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Vanilla Nightmares #2, Adrian Piper, 1986
Adrian Piper, portretAdrian PiperStany Zjednoczone, 1948

Vanilla Nightmares #2

1986 · Drawing and Watercolor

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Obecnie poza wystawą

Gdzie jest teraz „Vanilla Nightmares #2”? Kolekcja: Art Institute of Chicago, Chicago. Obecnie poza wystawą. Sprawdzono 9 listopada 2026.

Art Institute of Chicago

Chicago, Stany Zjednoczone

Należy do kolekcji, ale obecnie nie jest wystawione.

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Numer inwentarzowy
1992.744

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African AmericanPortraits: African American subjectNudeNewspapers

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Rysunki i akwareleWęgielSztuka współczesnaXX wiekUnited States

Źródła

Inne prace: Adrian Piper

Wszystkie dzieła
What Will Become of Me, Adrian Piper, 1985, ongoing

What Will Become of Me

1985, ongoing · Museum of Modern Art

Self-Portrait at Age 5 with Doll, Adrian Piper, 1966

Self-Portrait at Age 5 with Doll

1966 · Poza wystawą · Museum of Modern Art

Drawings about Paper and Writings about Words #47, Adrian Piper, 1967

Drawings about Paper and Writings about Words #47

1967 · Poza wystawą · Museum of Modern Art

Drawings about Paper and Writings about Words #46, Adrian Piper, 1967

Drawings about Paper and Writings about Words #46

1967 · Poza wystawą · Museum of Modern Art

The Barbie Doll Drawings, Adrian Piper, 1967

The Barbie Doll Drawings

1967 · Poza wystawą · Museum of Modern Art

Drawings about Paper and Writings about Words #48, Adrian Piper, 1967

Drawings about Paper and Writings about Words #48

1967 · Poza wystawą · Museum of Modern Art

Concrete 8" Square ["The sides of this square measure 8"..."], Adrian Piper, 1968

Concrete 8" Square ["The sides of this square measure 8"..."]

1968 · Poza wystawą · Museum of Modern Art

Food for the Spirit, Adrian Piper, 1971

Food for the Spirit

1971 · Poza wystawą · Museum of Modern Art

Na wystawie: Art Institute of Chicago

Strona muzeum
The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday on La Grande Jatte — 1884, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Ten sam temat · African American

Wszystkie dzieła o tej tematyce
Plate Number 6. Walking, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 6. Walking, 1887

Poza wystawą · National Gallery of Art

Plate Number 126. Descending stairs, Eadweard Muybridge, 1887

Eadweard Muybridge

Plate Number 126. Descending stairs, 1887

Poza wystawą · National Gallery of Art

Nurse Midwife Maude Callen, New Dresses, W. Eugene Smith, 1951

W. Eugene Smith

Nurse Midwife Maude Callen, New Dresses, 1951

Poza wystawą · National Gallery of Art

Boys, Shady Grove, Alabama, Gordon Parks, 1956, printed later

Gordon Parks

Boys, Shady Grove, Alabama, 1956, printed later

Poza wystawą · National Gallery of Art

Langston Hughes, Chicago, Gordon Parks, December 1941

Gordon Parks

Langston Hughes, Chicago, 1941

Poza wystawą · National Gallery of Art

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), Gordon Parks, October 1943

Gordon Parks

Pilots Gambling in Ready Room, Selfridge Field, Michigan ("I fired a long burst and saw an explosion behind the pilot's cockpit—He went straight down—I tried to follow—When he crashed three white blobs jumped out of the ground—Heh! This isn't my deal!"), 1943

Poza wystawą · National Gallery of Art

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), Gordon Parks, October 1943

Gordon Parks

Lt. "Wild Bill" William Walker and Lt. George Knox 332nd Fighter Group, Selfridge Field, Michigan ("A guy like Bill has got to come in—Let's wait a while longer."), 1943

Poza wystawą · National Gallery of Art

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), Gordon Parks, October 1943

Gordon Parks

P40 in Line for Take Off, Selfridge Field, Michigan ("We're back sugar—Thanks a lot—You're a great gal."), 1943

Poza wystawą · National Gallery of Art