Vampire II, Edvard Munch, 1895-1902
Edvard Munch, portretEdvard MunchNorwegia, 1863–1944

Vampire II

1895-1902 · Print

Czy można zobaczyć?

Obecnie poza wystawą

Gdzie jest teraz „Vampire II”? Kolekcja: Harvard Art Museums, Cambridge. Obecnie poza wystawą. Sprawdzono 2 listopada 2026.

Harvard Art Museums

Cambridge, Stany Zjednoczone

Należy do kolekcji, ale obecnie nie jest wystawione.

Sprawdzono
Ten status od
Źródło
Muzeum
Umieść na stronie

Szczegóły

Numer inwentarzowy
2023.570

W katalogu

Źródła

  • Harvard Art Museums
  • Zdjęcie: Harvard Art Museums — © President and Fellows of Harvard College

Z życia: Edvard Munch

Cały życiorys
  1. 1893

    The "Love" Exhibition: Beginning of "The Frieze of Life"

    At an exhibition on Unter den Linden he showed, among other works, six paintings under the title "Studies for a Series: Love" — the beginning of the cycle later named "The Frieze of Life — a Poem about Life, Love and Death."

  2. 1896

    Meetings with Gauguin and the Symbolists in Paris

    During an important stay in Paris he met Gauguin, Émile Bernard, Maurice Denis, and Symbolist poets, notably Mallarmé. At this time he turned to etching, woodcut, and lithography.

  3. 1896

    Exhibition at the Maison de l'Art Nouveau

    Siegfried Bing showed 60 of Munch's works, including "The Kiss," "The Scream," "Madonna," and "The Sick Child." The exhibition introduced the French public to the artist's work.

  4. 1898

    Beginning of the Affair with Tulla Larsen

    An affair began with Tulla (Mathilde) Larsen, a wealthy young Norwegian woman. Initially warm, the relationship in time began to weigh on Munch because of Tulla's ardor and possessiveness.

  5. 1902

    The Revolver Incident

    After Tulla Larsen's suicide attempt and a mysterious quarrel, Munch shot himself through the hand and was hospitalized. The relationship with Tulla ended, but the artist's mental wellbeing was badly shaken.

  6. 1902

    "The Frieze of Life" Complete at the Berlin Secession

    "The Frieze of Life" was exhibited for the first time in the form the artist had conceived, at the gallery of the Berlin Secession; Munch wrote of the show's "symphonic effect." Here he gained long-standing patrons, Albert Kollmann and Max Linde.

Wszystkie dzieła

Na wystawie: Harvard Art Museums

Strona muzeum