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Kolekcje: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Ermitaż, Galeria Tretiakowska, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Luwr, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, Muzeum Sztuk Pięknych im. Puszkina w Moskwie, Muzeum Wiktorii i Alberta, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Państwowe Muzeum Rosyjskie, Państwowe Muzeum Sztuki w Kopenhadze, Rijksmuseum, Smithsonian American Art Museum and the Renwick Gallery, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Państwowy Katalog Zbiorów Muzealnych Rosji (274 muzea), Europeana (19 muzeów), Wikidata (44 muzea), Paris Musées (12 muzeów), Joconde, baza muzealna francuskiego Ministerstwa Kultury (495 muzeów) i Catalogo generale dei Beni Culturali włoskiego Ministerstwa Kultury (25 muzeów). Prawa do zdjęć należą do ich właścicieli.

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The First Book of Urizen, Plate 4 (Bentley 24), William Blake, 1794William BlakeThe First Book of Urizen, Plate 4 (Bentley 24)1794Yale Center for British Art
Untitled, Jackson Pollock, 1953–54Jackson PollockUntitled1953–54Museum of Modern Art
Untitled, Jackson Pollock, c. 1950Jackson PollockUntitledc. 1950Museum of Modern Art
"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51), William Blake, between 1797 and 1798William Blake"Yet oft before his infant eyes would run Such forms as glitter in the Muse's ray..." (Design 51)between 1797 and 1798Yale Center for British Art
Untitled, Jackson Pollock, 1945Jackson PollockUntitled1945Museum of Modern Art
Untitled, Jackson Pollock, c. 1944Jackson PollockUntitledc. 1944Museum of Modern Art
Tête de vieillard coiffé d'un bonnet rouge, Dürer, Albrecht, 1520Albrecht DürerTête de vieillard coiffé d'un bonnet rouge1520Luwr
Trois cavaliers orientaux conversant, Dürer, AlbrechtAlbrecht DürerTrois cavaliers orientaux conversantLuwr
Vue du val d'Arco dans le Tyrol méridional, Dürer, Albrecht, vers 1495Albrecht DürerVue du val d'Arco dans le Tyrol méridionalvers 1495Luwr
"Arise 'O Rintrah eldest born..." (Plate 9), William Blake, 1794William Blake"Arise 'O Rintrah eldest born..." (Plate 9)1794Yale Center for British Art
"Where shaggy forms o'er ice-built mountains roam..." (Design 47), William Blake, between 1797 and 1798William Blake"Where shaggy forms o'er ice-built mountains roam..." (Design 47)between 1797 and 1798Yale Center for British Art
"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4), William Blake, 1804 to 1820William Blake"Jerusalem, Chapter 1. Of the Sleep of Ulro!..." (Plate 4)1804 to 1820Yale Center for British Art
The Parable of the Wise and Foolish Virgins, William Blake, ca. 1799–1800William BlakeThe Parable of the Wise and Foolish Virginsca. 1799–1800Metropolitan Museum of Art
Untitled, Jackson Pollock, c. 1950Jackson PollockUntitledc. 1950Museum of Modern Art
"Her Henry's holy shade..." (Design 15), William Blake, between 1797 and 1798William Blake"Her Henry's holy shade..." (Design 15)between 1797 and 1798Yale Center for British Art
The Parable of the Wise and Foolish Virgins, William Blake, ca. 1825William BlakeThe Parable of the Wise and Foolish Virginsca. 1825Yale Center for British Art
Untitled, Jackson Pollock, (c. 1952)Jackson PollockUntitled(c. 1952)Museum of Modern Art
From a Globe of Blood Rises Enitharmon (Plate 11), William Blake, 1794William BlakeFrom a Globe of Blood Rises Enitharmon (Plate 11)1794Yale Center for British Art
"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39), William Blake, between 1797 and 1798William Blake"With screaming Horror's funeral cry, Despair, and fell Disease, and ghastly Poverty..." Design 39)between 1797 and 1798Yale Center for British Art
Ode on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Page, William Blake, between 1797 and 1798William BlakeOde on the Death of a Favourite Cat, Drowned in a Tub of Gold Fishes; Title Pagebetween 1797 and 1798Yale Center for British Art
"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97), William Blake, between 1797 and 1798William Blake"Oft woo'd the gleam of Cynthia silver-bright... Where willowy Camus lingers with delight!..." (Design 97)between 1797 and 1798Yale Center for British Art
Untitled, Jackson Pollock, (c. 1951)Jackson PollockUntitled(c. 1951)Museum of Modern Art
