (Mariano Ceballos, Alias the Indian, Kills the Bull from his Horse), Plate 23 from La tauromaquia1876Yale University Art Gallery
Gracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War), Francisco Goya, ca. 1810–20, published 1863Francisco de GoyaGracias á la almorta. (Thanks to the Millet.), pl. 51 from the series Los desastres de la guerra (The Disasters of War)ca. 1810–20, published 1863Yale University Art Gallery
Ni por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863Francisco de GoyaNi por esas (Neither Do These), pl. 11 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)1810–20, published 1863Yale University Art Gallery
Ni asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos, Francisco Goya, 1797–98Francisco de GoyaNi asi la distingue (Even Thus He Cannot Make Her Out), pl. 7 from Los caprichos1797–98Yale University Art Gallery
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