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Kolekcje: Art Institute of Chicago, Cleveland Museum of Art, Cooper Hewitt, Smithsonian Design Museum, Ermitaż, Galeria Tretiakowska, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Luwr, Metropolitan Museum of Art, Minneapolis Institute of Art, Museum of Modern Art, Muzeum Sztuk Pięknych im. Puszkina w Moskwie, Muzeum Wiktorii i Alberta, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery, Państwowe Muzeum Rosyjskie, Państwowe Muzeum Sztuki w Kopenhadze, Rijksmuseum, Smithsonian American Art Museum and the Renwick Gallery, Whitney Museum of American Art, Yale Center for British Art, Yale University Art Gallery, Państwowy Katalog Zbiorów Muzealnych Rosji (274 muzea), Europeana (19 muzeów), Wikidata (44 muzea), Paris Musées (12 muzeów), Joconde, baza muzealna francuskiego Ministerstwa Kultury (495 muzeów) i Catalogo generale dei Beni Culturali włoskiego Ministerstwa Kultury (25 muzeów). Prawa do zdjęć należą do ich właścicieli.

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506 509 dzieł z 314 muzeów703 teraz na wystawieWyczyść

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Reclining Model, Henri Matisse, ca. 1919Henri MatisseReclining Modelca. 1919Yale University Art Gallery
Round Poetry (Runde Dichtung), Vasily Kandinsky, 1933Vasily KandinskyRound Poetry (Runde Dichtung)1933Museum of Modern Art
Watercolor No. 13 (Aquarell No. 13), Vasily Kandinsky, 1913Vasily KandinskyWatercolor No. 13 (Aquarell No. 13)1913Museum of Modern Art
Untitled (Ohne Titel), Vasily Kandinsky, 1915Vasily KandinskyUntitled (Ohne Titel)1915Museum of Modern Art
Lightly Touching [also known as "Lightly Touched"] (Leicht berührt), Vasily Kandinsky, 1931Vasily KandinskyLightly Touching [also known as "Lightly Touched"] (Leicht berührt)1931Museum of Modern Art
Black Relationship (Schwarze Beziehung), Vasily Kandinsky, 1924Vasily KandinskyBlack Relationship (Schwarze Beziehung)1924Museum of Modern Art
Roter Fleck II, Wassily Kandinsky, 1921Vasily KandinskyRoter Fleck II1921Kunstpalast
Manuscript Pages [verso], Paul Gauguin, 1884-1888Paul GauguinManuscript Pages [verso]1884-1888National Gallery of Art
Green, Wassily Kandinsky, 1924Vasily KandinskyGreen1924Yale University Art Gallery
A Head of Man with Hat, Seen from Behind; A Standing Woman [recto], Paul Gauguin, 1884-1888Paul GauguinA Head of Man with Hat, Seen from Behind; A Standing Woman [recto]1884-1888National Gallery of Art
Boy's Face; Two Sheep [verso], Paul Gauguin, 1884-1888Paul GauguinBoy's Face; Two Sheep [verso]1884-1888National Gallery of Art
Two Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto], Paul Gauguin, 1884-1888Paul GauguinTwo Figures and a Bench; Three Studies of Men's Heads and One of a Hand [recto]1884-1888National Gallery of Art
Parau No Te Varau Ino (left); Tahitian Legend (right), Paul Gauguin, c. 1890/1895Paul GauguinParau No Te Varau Ino (left); Tahitian Legend (right)c. 1890/1895National Gallery of Art
Geteilt (Divided), Wassily Kandinsky, 1928Vasily KandinskyGeteilt (Divided)1928National Gallery of Art
Victor Luithlen, John Quincy Adams, 1905John Quincy AdamsVictor Luithlen1905Österreichische Galerie Belvedere
Three Studies of Men's Heads, One with Spectacles; Dogs, Children, and Two Bearded Men in Profile [verso], Paul Gauguin, 1884-1888Paul GauguinThree Studies of Men's Heads, One with Spectacles; Dogs, Children, and Two Bearded Men in Profile [verso]1884-1888National Gallery of Art
Circles and Numbers; Self-Portrait [recto], Paul Gauguin, c. 1884/1886Paul GauguinCircles and Numbers; Self-Portrait [recto]c. 1884/1886National Gallery of Art
Watercolor No. 14 (Aquarell No. 14), Vasily Kandinsky, 1913Vasily KandinskyWatercolor No. 14 (Aquarell No. 14)1913Museum of Modern Art
Improvisation, Vasily Kandinsky, c. 1914Vasily KandinskyImprovisationc. 1914Museum of Modern Art
Raster, Wassily Kandinsky, 1923Vasily KandinskyRaster1923Albertina
Light Circle, Wassily Kandinsky, 1922Vasily KandinskyLight Circle1922Yale University Art Gallery