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7), William Blake, 1793William Blake"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)1793Yale Center for British Art
Jerusalem, Plate 28 Proof Impression, William Blake, ca. 1820William BlakeJerusalem, Plate 28 Proof Impressionca. 1820Yale Center for British Art
"The shrill winds wake!..." (Plate 6), William Blake, 1794William Blake"The shrill winds wake!..." (Plate 6)1794Yale Center for British Art
The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt), William Blake, 1806William BlakeThe Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt)1806Metropolitan Museum of Art
Male Nude with a Lion [verso], Albrecht Dürer, c. 1500Albrecht DürerMale Nude with a Lion [verso]c. 1500National Gallery of Art
"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17), William Blake, 1793William Blake"On Albions Angels: then the Pestilence began in streaks of red..." (Plate 17)1793Yale Center for British Art
Thel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3), William Blake, 1789William BlakeThel I. "The daughters of Mne Seraphim led round their sunny flocks..." (Plate 3)1789Yale Center for British Art
The Progress of Poesy, A Pindaric Ode; Title Page, William Blake, between 1797 and 1798William BlakeThe Progress of Poesy, A Pindaric Ode; Title Pagebetween 1797 and 1798Yale Center for British Art
Europe. A Prophecy; Frontispiece, William Blake, ca. 1820William BlakeEurope. A Prophecy; Frontispiececa. 1820Yale Center for British Art
"What have I said? What have I done?..." (Plate 24), William Blake, 1804 to 1820William Blake"What have I said? What have I done?..." (Plate 24)1804 to 1820Yale Center for British Art
Untitled (Sheet of Studies), Jackson Pollock, (c. 1939-42)Jackson PollockUntitled (Sheet of Studies)(c. 1939-42)Museum of Modern Art
A Shepherd Reading the Epitaph (Design 115), William Blake, between 1797 and 1798William BlakeA Shepherd Reading the Epitaph (Design 115)between 1797 and 1798Yale Center for British Art
Introduction (Plate 3), William Blake, 1789William BlakeIntroduction (Plate 3)1789Yale Center for British Art
The Triumphs of Owen, A Fragment; Title Page, William Blake, between 1797 and 1798William BlakeThe Triumphs of Owen, A Fragment; Title Pagebetween 1797 and 1798Yale Center for British Art
Angel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso), William Blake, ca. 1803William BlakeAngel of the Divine Presence Bringing Eve to Adam (The Creation of Eve: "And She Shall be Called Woman) (recto); Sketch for the same (verso)ca. 1803Metropolitan Museum of Art
A Prophecy. "The deep of winter came..." (Plate 5), William Blake, 1794William BlakeA Prophecy. "The deep of winter came..." (Plate 5)1794Yale Center for British Art
An Eastern Ruler Seated on His Throne, Albrecht Dürer, c. 1495Albrecht DürerAn Eastern Ruler Seated on His Thronec. 1495National Gallery of Art
Young Woman in Netherlandish Dress, Albrecht Dürer, 1521Albrecht DürerYoung Woman in Netherlandish Dress1521National Gallery of Art
La Cène, Dürer, Albrecht, Après 1511Albrecht DürerLa CèneAprès 1511Luwr
La Vierge à la couronne d'étoiles, Dürer, Albrecht, 1508Albrecht DürerLa Vierge à la couronne d'étoiles1508Luwr
Untitled (Animals and Figures), Jackson Pollock, 1942Jackson PollockUntitled (Animals and Figures)1942Museum of Modern Art
"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16), William Blake, 1794William Blake"Ethinthus queen of waters, how thou shinest in the sky..." (Plate 16)1794Yale Center for British Art
The First Book of Urizen, Plate 28 (Bentley 27), William Blake, 1794William BlakeThe First Book of Urizen, Plate 28 (Bentley 27)1794Yale Center for British Art
Number 14: Gray, Jackson Pollock, 1948Jackson PollockNumber 14: Gray1948Yale University Art Gallery
A Genius Driving Away "Comus & his midnight-crew..." (Design 95), William Blake, between 1797 and 1798William BlakeA Genius Driving Away "Comus & his midnight-crew..." (Design 95)between 1797 and 1798Yale Center for British Art
The Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso), William Blake, 1780–85William BlakeThe Last Trumpet (recto); Two studies of a right eye, a profile of an open-mouthed young man, the head of an eagle, and the head of a lion (verso)1780–85Metropolitan Museum of Art
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