Edvard MunchNorwegia, 1863–1944Winter Night
Czy można zobaczyć?
Nie wiadomo
Gdzie jest teraz „Winter Night”? Kolekcja: Kunsthaus Zürich, Zurych. Nie wiadomo, czy jest dziś na wystawie.
Zurych, Szwajcaria
Wiemy, do kogo należy, ale nie wiemy, czy jest dziś na wystawie.
- Ten status od
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- Muzeum
O obrazie
Winter Night, an oil painting by Edvard Munch from the 1900s, belongs to the Kunsthaus Zürich in Zurich. It is one of a group of landscapes he made at Ljan outside Oslo, looking over the Oslofjord. The canvas was exhibited at the Vienna Secession in 1904 under this title. Carl Moll bought it there, and it entered the present collection in 1931. It is not currently displayed.
Szczegóły
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- 2204
W katalogu
Źródła
- Wikidata
- Zdjęcie: Kunsthaus Zürich — Edvard Munch · Public domain · Wikimedia Commons
Z życia: Edvard Munch
Cały życiorys1898
Beginning of the Affair with Tulla Larsen
An affair began with Tulla (Mathilde) Larsen, a wealthy young Norwegian woman. Initially warm, the relationship in time began to weigh on Munch because of Tulla's ardor and possessiveness.
1902
The Revolver Incident
After Tulla Larsen's suicide attempt and a mysterious quarrel, Munch shot himself through the hand and was hospitalized. The relationship with Tulla ended, but the artist's mental wellbeing was badly shaken.
1902
"The Frieze of Life" Complete at the Berlin Secession
"The Frieze of Life" was exhibited for the first time in the form the artist had conceived, at the gallery of the Berlin Secession; Munch wrote of the show's "symphonic effect." Here he gained long-standing patrons, Albert Kollmann and Max Linde.
1903
Affair with Eva Mudocci
An affair began with the cellist Evangeline Muddock, who performed under the stage name Eva Mudocci; the relationship was clouded by Munch's increasingly troubled behavior, and they parted.
autumn 1908
Nervous Breakdown and Dr. Jacobson's Clinic
Amid heavy drinking, hallucinations, and persecution mania, Munch entered Daniel Jacobson's clinic in Copenhagen, where he spent about eight months. The treatment stabilized his condition; after his return to Norway in 1909 his painting became lighter and more optimistic.