Abstract Construction, from Will Grohmann's book "Kandinsky" (Paris: Éditions "Cahiers d'Art," [1930]), Wassily Kandinsky, ca. 1930Vasily KandinskyAbstract Construction, from Will Grohmann's book "Kandinsky" (Paris: Éditions "Cahiers d'Art," [1930])ca. 1930Yale University Art Gallery
Geese; Girls in Bonnets, Geese [recto], Paul Gauguin, 1886Paul GauguinGeese; Girls in Bonnets, Geese [recto]1886National Gallery of Art
Two Heads; Studies of Sheep [recto], Paul Gauguin, 1884-1888Paul GauguinTwo Heads; Studies of Sheep [recto]1884-1888National Gallery of Art
Woman with Cow, and Goose; Counterproof [verso], Paul Gauguin, 1884-1888Paul GauguinWoman with Cow, and Goose; Counterproof [verso]1884-1888National Gallery of Art
Cover Design for the Lecture Notes of "The Problems of Modern Architecture", Frank Lloyd Wright, 1927-1930Frank Lloyd WrightCover Design for the Lecture Notes of "The Problems of Modern Architecture"1927-1930National Gallery of Art
Four Fantastic Forms [recto], Paul Gauguin, 1884-1888Paul GauguinFour Fantastic Forms [recto]1884-1888National Gallery of Art
Church at Murnau (Kirche in Murnau), Vasily Kandinsky, 1909Vasily KandinskyChurch at Murnau (Kirche in Murnau)1909MoMA, 5. piętro, 507Museum of Modern Art
The Horseman (Reiter), Vasily Kandinsky, 1916Vasily KandinskyThe Horseman (Reiter)1916Museum of Modern Art
Blue (Blau), Vasily Kandinsky, 1927Vasily KandinskyBlue (Blau)1927Museum of Modern Art
Nave Nave Fenua, Paul Gauguin, probably 1894Paul GauguinNave Nave Fenuaprobably 1894National Gallery of Art
Analytische Zeichnung II, nach einer Fotografie der tanzenden Gret Palucca von Charlotte Rudolph, Wassily Kandinsky, 1925Vasily KandinskyAnalytische Zeichnung II, nach einer Fotografie der tanzenden Gret Palucca von Charlotte Rudolph1925Gabinet Miedziorytów w Dreźnie
Grun Auf Grun, No. 487 (1932), Wassily Kandinsky, 1932Vasily KandinskyGrun Auf Grun, No. 487 (1932)1932Yale University Art Gallery
A Bearded Man and a Man in Profile [verso], Paul Gauguin, 1884-1888Paul GauguinA Bearded Man and a Man in Profile [verso]1884-1888National Gallery of Art
Tahitian Heads, Paul Gauguin, c. 1891/1893Paul GauguinTahitian Headsc. 1891/1893National Gallery of Art
Porträt Teddy Blyth, John Quincy Adams, 1905John Quincy AdamsPorträt Teddy Blyth1905Österreichische Galerie Belvedere
September Abstractions, The Desert, design for Liberty Magazine cover, Frank Lloyd Wright, 1926–27Frank Lloyd WrightSeptember Abstractions, The Desert, design for Liberty Magazine cover1926–27Museum of Modern Art
Scribbles; Two Shapes [verso], Paul Gauguin, 1884-1888Paul GauguinScribbles; Two Shapes [verso]1884-1888National Gallery of Art
Dame mit schwarzem Kleid und Hut (Alice Hauser), John Quincy Adams, 1901John Quincy AdamsDame mit schwarzem Kleid und Hut (Alice Hauser)1901Österreichische Galerie Belvedere
Study for Painting with White Form (Entwurf zu Bild mit weisser Form), Vasily Kandinsky, 1913Vasily KandinskyStudy for Painting with White Form (Entwurf zu Bild mit weisser Form)1913Museum of Modern Art
Five Sheep; Head of a Woman and Head of a Bearded Man [recto], Paul Gauguin, 1884-1888Paul GauguinFive Sheep; Head of a Woman and Head of a Bearded Man [recto]1884-1888National Gallery of Art
Komposition ohne Titel, Wassily Kandinsky, 1915Vasily KandinskyKomposition ohne Titel1915Albertina
Komposition (vorherrschend rot, gelb, schwarz), Wassily Kandinsky, 1923Vasily KandinskyKomposition (vorherrschend rot, gelb, schwarz)1923Albertina
Figure Studies; Studies of Soldiers [verso], Paul Gauguin, 1884-1888Paul GauguinFigure Studies; Studies of Soldiers [verso]1884-1888National Gallery of Art
Man Playing Piano; Two Sheep [verso], Paul Gauguin, 1884-1888Paul GauguinMan Playing Piano; Two Sheep [verso]1884-1888National Gallery of Art
Manuscript Pages [recto], Paul Gauguin, 1884-1888Paul GauguinManuscript Pages [recto]1884-1888National Gallery of Art
Manuscript Pages [verso], Paul Gauguin, 1884-1888Paul GauguinManuscript Pages [verso]1884-1888National Gallery of Art
Breton Boy in a Landscape; Study of an Arm [verso], Paul Gauguin, 1884-1888Paul GauguinBreton Boy in a Landscape; Study of an Arm [verso]1884-1888National Gallery of Art
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