Francisco de GoyaBaltasar CarlosFrancisco de GoyaBaltasar Carlos
Francisco de GoyaQuien mas rendido? (Which of Them Is the More Overcome?)
Francisco de GoyaFiero monstruo! (Fierce Monster!)
Francisco de GoyaUn caballero espanol en plaza quebrando rejoncillos sin auxilio de los chulos (A Spanish Mounted Knight in the Ring Breaking Short Spears without the Help of Assistants)
Francisco de GoyaLes Caprices (Planche 35) : Elle le plume ; Le descañona
Francisco de GoyaAl cementerio. (To the Cemetery.), pl. 56 from the series Los desastres de la guerra (The Disasters of War)
Francisco de GoyaMadre infeliz! (Unhappy Mother!), Plate 50 from Los desastres de la guerra (The Disasters of War)
Francisco de GoyaCapean otro encerrado (They Play Another with the Cape in the Enclosure), Plate 4 from La tauromaquia
Francisco de GoyaExtraña devocion! (Strange Devotion!), pl. 66 from the series Los desastres de la guerra (The Disasters of War)
Francisco de GoyaGrande hazaña! Con muertos! (A Heroic Feat! With Dead Men!), Plate 39 from Los desastres de la guerra (The Disasters of War)
Francisco de GoyaAmarga presencia. (Bitter To Be Present.), pl. 13 from the series Los desastres de la guerra (The Disasters of War)
Francisco de GoyaOtro modo de cazar a pie (Another Way of Hunting on Foot)
Francisco de GoyaEl animoso moro Gazul es el primero que lanceo toros en regla (The Spirited Moor Gazul is the First to Spear Bulls According to Rules)
Francisco de GoyaYo lo vi (I Saw It)
Francisco de GoyaEl amour y la muerte (Love and Death)
Francisco de GoyaCarlos V. lanceando un toro en la plaza de Valladolid (Charles V Spearing a Bull in the Ring at Valladolid)![No quieren [sic] (They Don't Like It), pl. 9 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863](https://images.collections.yale.edu/iiif/2/yuag:49c1afae-f52c-4907-a804-6fabb84c1c27/full/!400,400/0/default.jpg)
Francisco de GoyaNo quieren [sic] (They Don't Like It), pl. 9 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)![Valor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the ring] at Saragossa), Plate 22 from La tauromaquia, Francisco Goya, 1876](https://images.collections.yale.edu/iiif/2/yuag:2c9f41cb-e2f6-4de8-8c41-e50f791fcfd7/full/!400,400/0/default.jpg)
Francisco de GoyaValor varonil de la célebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in [the ring] at Saragossa), Plate 22 from La tauromaquia
Francisco de GoyaCaida de un picador de su caballo debajo del toro (A Picador is Unhorsed and Falls Under the Bull), Plate 26 from La tauromaquia
Francisco de GoyaUn caballero español mata un toro despues de haber perdido el caballo (A Spanish Knight Kills the Bull after Having Lost his Horse), Plate 9 from La tauromaquia
Francisco de GoyaBobalicón (Simpleton), also known as Tras el vicio viene el fornicio (After Vice Comes Fornication), from the series Los disparates (The Follies/Irrationalities)
Francisco de GoyaDos grupos de picadores arrolados de seguida por un solo toro (Two Teams of Picadors Thrown One After the Other by a Single Bull), Plate 32 from La tauromaquia
Francisco de GoyaEl caballo raptor (The Horse Abductor), pl. 10 from the series Los proverbios
Francisco de GoyaPara eso habeis nacido. (This Is What You Were Born For.), pl. 12 from the series Los desastres de la guerra (The Disasters of War)
Francisco de GoyaLigereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid)
Francisco de GoyaNi asi la distingue (Even Thus He Cannot Make Her Out)
Francisco de GoyaNadie se conoce (Nobody Knows Himself)
Francisco de GoyaDisparate femenino (Feminine Folly)
Francisco de GoyaEl famoso Martincho poniendo banderillas al quiebro (The Famous Martincho Places the Banderillas Playing the Bull with the Movement of His Body)
Francisco de GoyaLos moros hacen otro capeo en plaza con su albornoz (The Moors make a different play in the ring calling the bull with their burnous), Plate 6 from La tauromaquia
Francisco de GoyaEl esforzado Rendon picando un toro, de cuya suerte murió en la plaza de Madrid (The Forceful Rendon Stabs a Bull with the Pique, from which Pass He Died in the Ring of Madrid), Plate 28 from La tauromaquia
Francisco de GoyaTambien esto. (This Too.), pl. 43 from the series Los desastres de la guerra (The Disasters of War)![Disparate volante (Flying Folly), from the series Los disparates (Follies [Irrationalities]), Francisco Goya, ca. 1815–19, printed 1864](https://images.collections.yale.edu/iiif/2/yuag:fb13115e-67fd-44a7-8c4b-3bd55d963a1c/full/!400,400/0/default.jpg)
Francisco de GoyaDisparate volante (Flying Folly), from the series Los disparates (Follies [Irrationalities])![Tampoco (Nor [Do These] Either), pl. 10 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863](https://images.collections.yale.edu/iiif/2/yuag:b98b601a-df22-4e7d-9150-b20a3fe26e21/full/!400,400/0/default.jpg)
Francisco de GoyaTampoco (Nor [Do These] Either), pl. 10 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)
Francisco de GoyaLos moros establecidos en España, prescindiendo de las supersticiones de su Alcorán, adoptaron esta caza y arte, y lancean un toro en el campo (The Moors Settled in Spain, Giving Up the Superstitions of the Koran, Adopted this Art of Hunting, and Spear a Bull in the Open), Plate 3 from La tauromaquia
Francisco de GoyaLas resultas. (The Consequences.), pl. 72 from the series Los desastres de la guerra (The Disasters of War)
Francisco de GoyaA caza de dientes (Out Hunting for Teeth)
Francisco de GoyaOtra locura suya en la misma plaza (Another Madness of His in the Same Ring)
Francisco de GoyaDisparate de Carnabal (Carnival Folly)
Francisco de GoyaLos ensacados (The Men in Sacks)
Francisco de GoyaDisparate furioso (Furious Folly)
Francisco de GoyaEl agorratado (The Garroted Man)
Francisco de GoyaDisparate puntual (Punctual Folly), unnumbered plate from the series Los disparates (The Follies/Irrationalities)
Francisco de GoyaDisparate general (General Folly), also known as Unas de Gato y Habito de Beato (The Claws of a Cat and the Dress of a Devotee), from the series Los disparates (The Follies/Irrationalities)![Y no hai [sic] remedio (And There's No Help for It), pl. 15 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War), Francisco Goya, 1810–20, published 1863](https://images.collections.yale.edu/iiif/2/yuag:e5c6170e-d47c-4cf1-be70-96e65f3fb07f/full/!400,400/0/default.jpg)
Francisco de GoyaY no hai [sic] remedio (And There's No Help for It), pl. 15 from Fatales consequencias de la sangrienta guerra en España con Buonaparte: Y otros caprichos enfaticos (The Fatal Consequences of Spain's Bloody War with Bonaparte: And Other Emphatic Caprices), published as Los desastres de la guerra (The Disasters of War)
Francisco de GoyaMort de Pepe Illo (Death of Pepe Illo, 3rd Composition), Plate F from La tauromaquia (third edition)
Francisco de GoyaNo se puede saber por qué (One Can’t Tell Why.), pl. 35 from the series Los desastres de la guerra (The Disasters of War)
Francisco de GoyaTodo va revuelto. (Everything is Topsy-Turvy.), pl. 42 from the series Los desastres de la guerra (The Disasters of War)